Author Archives: rscharen@usc.edu

Get Yourself Together

Nationality: American/Mexican
Age: 19
Occupation: Student
Residence: N/A
Performance Date: 4/25/18
Primary Language: Spanish
Language: English

Original: Ponte las pilas

Phonetic: ˈpõn̪.te las ˈpi.las

Translation: Get some batteries

Full Translation: This piece of folk speech is telling whoever it is directed at that they are”out of batteries” or out of energy or work ethic, and that they need to refill or else they won’t be able to functional. It boils down directly to “don’t be lazy”

Context: My informant is a nineteen year old college student. Though he was raised in the United States, he was born in Chihuahua, Mexico, and his first language is Spanish. This proverb was recited in a college dorm room, with the informant sitting across from me.

Background: My informant can’t remember exactly who he heard this saying from, but is relatively certain it was in a familial setting. To him, it’s simply a natural way of telling someone that they’re being lazy, and that they should consider putting more effort or attention into whatever they’re doing. To him personally, he sees it as a harsher way of telling someone to get more motivated. He’s only used it friends and family, and considers it as almost borderline rude.

Analysis: This example is perhaps unique amongst the folk speech that I have recorded. Many phrases are hard to assign to a single period due to the general difficulty of tracing word-of-mouth materials. However, this example appears to have contemporary origins. Since its referring to batteries specifically, it must have originated sometime in the past fifty to one hundred years, making it a relatively recent piece of folk speech. In terms of the phrase itself, I think that its short length – three words – makes it an easily repeatable phrase, which makes it hard to forget as a result. This could potentially explain its widespread use in Mexico, despite its seemingly recent origins.

The Jungle Joke Competition

Nationality: Mexican/American
Age: 19
Occupation: Student
Residence: N/A
Performance Date: 4/25/18
Primary Language: Spanish
Language: English

Interviewer: What’s the jungle joke that you mentioned earlier?

Informant: Ok, so, the king of the jungle, a lion, decides that he wants to hear the best joke in the jungle. He gathers all of the animals of the jungle around him and announces that whoever tells a joke that gets everyone to laugh will win. But, if their joke does not make every single animal laugh, then they will be killed.

The elephant immediately begins to tell his joke, thinking that he will no doubt win the competition. After he finishes, the crowd is silent. No one thinks the elephant’s joke is funny, and so the king of the jungle murders him.

Next, the parrot comes forward. The parrot tells his joke and half of the crowd erupts into laughter. The other half is silent though, so the king of the jungle kills him too.

Then, the giraffe steps forward. The giraffe pauses, then begins his joke. When he finishes, every single animal in the crowd laughs – except one, the turtle. The king of the jungle pauses for a moment, waiting for the turtle to join in, but the turtle never does. So, the giraffe is killed too

Finally, the jaguar strides forward and tells his joke. The jaguar, who mostly likes to hunt, doesn’t know many jokes, and his joke is terrible. Only one animal laughs – the turtle.

After the King of the Jungle kills the jaguar, he asks the turtle why he laughed. The turtle says “the giraffe’s joke was hilarious!”

Context: My informant is a nineteen year old college student. Though he was raised in the United States, he was born in Chihuahua, Mexico, and his first language is Spanish. This joke was told in a college dorm room, with the informant sitting across from me.

Background: This informant heard this joke from his parents, both of whom are from Chihuahua, Mexico. He enjoys it and remembers it because of the turtle and his delayed reaction. He and many of his friends and family use “Don’t be the turtle” to chide someone when their reaction is delayed or they did not respond to ones question or statement.

Analysis: I personally enjoyed the joke a lot. It doesn’t rely on wordplay or any sort of cultural knowledge, all the listener has to know is that a turtle is slow – this makes the joke relatively accessible. At the same time, the use of a somewhat brutal method of punishment, that is, death, for a bad joke, also makes the stakes higher for the animals and adds to the hilarity of the situation, since, at the end of the day, death is a ridiculous punishment for not making everyone laugh. I also found it interesting that the motif of threes finds its way into this joke as well. Though there are four animals, the giraffe, the animal to tell the best joke, and whose joke elicits laughter from the most animals, is the third to tell a joke.

The Story of Little Suck-A-Thumb

Nationality: American/German
Age: 19
Occupation: Student
Residence: N/A
Performance Date: 4/15/18
Primary Language: German
Language: English

Informant: There once lived a boy named Conrad, who loved to suck his thumbs. He sucked his thumbs day in and day out, and when his mother told him not to, he did anyway. Finally, his mother gives up, and tells him that if he keeps sucking his thumbs, the tall tailor will find him and cut his thumbs off.

But, as soon as Conrad’s mother had left the room, he immediately began to suck his thumb again. But, his mother had not been joking. The door burst open and a tall man with a pair of huge shears ran into the room and chased Conrad down, cutting off both of his thumbs.

Now Conrad has no thumbs.

Context: This informant is a nineteen year old college student, attending school in the US. However, he lives abroad in a small town in Germany, where he has access to a wide range of German folklore. He also speaks German fluently, which offers him greater understanding of German culture as well.

