Tag Archives: cryptid

The Aswang/Tik Tik

Context:

My informant is a member of my family.

My informant said that the Aswang and the Tik Tik are stories about evil entities that live in the provinces in the Philippines. They are very rare that these stories of these entities are in Manila.

But her neighbors around would always talk about the aswang and the tik tik especially when there’s a pregnant woman in the neighborhood. Neighbors would speculate that this person or somebody in the household is pregnant because they saw the Tiktik/aswang lurking on the rooftop. Though they are similar because they can be both seen as Filipino vampires. The difference between them mostly come from the noise that the tik tik makes, which is the same as its name.

She said that when she was pregnant she would always kept a scissors under her pillow. “Because I wasn’t sure if l dreamt of it or if it was real, but I had a feeling that there was a tik tik Outside my window. The tik tik goes on the rooftop and is able to know if someone is pregnant or not. They will open their mouth and let their ling tongue penetrate the roofing until they reach the pregnant belly of the mom and eat/suck the baby out”. Which is why she is told to keep a pair of scissors with her during the night.

She believes these are stories that has been passed down to generations and probably a reminder that we are not alone in this world and that dark entities really exist. It’s relevant because somehow these stories are unique to certain provinces/places in the Philippines and somehow represents culture. Finally, she said that lot of people think it’s real. It would even sometimes be reported in the news if a sighting was witnessed. But there is no actual scientific evidence or photographic evidence or videos.

Analysis:

The tik tik and the aswang are a part of Filipino mythological folklore. But these creatures can be categorized as cryptids.

Filipino vampires, such as the Aswang and the Tik Tik are deceiving creatures. Although my informant does not mention it, these creatures could take the form of animals and even beautiful women. They are widely accepted as female creatures. But with the added context, this story serves as a cautionary tale for those that are vulnerable. Since the Philippines has a lot of provinces and poorer areas, the fear of these vampires is heightened. As they live among smaller communities and prey on pregnant women. The type of tale seems to subvert from the expectation because the tik tik and the aswang are gendered as women that prey on other women. It may be a message directed to women that their fear should not focus on predatory men, but that women or anyone can hurt them.

My informant’s experience with the fear of the aswang and the tik tik comes from being pregnant herself. Pregnant women may naturally fear any harm or danger that could come after their babies and their health. And the fear that a scary monster will hurt them is an extension to this natural motherly fear.

Chupacabra

“The story of Chupacabra is pretty common in Mexican culture–my parents and friends and all would joke about it or tell stories about it. The name means “Goat Sucker,” and it’s like a cryptid kinda like Bigfoot, that sucks the blood out of farm animals, so a lot of farmers kinda are in on this legend too. Basically what would happen is that if a farmer would go to sleep and awaken to see a dead animal with two teeth marks at its side, it would know that the Chupcabra killed that animal. And so my parents would sometimes joke, “Oh, don’t stay out too late because otherwise the Chupacabra will come and get you” so there was an element of fear too.
I didn’t hear about this too much as a serious story, but the legend is mostly like in northern Mexico or the southern USA, since I guess there’s a lot more agriculture and farmers there. Although, one day I was watching a TV channel and I heard that one of the neighboring towns, Cuero, Texas, had a Chupacabra sighting, and they said they found part of the head (of a kinda wolf-like creature) that was found outside her home.”


Context:

This was an in-person interview with a friend of mine who told me about his experiences with this legend from his culture. The text was taken from and recorded during our conversation.


Interpretation:
While descriptions of the Chupacabra vary, the legend almost serves as a cultural manifestation of the fear of the unknown/supernatural. It can be a way to make younger ones obedient by instilling fear, and taps into the similar types of cryptid legends like Bigfoot in the American West.

The Goat Lady

Nationality: American
Age: 19
Occupation: Student
Residence: Houston, Texas
Performance Date: 3/30/23
Primary Language: English

Context

S, a 19-year-old from Houston, Texas, says her fourth grade teacher, Ms. Q, told her about the Urban Legend of the Goat Lady. Ms. Q detailed her own experiences with the Goat Lady, having encountered her in the woods with a couple of her friends during childhood. Ms. Q recalled seeing the Goat Lady stand on her hind legs and stare with lifeless eyes, before barreling rapidly forth towards Ms. Q and her friends. S remembers being absolutely horrified by the retelling of the Goat Lady encounter. S’s family planned a hike in the woods for Easter weekend, but having just heard the story of the Goat Lady, S was terrified to go on the hike with her family. For a while, she was extremely hesitant to go into the woods at all.

