Tag Archives: ghosts

Legend-Japanese

Nationality: Kazakh
Age: 20
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 2, 2008
Primary Language: Russian
Language: English, Japanese

In the abandoned outskirts of Osaka, there is a lonely tunnel that leads to a small lake with a small bridge. A forsaken and forgotten area, for years it was a convenient place for depressed Japanese people to end their lives in secrecy, without shame. Legend has it that the souls and spirits of these tormented people still linger there, and that living creatures who venture too close can sense the suffering and rage; they are in danger of turning mad from its misery.

This is a legend that Saltah learned from her Japanese boyfriend during her stay in Osaka, Japan. He and a friend had decided to go see the lake for themselves because of the legend. He said that his car engine suddenly stopped working, that his car started to quake, and that his friend completely panicked. When he got back home, he checked the Internet for news of a minor earthquake, but did not find any. Saltah, of course, wanted to check out the lake for herself. Saltah and her boyfriend went in a car packed with a group of friends. She says she is not easily scared, and rarely panics, but crossing the tunnel, she began to feel a chilly “pushing feeling.” They parked by the lake which was dark because “the trees are really tall—and they cover the sky.” Saltah began to feel “hysterical” as she yelled at her boyfriend not to stop the car; she said she yelled “Let’s go! Let’s go! Let’s just go!”

When I asked her what she thought this legend meant, it was clear that she believes every word of it. She told me that the spirits of those that committed suicide there were still there, and were probably more miserable because they could not escape the place. If a living person is exposed to this, she said, “their minds are crazy.” She then went on to remind me that the Japanese make so many of the world’s scariest movies—she seemed to be suggesting that there are many unhappy Japanese. “They were isolated for centuries on an island,” she said, and anyone or anything that is isolated for too long can get a little “crazy.”

I think there are a few things we might be able to deduce from this legend. First of all, it is interesting to note that a popular suicide site is a secluded place. It seems to me that this reveals a bit about Japanese attitudes toward suicide and shame. Often, we hear of people committing suicide in famous places, or people trying to jump in front of crowds—off buildings in large cities, off famous bridges, onto subway tracks. In the US, for example, the most popular place for suicide is the Golden Gate Bridge. One might read this as a desperate cry for attention, or ‘cry for help.’ In Japan, then, we see that this element must be largely missing from suicide motives. Far from a public cry for help, suicide in Osaka seems to be something shameful, something to do in secrecy. This is especially interesting in light of Japan’s historical tradition of seppaku and jigai—seppaku was sometimes performed publicly. However, when for the right reasons, suicide used to be considered courageous and honorable. Now that the public opinion has been largely westernized, suicide has become dishonorable, while the Japanese’ strong dislike of shame stays the same: now that suicide is shameful, it is done covertly, and is not used as an attempt to gain attention.

Another thing interesting to note is that this lake is in a rural, deserted place located near a large city. It seems to me that this may be an indication of the extremely urbanized nature of human life in the modern age. The source of terror and panic is not a hazardous highway, or a crowded city—but an isolated lake that lacks people, that lacks artificial lighting. It is surely a sign of the times that people now find reason to fear a place for lacking modern modifications.

Folk Metaphor-Korean

Nationality: Korean
Age: 34
Occupation: Exercise physiologist
Residence: Los Angeles, CA
Performance Date: April 23, 2008
Primary Language: Korean
Language: English

“?? ??~” or “????”

“gui-shin ga-chi~” “gui-shin-ee-yah”

“ghost like~” “ghost is”

“~like a ghost” “Is a ghost”

Gisuk has always heard this being said in Korea. It is a very common phrase used when someone is uncannily good at something. I was teaching her some dance technique, and noticed out of the corner of my eye that she was not turning her foot out properly. “Turn out!” I said, and she said “?? ?? ?? ??…!” Which is literally, “You know, like a ghost!” Basically, what she meant was “You can tell so well, like a ghost!”

I have always heard this myself, but when she said this I noticed for the first time how odd it is that we would equate being very good or very skilled at something to being a ghost. That is when I decided this was a valuable piece of Korean folklore.

When I asked her what she thought this meant, she said simply that she thinks we compare a very skilled person to a ghost because it can be mysterious when someone is unusually good at something.

However, most cultures would not associate anything good to a ghost. Yet in Korean, when we say “good like a ghost,” it is generally a compliment and does not even necessarily connote mysteriousness or eeriness of a person’s talent. People might say enthusiastically of a good singer “at singing, she’s a ghost!” of a math prodigy, they might say “he’s a math ghost”—without the slightest hint of negativity or uneasiness. I do not think the term ghost here is at all associated with the scary unknown. I would compare this to the American use of the word ‘wizard’ in the phrases “math wizard” or “computer wizard.” In this context, it ‘wizard’ simply means someone very skilled, with a trace of apprehension of sorcery. It is also an uncommon idea that ghosts are particularly skilled or talented. In western portrayals, anyway, ghosts are rather stiff and unable to think or do much.

I think this may be a vestigial of Korea’s historical shamanistic religions, and traditions of ancestor worship. Actually, many of our most important holidays still retain a great deal of ancestor worship. Because most of the ghosts that historical Koreans would have dealt with in their lives were those of ancestors, it is now no longer so surprising to me that Koreans still have an unusually positive view of ghosts. Historically, we worshiped them, and they were our guardians. No wonder, then, when we see someone who excels, we say “Why you’re like a ghost!” Putting it into historical context, we are basically saying “you are like an ancestor-god!”