Background: My informant heard this story from his parents when he was younger, although he clarified that it was in a joking light, rather than a serious one. He seemed to think the tale was useful for keeping rowdy or otherwise disobedient children from retaining bad habits or bad behaviors.

Analysis: This story struck me from the moment I heard it as quite brutal. Cutting off a child’s thumbs is an uncharacteristically serious punishment for as small a transgression as thumb-sucking. However, it did strike me how the seriousness of the tale reflected the culture of Germany itself. Germany, especially in the 19th and 20th centuries, has developed a culture of strict order, one that especially stresses the importance of a superior’s orders. This tale is reflective of this cultural attitude – the child, after displaying disobedience, is given a brutal punishment as recompense. I especially enjoy this tale for its short and to the point attitude. This is a story to listen to and heed the warning of. It isn’t told to entertain children. It is told to caution them.

Annotation: Consult this source for another version of this tale

Hoffman, Heinrich. “Struwwelpeter.” The Story of Little Suck-a-Thumb, Virginia Commonwealth University, germanstories.vcu.edu/struwwel/daumen_e.html.

Annotation Comment: This is an alternative source for this tale found in the Virginia Commonwealth University database. It doesn’t seem to diverge significantly in terms of narrative, but interestingly, this version seems to be prose. Since the story is translated to English, and the words are in English, I’m inclined to believe this is a modification further down the line. Furthermore, the story has an author attached, an impossibility for folklore, which makes me think that this prose-form of the tale was a modification by Mr. Hoffman to the original.

 

Purple Passion

Nationality: Singaporean
Age: 19
Occupation: Student
Residence: USA
Primary Language: Malayalam
Language: English

Due to the length of this story, a transcript is not provided. Instead, the audio clip of the Purple Passion story is attached to the Folklore database article. (Link)

Context: This informant is a nineteen year old college student, attending school in the US, but originally from Singapore. This anti-joke was told to me by the informant in a college dorm room. The informant made sure to take long pauses and deliberately spoke in an awkward manner to further extend the length of the anti joke. This, in turn, made the lack of a punchline all the more frustrating.

Background: My informant heard this story from  one of his friends while sitting at a bar. He appreciates this story because of how elaborate it is. The story weaves an intricate web of events, all centered around the use of a single term – “Purple Passion”. His story, by its end, is nearly ten minutes, and yet, it has no punchline. Instead it ends abruptly and unsatisfyingly, and the reader reacts accordingly, with anger, surprise, and frustration.

Analysis: Purple Passion is an expertly built anti joke, that, when properly delivered, demonstrates the efficacy of such constructs. In wasting the time of its subject so expertly, the story actually has a greater chance of spreading itself. Since ones time is wasted, telling the story to another person might appear to “settle the score”, and thus leads to its continued retelling. I personally enjoyed the story to the end, as it’s structured in a very deliberate manner – it is constantly building up to an ending, before suddenly turning the boy, and, by extension, the listener, towards another false objective.

The Story of the Inked Boys

Nationality: German/American
Age: 19
Occupation: Student
Residence: N/A
Performance Date: 4/15/18
Primary Language: German
Language: English

Interviewer: Got any other German fairytales?

Informant: I do, actually. This one is one of my favorites – it’s interesting because it shows a tolerance that Germans seemed to have forgotten at some later points in our history.

Three boys are laughing and playing in a field outside of their village, near a road. As they play, a Moor, a black man, comes down the hill, carrying a green umbrella. The Moor is quiet and polite as he makes his way down the road, but when the boys notice him, they grab all of their things and rush over and start insulting the Moor. The boys sing songs and make fun of the Moor’s dark skin and how its so black it’s as black as ink.

St. Nicholas, who lived nearby, heard the boys and what they were doing, and he shouted at them to stop. But, the boys didn’t listen. They kept laughing and shouting at the Moor, continuing to make fun of his skin color.

St. Nicholas is pissed at this point, so he takes his huge ink pot that he used for his quill and grabs the three boys. Then, he goes and takes each one of them… and dunks each one into the black ink until all of them are just as dark as the Moor. Then, he takes them out and puts them next to the Moor, who is laughing super hard at this point. St. Nicholas taught them a lesson about harassing people who look different from themselves.

Context: This informant is a nineteen year old college student, attending school in the US. However, he lives abroad in a small town in Germany, where he has access to a wide range of German folklore. He also speaks German fluently, which offers him greater understanding of German culture as well.

Background: My informant heard this story from one of his neighbors from his village in Germany. He has a personal love for this tale, as it was one of the first to be told to him in his childhood, but also because of the general message it sends – one of punishment against not only intolerance, but xenophobia. The children make fun of the Moor due to his difference. My informant points out that St.Nicholas places the children into the Moor’s shoes not only to punish them, but also to make them experience life from the point of view of their victim.

Analysis: I believe my informants tale outlines a curious societal quirk inherent in whatever communities it originated from. It appears to be poised against intolerance towards foreigners, especially of African descent, at a time when such intolerance was widely acceptable. It makes a point to not only punish rude children, but also to make them experience life from the point of view of those they wronged. From a more objective lens, one might also point out the motif of threes at play here as well. Three boys are present in the tale, rather than a single one.