Tag Archives: haunted

The Woman With The Purple Dress

Nationality: American
Age: 22
Occupation: Student
Residence: Los Angeles/Salt Lake City
Performance Date: March 29, 2014
Primary Language: English

This piece was performed by a USC student I work with whose hometown is Salt Lake City, Utah. They originally heard this story from their friends in Utah, where it is used as a ghost story in order to scare people.

“The story of the woman with the purple dress. There was an old train station down in Utah and the building is still there… supposedly haunted by this woman in a purple dress and the story is this: she was waiting for her train and it was a cold day out and she was wearing this purple dress with no jacket or sweater or anything.

And so the conductor says, ‘Well, here i have an extra jacket. I’ll give it to you, let you borrow it. I’ll come by your place later. Your house is on the train stop or whatever…. And I’ll get it from you’

She says, ‘Thank you so much’ ”

‘So, what’s your name?’

She gave him her name and she was on her way with the jacket. A couple days later the conductor went to get his jacket. He couldn’t find it. He went to the address that she gave him and he couldn’t find the woman. He went to this little grave area out by, like a family gravesite, like a farm house and there was family grave site. He went to the grave and noticed that the woman’s name was on the grave stone. So, supposedly it’s still haunted by her.”

This folklore sounds a lot like a “friend of a friend” story, since my co-worker couldn’t remember specific details, like the name of the station or where exactly it was located, but he had heard the story from a friend. The details that are passed from person to person, like the color of the woman’s dress, feels very arbitrary, but probably helps make the story sound more legitimate.

Mound Parties

Nationality: Peruvian
Age: 22
Occupation: student
Residence: Lima, Peru
Performance Date: February 15, 2013
Primary Language: Spanish
Language: English

This is another story told to Marisol by a nanny who was from the Andean province of Ayacucho. The nanny told her that as a child, her relatives always warned her not to get close to parties or gatherings of people in the middle of the fields or on top of hills because these were there to take away wayward children, drunks and gluttons. She warned her that if she was out playing the hills and heard laughter and voices, she was to run away immediately and not get close to the table, no matter how delicious and abundant the meal or how inviting the people because if you ate any of the food or touched the guests, they would take you to the afterlife and the party would disappear and all that your family would find on the hill would be a rock.

This story serves to keep kids in line and keep them away from strangers and unknown places. It is a lot like the Irish tales of fairies. There is also the presence of a magical mound which can be found, most famously, in Irish fairy folklore.

La Casa Matusita C

Nationality: Peruvian
Age: 62
Residence: San Francisco, CA
Performance Date: December 17,2012
Primary Language: Spanish

The American embassy used to be situated in a building directly in front of the Matusita house, and it is said that the legends were all invented and fostered by the American mission so as to prevent people from entering the Matusita house and using it as a site to launch terrorist attacks on the embassy itself (during the late 80s unrest due to the communist Sendero Luminoso).
This version is corroborated by multiple  facts. First, my mother and her coevals heard of the Matusita stories only in the early nineties, and second, as a consular officer herself, she once heard from her peers at the Ministry that the Matusita legends were a product of “Hollywood at its politically finest”.

La Casa Matusita A

Nationality: Peruvian
Age: 62
Residence: San Francisco, CA
Performance Date: December 17,2012
Primary Language: Spanish

This house situated in Downtown Lima, Peru is the most famous haunted structure in the entire country. It is famous throughout, you can ask anyone in Lima, and they will all know of it whether they believe in paranormal phenomena or not. The house was first brought to my attention when I moved to Peru by one of my maids, she told me all about it and then my mother confirmed the stories circulated, but said they were all made up. During her last visit, I had her recount a couple of versions of the story of the Matusita which she knew (there are dozens):
At the turn of the twentieth century, there lived in the house a cruel man with two servants (cook and butler). During dinner with friends, the servants decided to get their revenge and poison their master and his friends with hallucinogenic substances. They served the tampered dinner and locked the door of the dining room. A few minutes later, the servants heard  a horrible scuffle. They waited until the noises ceased and then when they opened the door, they saw that the diners were torn to pieces, there was blood spread everywhere. The servants felt terribly guilty and took their lives right there. This version is said to explain the loud voices, conversation and laughter followed by blood curling cries and sepulchral silence that neighbors and passerbyers have attributed to the house.  It is said that if they get close to the house or look in, they will go mad at the sights of gore and debauchery inside.
This version shows the rift between the master and his servants which can be extended to the sentiments that the indigenous and African workers feel towards their European (and later on Asian) masters. This tension is found to this very day since in Peru there is a very strong, but passive racist undercurrent that is perpetuated from generation to generation and never confronted. The race of the master is left unsaid in some versions of the story like this one (it is implied he was white); however , there are also versions that connect this version to version b which I also discuss. In those versions, the master is Asian and a descendent of the Chinese family who lived in the house in the 19th century.

Macbeth Bad Luck

Nationality: British, American, Canadian, Indian
Age: 40
Occupation: Actor, Director, Producer, Teacher, Consultant and Coach (spoken work and performing, arts)
Residence: Los Angeles
Performance Date: April 27, 2013
Primary Language: English
Language: Sindhi, Spanish, French

“Everyone that comes to my house who’s at all superstitious claims our house is haunted. Now, I have noticed all kinds of weird stuff in this house over the years. Believe me… I could not disprove it. I could not prove it, but nor could I disprove it., so there’s a feeling that there’s something going on in the house. Now I always maintain that they’re good ghosts, but when we did Macbeth at the house… it seemed like a very rough time doing that play. There’s a huge rumor in the theatre world that if you produce the play Macbeth, it is a nightmare. All kinds of ghosts come out, mess with your projects. You get all kinds of things that could go wrong… it’s scary.

“That has gone on for hundreds of years. It is the one play—Shakespeare—that is considered so heinously evil. Because the—the guy invites a guest over to his house and then kills him to become king. So, it’s considered so—such an evil premise, that we don’t. You, know, it’s something that you, you take very seriously if you’re going to do the play, and… that summer it was a nightmare to do the theatre.”

 

The informant added that you can’t say the name Macbeth in the theatre. He said that instead, you’re to refer to it as “The Scottish Play” (and the king as “The Scottish King” and queen as “The Scottish Queen”). He said that everyone in theatre will tell you this, (so he can’t remember where he originally heard it, but he hears it frequently). The informant follows protocol and uses the title “The Scottish Play.”

A teacher he worked with at Santa Monica College “freaked out” when they said they wanted to produce Macbeth, and she directed them to take themselves outside, spin around three times, and spit over their shoulders. The informant said people are very serious about this.

During his production of Macbeth, he had a tenant that refused to leave and was not paying him rent (she was a friend of the informant), but a lease had been signed for another person to move in. He also had a rough time with the director, who had also threatened a lawsuit against one of the actors and well as against the informant.

I’ve heard of this superstition often throughout school where the play is frequently read in classes and performed by theatre students, but the specificities of this telling of it (the squatting renter and the lawsuit-threatening-director) add to the belief. It’s the little things that individuals add to the larger superstition that make it powerful and give it truth value.