Hotel Del Coronado ghost sighting

Text:

Informant: So, there’s a hotel down in San Diego, it’s a very famous hotel, called the Hotel Del Coronado. It’s an older hotel, and so, a while ago, the company I was with was doing some work there. I went there early and the workers were going to do work at night. So it was evening time and I was walking around, going downstairs and going around the shops and everything, going up into the lobby- if you’ve ever been to the Hotel Del Coronado, it’s just this beautiful place, very old, lots of history. Of course, the rumor is that it’s a haunted hotel. But you never expect to see anything, but you still have it in the back of your mind that something could happen there. So, I was going through the lobby and I was going to go downstairs to where there were some shops, and I was walking downstairs, and there were people walking up the stairs. And as I’m walking down the stairs, this transparent wisp of something just passes right in front of me. And I look at the guy in the stairway who’s walking up, and his eyes are huge. And he looks at me, and I look at him, and I said “did you see that?” And he goes “Oh yeah, I saw that.” And then we just kept walking.

Interviewer: How much of the hotel’s history were you aware of before this?

Informant: Well, not deep into the history, but just the notion that there’s probably a lot of ghost stories. But nothing in particular that I knew of. But yeah, like I said, when you walk into something with that kind of history, you kind of know something going on. But the fact that it wasn’t just me, but myself and a total stranger, that we both saw it, is just… scary for me.

Context:

As mentioned in the account, the informant was working at the hotel as part of their job. They were born and grew up in the United States.

Analysis:

Ghost stories have a habit of taking places in older locations and those with a lot of history. As Ulo Valk puts it, they are figures from the past who uncannily appear in the “wrong” setting. That being said, there isn’t a lot to go off of in terms of the story itself.

As the hotel is rather old, there is quite a bit of history behind it, and its own history of haunting. Kate Morgan, who took her own life in the hotel in 1892, is the main subject of ghost stories, with her death being where the ghost sightings began. Some guests noting flickering electricity, changes in room temperature, unexplained sounds, and breezes from nowhere. Very few guests, however, seem to note an actual present sighting of the figure, which makes this account far more unique. If I had to guess on an “explanation” for the event, it could very well be a result of the informant being tired, as indicated by this taking place during a work trip, and the general “aura” of the hotel itself potentially affecting the teller and other person’s perception. After all, if you expect to see ghosts in a hotel, you are more likely to see ghosts.

Dwendes

Text:

Informant: In the philippines, we believe in these creatures called dwendes, and they’re basically creatures- they could be in the form of- i don’t know, goblins, dwarves, little people, and you can’t see them, but there’s been talk of people being able to see them. They hide, in places like molehills or dark places in your house, trees, under rocks, and so the saying goes that they exist in our country, and they primarily like kids and enjoy playing with them. There are stories that say when we see kids laughing or moving their hands, that’s the Dwendes playing with them. But, there’s also fear of them because they can also be associated with misfortunes, so to speak. For example, there’s an association that you might step on them, and so when you’re walking around in places that are super dark, or perhaps tall grass or rocks, then you actually say “tabe tabe po”, which in our language means, “excuse me, sorry, can you move to the side? I’m walking in this space and I don’t want to get in your way.” So basically, giving them notice because you could step on them, and if you step on them, you could actually have misfortune. So sometimes, people will say stories where they got sick because they were walking at night, and you’re walking at an unfamiliar place, and you can get sick because you step on them.

…

Informant: Not all of them are good- they say some of them are good dwendes and some of them are bad.  You can get sick off them, and they have to call one of those- I call them witchcraft but that’s not what they call them- they call them healers, and these people think these people are healers, and they have to do a ceremony on you to get rid of them- because people think that there are evil spirits on you.

…

Informant: One time, one of the visits I made, I went with my cousins somewhere dark, and I thought what they were doing (saying “tabe tabe bo”) was ridiculous, and literally the next day I got super sick. And, my family was like, “Oh my god, you stepped on one!” And so they called the healer and had to do something on my stomach- I felt like I had a stomach flu because, you know, I had unfiltered water, which in a third world country you would obviously get sick from, but they were like “You stepped on a Dwende, and we need to call someone”. And I think a lot of it- people believe in it because they live in a very rural countryside, a lot of these myths are real, and a lot of them don’t have a higher education- so they’re not really educated to understand how things work- how they get ill, and what they associate with that.