Text

According to legend, the Goat Lady is a woman resembling a goat-human hybrid that inhabits the woods of Eastern Texas and eats wandering children who trespass onto her territory. The legend is usually, as is in this example, shared by word of mouth.

Analysis

Notably, the Goat Lady is said to live in the woods and eat children, which is a common theme in cryptozoology. The woods are often viewed as a liminal space, where fear of the unknown easily takes hold and strange encounters are likely. Often, especially in many early American towns, the woods were viewed as the boundaries of civilization, and beyond civilization, is the perception of savagery. In many cultures, especially Native American cultures, the goat is viewed as a symbol of fertility and sexuality. Therefore, it would make sense for the figure of a woman to be crossed with a goat, given that women are primarily viewed as potential mothers and the bearers of offspring. Additionally, women tend to be inherently more sexualized for these abilities. The Goat Lady’s practice of eating young children could be an obscure depiction of backwards behavior, which juxtaposes the accepted norm of women mothering children in a civil society. The opposite of bearing children is eating them; therefore, the Goat Lady could represent the backwards and savage antithesis to the expected status of mothers in women. Given that the liminal space of the woods is often considered a backwards realm beyond civil society, the Goat Lady can viewed as an emblem of female dissent in opposition to societal norms.

The Fresno Nightcrawler

Nationality: United States
Age: 22
Occupation: Student
Residence: Los Angeles
Performance Date: 4/5/23
Primary Language: English

Text:

My informant, from Fresno California, told me a story of a local cryptid.

“Around the parts where I’m from, we have this legend, this thing called the Fresno Nightcrawler, right? Now, no one really knows the origin of the Fresno Nightcrawler, right? Or like what it is, but that’s the mystery of it. Because there’s actual camera footage of like a camera set up outside of a Fresno residence where there’s this one white thing shaped like a U, right? Like walking on its legs? And you’re like, ‘What is that?’ And it’s like kinda grainy footage so you can’t really tell what it is. And then it has like a little child come out? Like a smaller one. And they’re kind of walking around together. And then they go back into the forest, and no one knows what it is, but I think people have said that there’s been sightings? I’m not really sure.”

Context:

“What I do know is that what really is more important about it is the joke, like ‘Oh, the Fresno–’ Like as an emblem of the city, if you will. Well, I wouldn’t say it’s an emblem, I don’t know. I was like, ‘Maybe if I wanna get a Fresno tattoo, I should get a Fresno Nightcrawler tattoo.’”

Interpretation:

The informant’s assessment of the legend as a sort of symbol of Fresno may suggest that people in this area are seeking out something that will make their city unique. I think it is significant that the informant delivered the story in a humorous tone, and even noted that the important part of the legend is the joke. It does not appear to be a cryptid that the informant takes particularly seriously. Instead, The Fresno Nightcrawler seems to be a humorous symbol that residents of Fresno can perhaps find camaraderie in or share a laugh over. 

Folktale Creature: The Squonk

Nationality: American
Age: 19
Occupation: Student
Residence: Scottsdale, AZ
Performance Date: February 11, 2021
Primary Language: English

Main Piece: 

“He’s just sad and ugly and I love him. Oh boy, so, the squonk is basically this kind of urban legend, like cryptid creature that’s certainly meant to explain like those weird noises hunters hear in the night. And the thing is that the squonk cries a lot because he’s ugly, and that’s what those weird noises are. And that’s it. He just cries a lot because he’s ugly and no one wants to be the squonk.”

Background:

My informant had a strong personal connection to the squonk that was mostly based on finding the concept delightful. She is from an entirely different area than the squonk, which supposedly exists in Pennsylvania. My informant discovered the concept online, but does not recall exactly where. As mentioned above, she says it is meant to explain strange sounds hunters hear that sound like crying.

Thoughts:

Folklore is normally emblematic of the culture in which it exists. For example, modern American folklore tends to have an emphasis on the future and the brightness at the end of the tunnel- proverbs such as “all’s well that ends well” or “the ends justify the means.” Americans tend to have an emphasis on happiness and hope to the exclusion of other sentiments. It’s interesting, then, that there’s this specifically Pennsylvanian creature that is so unbearably and irredeemably ugly that all it does is cries. This kind of hopelessness is not normally emblematic of American folklore. Two possible explanations fit within the framework of America as a mostly hopeful folk group. First, this could be a bizarre way of putting down the other. The hunter is not the one crying in the woods because they’re ugly- it’s the noise possibly frightening them that is. Second, this could be an example of an unconsciously counter-hegemonic folk belief. The majority of America is full of blind hopeful folklore, but we believe in a creature that lives in the woods and cries because of how depressed it is over its hideousness.