Tag Archives: Superstitions

The Black Stallion and Creature With Three Red Eyes: Don’t Walk Alone at Midnight in Guatemala

I heard this legend while many of my housemates were gathered around a table and drinking. The first time the speaker shared this story, he mentioned that his grandfather never drank after he saw a red-eyed figure in Guatemala. When I asked him to retell his story for collection, he gave much more detail about the two creatures his grandfather feared.

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The speaker’s grandfather used to tell this story when he would get drunk: he saw two creatures. One was a being with red eyes, the other was a black horse. In 1960 in San Rafael, Guatemala at exactly 12 am, neighbors in a village of only 15 or 20 houses could hear a black stallion. And if stragglers outside a home were caught alone, they would hear a horse running after them. They wouldn’t see the horse. If they managed to slip inside their house and close the door, they would hear the horse pounding at the threshold until 12:01. Then they would not hear it anymore.

If the horse caught stragglers, they would die of an underlying disease like cardiac arrest or drug overdose, something “easy to explain.” In those days, a lot of children went missing in the wilderness because the area was “unexplored.”

One night, the speaker’s grandfather and his friend left a larger group of friends playing soccer to walk home around midnight. They were both drunk. Suddenly, the speaker’s grandfather felt dread. Every step they took felt “like mud” and the speaker’s grandfather felt like he was being watched. Both friends turned around to see a seven-foot-tall humanoid figure with three red eyes watching “like a little kid goes onto a tree and just sticks his head sideways and stays staring at you.”

The speaker did not know how his grandfather got home that night, but the friend went missing for over a week. “They did find the guy, his friend, my grandpa’s friend. And so he just told me that this dude was torn. Like torn apart. “

When asked what this creature was, the speaker said that “It’s from the time before even that place was colonized by Spain… around the Mayan time… the Mayans just disappeared one day. They were so advanced for their time.” He went on to say that his grandfather believed that the Mayans, who the speaker mentioned were polytheistic built massive pyramids, disappeared because they were killed by these strange creatures. “These things that they [victims] see now are from times that we can’t even comprehend because he’s like, yeah, they’re from the future. And I was like, What the hell do you mean the future?” The speaker trailed off.

“I’m not sure if it’s real or not, I’m going to believe because the way he will talk to me, he would stare me down in the eyes,” the speaker continued. “And my grandma would also support that, because even she would hear the black horse because that another story my grandma told me when my grandpa was asleep, was, he couldn’t sleep at night, most of the time in Guatemala, because he said that that’s the human figure would haunt him because of his friend.”

The speaker noted that black stallions were also a status symbol in Guatemala reserved for members of the military.

When asked why he first told the story, the speaker noted that ” Usually when I’m under the influence, then the story comes out But usually, when you’re impaired or under the influence, you see, I wouldn’t say another dimension, but you see something else? Like you see? We see different.”

The speaker’s grandfather worried that these two creatures would come for him after he moved to the U.S. He later died of a heart attack.

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This speaker is a good friend but he embellishes stories a lot. He later told me that he believed that he’d seen the red-eyed creature in the U.S. even though he called both of these creatures “just legends” in the recording. I also happen to know that in telling these stories, he was trying to get me to trust him again after a breakup. After, he often offered to tell similar stories. But I think he was being genuine when he told me what he knew and what he had seen.

This speaker also struggles with drinking alcoholic beverages. Telling this story may be a way for him to express the fear he feels drinking to suppress emotions or escape responsibility.

He later asked me not to tease him about ghosts because to him, these stories are very real. I might not believe these stories in the daylight, but I will never walk alone at midnight in Guatemala.

Haunted Theaters and Ghost Lights

My friend shared this story with me and another female friend one night in the kitchen after work. I asked this friend about her haunted house and she later shared that her classmates always left a ‘ghost light’ in the school theater. It was bad luck not to leave a ghost light. This friend also said that she believed her theater may have housed some recent ghosts.

This speaker went to an arts school in Tampa, Florida. She took classes in the drama department and was in school theater productions. Here is her story.

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“Theaters are traditionally haunted all the time… they’re just traditionally haunted,” the speaker said. “After you’re done striking a set or cleaning up or after you’re done rehearsing. You’re always supposed to leave a ghost light, or the ghost, or else that was bad luck.” I asked whether the light was meant to guide the ghosts, but she said that it existed to appease them/ She said ghosts do not like the dark, and that this was ironic.

One day after practice “a student forgot to put the ghost light on, you know, it’s not anything, not a very big deal. It’s literally like a stick and a light ball. And you roll it out onto theaters, like, but we just forgot about it. And then the next day, like a spotlight fell, and that was really bad.”