Context:

The informant is Filipino, but she comes from Vancouver, Canada. She has been in the US for over 20 years.

Analysis:

Dwendes (seemingly more commonly spelled as “duendes”) are something I assumed would be an originally Filipino tradition that changed and transfigured during the Spanish conquest. However, I was surprised to learn that the name originated in Spanish folklore, making them something which was transferred during the process of transculturation.

The way the informant describes the healer that they had to work with makes me think about the divide between US culture and Filipino culture in regards to folk practices, such as medicine. As we are a forward thinking society, we tend to place far more reliance on the medical system and institutional medical practices, we tend to forego older folk methods and ideas about the causes for these infections. So, there’s likely some culture shock in places where they are unable to rely on the same medical practices the United States can. Thus, there is also culture shock when these practices and superstitions actually come into play.

While it’s unlikely that the informant actually stepped on a Dwende, the legend could be a way of telling people to be careful in dangerous or hard to navigate places, which would inevitably help some people if there happens to be some unclean water or resource that brings about sickness if you try to navigate such terrain. In regards to the nature of the expression “tabe tabe bo”, it could also be a way of encouraging courtesy, as it associates the phrase with safety and good health.

The Golem

Text:

Informant: So there is this story within Jewish folktales of the golem. So, the golem within Eastern European Jewish tradition is a clay figure and… I don’t remember all the details, but… in Eastern Europe and specifically Western Russia, there are a lot of pogrom within these Jewish communities. And so in order to protect the Jewish communities this rabbi created a figure out of clay. And upon his head, he put the Yiddish word for “protector”. And so the golem grew, and was dubbed “the golem”. It went about and it protected the Jewish towns from the pogroms, and it would come home, basically, and be destroyed- not destroyed, dismantled.

Interviewer: I see. I remember variations on this story. The one you mentioned- you said it came home and was destroyed?

Informant: Yes.

Interviewer:Did you ever hear the version where it’s, like, it goes on a rampage or something? Because I’ve heard that version.

Informant: I’ve heard that version. But it wasn’t necessarily destroyed out of malice, it was… brought in and deactivated kind of. So it was meant to not be, like, forever, it was meant to help in times of woe. I’ve also heard other variations where it continues to live and becomes a part of the community, so it really depends on where you hear about the story from.

Context:

The informant is Jewish, and grew up in the United States.

Analysis:

The story of the golem very clearly reflects anxieties felt by Jewish people in Eastern Europe. It provides a way for these communities to empower themselves, while also relying on specifically Jewish culture- in the case of this account, the use of Yiddish, a language heavily associated with Jewish peoples- as a way to further that empowerment. At the same time, the solution is temporary, perhaps reflecting the more unnatural nature of the golem. As it is something created by clay, it mirrors the creation of Adam, but as the act of creation is something which God handles, it is not suited for humans to fully imitate it. So, the creations, while fitting a purpose, are not fully human, and thus are not meant to last in the same way we do- often being dismantled or destroyed at the ending of the tale for going on a rampage. Alternatively, the temporary nature of the golem could perhaps allude to the idea that it will not always be needed, and that the threats to the Jewish community which these people suffered under would not last forever.

Stonehenge energy

Text:

Informant: When I visited Stonehenge, I very much felt that there was something about that place that was charged with energy- it just felt different- more than any other place I had been to before. Unfortunately I was with a tour group so I couldn’t hang out. I would’ve loved to have been able to, y’know, hang out and feet that feeling.

…

Interviewer: Do you remember anything else that happened around the time you went to stonehenge? Like how the trip was, when you were going up there and when you were coming back and stuff like that?

Informant: We were on a tour group, I was in high school, so it was just a bus ride in, y’know, a walk around a little bit, and then a bus ride out. There was no dramatic lead up to it.


