Tag Archives: Trumpet

Trojan Marching Band Rights of Passage

CL: I was in the marching band [Trojan Marching Band], and it’s this big, big thing, especially being a first year, to have two sort of rights of passage or hazing or other traditions to kind of make your way fully into whatever section or whatever instrument you’re a part of. So the first one would be for trumpets, as I am a trumpet. Um, it would be a night called Carne, in which there would be this big feast, and then afterwards, um, all of the first years would go in, answer a couple of trivia questions, and then come out one by one, and effectively answer a few of those questions, and get water balloons thrown at them, completely drenched. And I remember at some point, there was like a slip and slide, a handful of other things, but it’s also, this is a place where you would either get, like, your name for the band, or you would get it at a later. This would be like the first time where you would actually get your name for the band or your band name in that sense.

Interviewer: What is a band name?

CL: It’s just kind of like a nickname for each of the other band members that you get your first year, either in that section or as part of the band, that then it’s like a thing that for your next year, the first year is try to guess everyone’s band names or try to figure out whose band name is whose, because in all the group chats, no one uses their actual name for like the first half of the semester. They just use their band name. But then, in addition to that, there is the every year there is the USCxUCLA game, and then the entire week, that’s called Fuck The Week. Um, every section sort of has this tradition where they go to Tommy’s chili cheeseburgers, the original Tommies, at least for us, it has to be the original Tommy’s. Every single time. And concoct a very vile brew. Um, then the first years would have to drink. And of course, there’s like a little bit more leniency now, but when you did do this, it was like, now you’re part of the section. Like, before it was like the first step that, like, welcome to the band, but then now you’re part of, like, this intersection family.

Interviewer: And it’s just a drink mixed with a bunch of different things?

CL: It’s root beer and chili…It’s not great.

Interviewer: So, do you have to drink the whole glass or just a sip?

CL: Uh, the whole glass. Um, but it’s bad because it gathers on the bottom…It’s not great. But it has been done for as long as I’ve known it, as well as my brother, who was in the band before me, and then everyone before him, like almost everyone’s done it.

Context: Discussing rights of passage in class, CL was able to describe to me their time in the Trojan Marching Band as a trumpet player. Then, going on to describe how one acquires a “band name,” as well as different initiation/hazing rituals that truly make one a part of the TMB family. These are generational traditions – and while they are less harsh and strict now, they are rooted in traditions that have been happening for years and years prior. AN experience shared through many past and current members.

Analysis: This interview shows how group tradition ( in this case, the USC Trojan Marching Band) is used to create a strong sense of belonging, even if they involve a bit of discomfort or embarrassment. Events like “Carne,” getting a band name, and drinking the chili/root beer mix at the original Tommy’s chili cheeseburgers act as rites of passage that separate first years from returning members and mark the moment someone fully becomes part of the group. Despite some of these traditions seeming closer to hazing, they’re framed more as bonding experiences, where everyone has gone through the same thing and can relate to each other because of it. The idea of band names is especially important because it creates a shared identity within the group. Overall, these traditions show how organizations build tight communities through repeated rituals.

Trumpeter of Krakow

Nationality: American
Age: 70
Occupation: Musician
Residence: Austin, Texas
Performance Date: 03/14/19
Primary Language: English
Language: Polish

Content:
Informant – “The trumpeter of Krakow’s responsibility was to wake up the town with his trumpet. He would give a trumpet call from the tower of the church. Supposedly he would do it from Saint Mary’s but the story takes place in the 1300’s so Saint Mary’s hadn’t been built yet. Anyways, one day the trumpeter saw the dust of the huge tartar army approaching ‘I must warn the people’ he thought. So he started to play the trumpet to tell the people that something bad was happening. He continued to play and after a while people caught on that something was wrong, that this isn’t the right time to play, bladdah bladdah bladdah. And so they fled. And as the trumpeter continued to play, an arrow from the army pierced his throat. And the trumpet call ended on a short note, a very unexpected ending. And to this day, every hour on the hour a trumpeter plays at each window of the top of the tower, north south east and west. And every time the ending is abrupt to signify the death of the trumpeter and commemorate his heroism.”

Context:
The informant heard this story from his father when he was a child.
Informant – “It’s a source of pride for me. The trumpeter is a national hero, and Saint Mary’s is iconic.”

Analysis:
This story did not originate as folklore. It’s based on a fictional novel written in 1929. Also, Saint Mary’s Basilica was built in the 1300’s, which is around the time the original novel takes place. It’s interesting that the informant does not associate the story with the book. It seemed like the informant was not aware of the book at all. He only knew the story his dad had told him.

For another version of this story, Kelly, Fred James, Trumpeter of Krakow.