The speaker said that there were some specific ghosts she thought haunted the theater. “There were a couple of tragedies that did happen at our theater. And there was actually some of them were actually pretty recent. So I’d like to think there were good spirits rather than bad spirits,” she said. The drama director’s brother had passed away that year, and the speaker said that she would like to think that he came to see the productions at the theater. The speaker also added that a young actress had died of a disease in the past, and that there was a plaque in front of the theater honoring her memory. The speaker said that she would like to think that the actress’ ghost visited the theater as well.

When I asked what this meant to the speaker, she said that the young actress had “put so much of her craft into theater.” I suspect that knowing that deceased guests might visit the theater is comforting to the speaker, and that these two particular ghosts help future productions.

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The speaker has shared other ghost stories and believes that these stories are real, so it makes sense that she would believe these ghosts could be real as well. She began telling this story discussing ghost lights and bad luck, but the story ended on a note of good luck. I was taught to act as if a god was always watching, and I know many people feel comforted to know that someone else is guiding them during stressful parts of their life. It might be comforting to know that ghosts are watching over stage productions as well, since the ‘good’ ghosts the speaker mentioned had theater or theater-adjacent backgrounds.

I did not know that movie theaters and stages are supposed to be haunted or that actors would leave a ghost light. My school had a small theater that we used for small class meetings when the drama department was not at practice. I can’t remember a specific light that was left on the stage, but the room was never completely dark. This was likely for security reasons.

The haunted theater trope may be due to the fact that theaters serve as a sort of liminal space when not in use. Theaters are such specific buildings, and sticking around after the show is not an expected reaction. Only janitors and stage crew might remain after a show is over.

Additionally, members who know about the ghost light are ‘real’ members of the theater community. They understand the traditions of other actors and stage crew, and they are part of an in-group.

This story also draws upon similar ideas as the article ‘Ghostly Possession of Real Estate: The Dead in Contemporary Estonian Folklore’ by Ulo Valk. Actors and other community members who believe in ghosts come to terms with tragedy by carrying out traditions in the hope that loved ones continue to exist in the ‘haunted theater.’ The ghost does not necessarily need to be buried near the theater, rather the theater belongs to them because their devotion to acting tied these ghosts to this particular spot.

For another ghost legend by the same speaker, see ” Haunted House in Indiana- The Funny Man and the Woman with the Red Eyes: Sleep Paralysis and Two Traveling Ghosts” in the USC digital Folklore Archive.

Don’t Kick the Watermelon!

The Interviewer will be referred to as ‘I’, and the informant as ‘N’. Explanations and translations for Hindi words will be italicised and in parentheses. The Informant is a 67-year-old Punjabi father, raised primarily in Gujarat.

I: When it comes to bad luck, we hear a lot about bad luck in terms of nazar (the evil eye) and rituals for that, but are there any other rituals, that are maybe more specific and less widely known?

N: In the olden times, when people used to go through a series of bad luck or bad events, they used to think it was because of their… a bad spirit has possessed them. We say, “Maata aai hai,” (mother has come) or “Maata chadhi hai.” (essentially, the person has been affected by the mother) So, to get rid of the spirit, they used to do some rituals, pooja (prayer) rituals, and then with that, they get a watermelon, a big leaf, and a little bit of raw rice and a little bit of-of grains. Put it at a crossroads… and leave it there, and that will assume the spirit, the spirit has gone into the watermelon and the rice, and whoever kicks that in the future, some unknown person, poor bastard, that guy will take it out—that guy will get the bad spirit. 

Analysis:

The idea of the crossroads has always been intertwined with demonic lore, with the eponymous ‘crossroads demon’ stories, but this watermelon-fix is entirely new to me. However, what isn’t new is the idea of prayer and a natural resource as a demon-repellent — usually, it’s associated with salt, with drawing pentagrams and what-have-you, but those drawings are primarily more Western beliefs. What really intrigues me about this, is the idea that the demon is not banished to an ether-realm, a hell, or something of the sort: Hindu mythology hinges itself on reincarnation (one has to through other living beings, plants, animals, insects, etc., until they can have another human life, all depending upon their karma, their good and bad deeds), the circular nature of time and life, and therefore, it would make sense that there is no proverbial hell to send this demon to, getting trapped, instead, inside of another living thing. Therefore, although it may initially seem like any random person who comes upon and happens to kick the watermelon is cursed without real rhyme or reason, it’s deeper than that. If looked at through the lens of Hindu belief, it’s implicit, but it’s possible that it all comes down, once again, to karma: if the person has committed many bad deeds, and as karma states, has to live with similar energy in their own life, they will happen to bring this bad luck, or demon, upon themselves. If not, they will be saved from kicking the watermelon by their own karma, almost divine intervention. However, this is an implicit inference made by me, and nothing is set in stone.