Interviewer: Do you still remember feeling that energy?

Informant: Yeah, I still remember feeling that there was something about the place, I would have loved to get closer, and like I said it just felt charged with energy. And when I asked the people around me, they didn’t necessarily agree. It was me picking up on that.

Interviewer: Do you think there’s any particular reason for that?

Informant: I don’t know, I can’t think of anything, it’s never happened to me in any other place. I don’t know if it was- what do you call it- a family memory? Genetic memory?

Context:

This account takes place during a time when the informant was in high school. They grew up in the United States, but note that they have Scottish, English, Germanic, and Norwegian ancestry.

Analysis:

As mentioned in the interview, there isn’t too much out of the ordinary regarding the lead up to the visit to Stonehenge, with it just being a school trip. This could very well explain the more nonchalant reaction to the site for the other students visiting, compared to the informant, as it may be harder to connect with a historical site personally when the reasons for doing so are more institutional. The informant themself mentions having some Scottish ancestry, so there is a chance that they were aware of such a connection before the trip. The “energy” which they felt could very well be the result of the informant being one of the few people there with an ancestry that connected them to this particular place.

Seattle Autumn Harvest Festival Social

This story is from a Chinese-American friend from Seattle whose mother works for Microsoft. She is a first generation Chinese-American, with both her parents immigrating from China before she was born. The story is about her experience watching her mother dance in the Chinese dance troupe at a big social for the Asian community of Seattle to celebrate the Autumn Harvest Festival.

Text

“Every few times a year, my whole family attends my mother’s dance performance to be her biggest fans. Her dance troupe dances for Chinese festivals, from New Year’s celebration to the Autumn Harvest Festival. When it becomes 8 pm, the light shines on her dance troupe, and she shines the brightest with the prettiest face and prettiest embroidered dress. The performance is an accumulation of all of her love and passion for Chinese dance. She is a busy working mom, who barely has enough time to sleep, but she insists on tirelessly improving dancing because it is her passion.

My family would feel inclined to say that her dance performances are the magnum opus of these events, but my personal and secret favorite part in volunteering in the events. My mother has danced in these festivals for pretty much all my life. I have attended every single one! These festivals would take place in large rented out churches to multiple entire buildings, but they were filled in and out with celebrations of Chinese culture. There were many stages that held skits (I was forced to be part of some before), Chinese puppetry, and many booths that teach Chinese art. When I was younger, I was the one of the children who would run to every corner of the event, collecting every free stuff, getting the sickest face painting, and watch every skit that related to things I enjoyed. My parents weren’t able to keep up with my enthusiasm, so I ran around with my fellow friends.

When I became older, I attended every festival as a volunteer, and brings me lots of happiness to bring the same joy I felt in the past to other children. I am proud to hold the title as the “cool face paint sister who can draw anything.” After being unable to take a break for hours as the lines keep building (i remember eating steamed dumplings covered in paint residue), many of the children and even adults get some sort of mark of my artistry on them. It made me even happier that they loved it after completion. After around like 7 hours of volunteering, I finally get to rest at 8pm though! And watch my beautiful mother dance.”

Context

“This event began to recently be sponsored by Microsoft because all of the performances are usually done by people who work for Microsoft or their kids, and sometimes people who are friends with those Microsoft families cuz in Seattle pretty much all Asian families work for Microsoft or are friends with someone who does. So it’s become a thing where all of the Asian population of Seattle shows up.”

Interpretation

In my friend’s beautiful story, I noticed that there’s a strong family and community element to this event. All ages and occupations, from working mothers to families to little kids, are involved and there seems to be an event for every group (eg. face painting for the kids.) Because it’s a family event, there’s also a strong emphasis on passing down Asian/Chinese culture to the next generation so that the kids who grow up in the United States are still connected with their heritage. Furthermore, I thought it was really interesting that Microsoft itself recognized and supported the Asian community in its workforce, something that was completely optional for them to do. Perhaps Microsoft thought that supporting this community was important to unify company culture and present an image of itself as culturally aware and tolerant.