Information about my Informant

My informant grew up in Hacienda Heights where he went to high school, and received his bachelor’s degree from USC. He is a game designer and is currently working for a social mobile gaming company based in Westwood.

Transcript

“If you, like, look into a mirror, and you say…something three times, usually like ‘Bloody Mary’ or ‘Candyman.’ Those are like two. Um, you like summon them. And it’s very bad. Uh…”

Collector: “Why is it bad? Do they…”

“I don’t know. It’s one of those like you don’t wanna do it, and it’s kind of scary and then you never never do it, I guess? ‘Cause you’re too scared.”

Collector: “So you don’t know what happens when they appear?”

“No, like, there could be presents. I don’t know. They could hurt you horribly; I don’t know.”

Analysis

The Bloody Mary legend is famous among children of many cultures, although it is mostly associated with young prepubescent girls and not boys. The reason being, it is conjectured, is that the Bloody Mary legend in its traditional form is a representation of the onset of menstruation that is in the future for these girls (with the constant concept of blood and with the ritual being performed in front of a mirror that reflects the girls’ own images, meaning that when Bloody Mary does appear in the mirror, she is replacing the image of the girl herself). It is unusual then that in this version that my informant provided me with, it is not only a boy who learned about this but that his version included the possible substitute of a figure called the Candyman. I myself had heard of Bloody Mary but never this male figure. The ritual is very similar, with a candle being lit and the name of Candyman being chanted  a number of times while looking into a mirror. The classic version of Candyman though, as far as I can tell, before the movie called Candyman came out in 1992, was that the Candyman when summoned would either glare at the summoner through the mirror with  his glowing red eyes before vanishing or would kill the summoner with a rusted hook. There is also now a version, which I’m not sure existed before the movie came out, where the Candyman would romantically pursue a female summoner and kill her if she spurned him. It’s interesting that the classic versions of Candyman seems to involve more malevolence (staring, killing) than the classic versions of Bloody Mary (staring, scratching perhaps), but it’s difficult to tell as both figures have been prominently featured in mass media now and their portrayals there have filtered back into the folklore.

For more information about the Bloody Mary and Candyman legends, see:

Dundes, Alan. “Bloody Mary in the Mirror: A Ritual Reflection of Pre-Pubescent Anxiety.” Western Folklore 57.2/3 (1998): 119-135. JSTOR. Web. 1 May. 2014. <http://www.jstor.org/stable/1500216>.

Tucker, Elizabeth. “Ghosts in Mirrors: Reflections of the Self.” The Journal of American Folklore, 118.468: 186-203. JSTOR. Web. 1 May. 2014. <http://www.jstor.org/stable/4137701>.