The Lemon-Chilli Bad Luck Repellent

The Interviewer will be referred to as ‘I’, and the informant as ‘C’. Translations for Hindi words will be italicised and in parentheses. The Informant is a 43-year-old Sindhi man, born and raised in Maharashtra, India.

C: This is like our own desi (of the country, essentially self-reference by South Asians) evil-eye. To ward off evil. 

I: Great! So, what is it?

C: We call it nimbu-mirchi (lemon-chilli), I don’t know if it really has an official name, but basically you have… you thread lemon and green chillies, alternately, and you make about a six-inch length thread, and normally, you know how you have the evil eye? I think it’s an Egyptian concept, the eye to ward off evil? That’s kind of a similar thing, this is our way of warding off nazar (the evil eye, bad luck). So that is something, even now, when people buy a new car, a new house, a new office, or during poojas (prayer), this, that, the other, a new baby is born, weddings, whatever… it’s a very standard thing to put this. You’ll find it hanging, dangling under every single truck on the road, they still have it. They’re sold at all traffic lights, you’ll see some people, street-sellers going around with nimbu-mirchi pieces. And Saturday is like a special day when everybody’s supposed to buy it and do it. Like, that shani (Saturn, and also the prefix to the word for Saturday, but it is also used to refer to negativity), right? Something like that—shani bhari hoti hai (Saturn, and therefore Saturday, is heavy, and the negativity associated with it), or whatever. You even use chillies and salt, or lemons and chillies to remove nazar from people, you take it and swish it around their entire body to lift the nazar. My niece used to have a lot of chest congestion, colds, it was like her chest wasn’t even clear for four days in a month… we did it for her, my mother did, because she believed it was nazar. I know my friend’s mother did the same thing for her grandson too, it’s very common.

Analysis:

The idea of nazar is very common within Indian culture, and so is this particular ritual of removing or preventing it. Anywhere you go, you will probably see a nimbu-mirchi dangling somewhere, from the rearview mirror of a car, to the entrance of somebody’s house. Similarly, the chilli-salt/chilli-lemon ritual along with a chant or prayer is very common to alleviate people of strange, persisting illnesses or odd, out of character behaviour—another account of this can be found in “White Things: An Account of Demon Possession”, at http://folklore.usc.edu/white-things:-an-account-of-demon-possession. Indians are largely a spiritual people, we like knowing things are auspicious, bringing good luck and warding off the bad, often relying on cultural superstitions and practices. So, culturally, both of these things make sense: the ritual, as well as the folk object that the lemon-chilli string is. What these practices convey falls within a very prominent folk belief: negativity (that comes with Saturn, as well as with negative emotions and the evil eye) must be warded off, discouraged, and good luck and blessings can be attracted, through poojas (prayer) and physical symbols of luck like the nimbu-mirchi, along with a person’s own lifestyle and deeds (their karma).

Main Piece: Red underwear

Background: The informant always wears red underwear when she knows she is entering a situation where danger could occur. She believes that the color red has protective powers and is ultra superstitious about wearing it, especially when flying. She is a very spiritual woman, but also particular about what type of folk beliefs she acquires. She does her research before hopping on a trend or swearing by a specific belief. This underwear belief, while sparked by Madona, has become a pillar in her travel experience.  

Context: “I first started wearing red underwear when Madonna became an expert in Kabbalah. She was very famous at the time and I thought it was quite ridiculous that she decided to suddenly become Jewish, I suppose, and pick the sect that she did. Remember those little red bracelets? I wish that I had had a company at that point manufacturing those because they were hot in the 90s. They taught me. Red protects you. Red protects your soul from being attacked by malicious characters. As a 20-year-old girl, I never liked to fly. I always felt so vulnerable so far up in the sky with people I didn’t even know in control of my life.  The pilot, the flight attendants. I thought to myself if I wear red and red underwear I’ll be protected. Red really isn’t my color, so I felt that underwear was the way to go. I didn’t have to match it with anything, just make sure I owned some undies to throw on before any flight”.  

Thoughts: This is a custom and belief that has been passed along to me, as her daughter. I also think that red is a guarding force and I feel the ritual is associated with my mom and that in itself provides a sense of safety. I love following in my mom’s footsteps with her beliefs because I trust her, so this custom is just another way for me to feel that she is by my side in perilous circumstances. I know that she is very particular about her folk beliefs and practices, so her opinion is highly valued. Her superstitions are worthwhile.