Author Archives: Ellen Eastaugh

Backseat Horror Story

Nationality: America
Age: 23
Occupation: Student
Residence: Los Angeles
Performance Date: April 30th, 2013
Primary Language: English
Language: French

“A guy is driving on the road at night, and someone behind him keeps honking and flashing his brights. So the guy keeps turning around like what the fuck? So eventually he pulls over and the car pulls over and they get out and the guy’s like, ‘What the fuck?’ And the other guy’s like, ‘Dude, there was a guy standing in your backseat with a knife but every time I honked or flashed my brights he ducked down and you just never saw him.’ So they checked the backseat and there was a bloodstain on the ground and the guy was gone.”

The informant learned this legend from friends at camp when he was much younger. The informant was convinced that he didn’t know any folklore, so I asked him if he knew any classic scary stories, and this is what he told me. He kept trying to tell me personal anecdotes which, as I had to explain to him, were not actually folklore. He told this scary story very quickly and without much detail, because I think he found it boring and over-told. He was surprised that I had never heard the tale before. It is very similar to many of the scary stories I’ve heard, with a serial killer and an unwitting victim. The informant used to tell this story along side those similar stories at sleepovers and around the campfire. He hasn’t told it in a long time.

I have never been a big fan of scary stories; I used to plug my ears when my friends told them. Thus, I don’t know very many. However, I did not find this one very scary, probably because the informant told it in a hurried way and didn’t build any suspense. Most scary stories have an element of suspense, drawing out the story and keeping the reader from knowing what will happen, that keep listeners at the edge of their seats. This story is relatively recent, because it takes place on a road with cars that have high and low beams. It could even take place yesterday. I’m a little confused by the ending. It doesn’t make sense that the  guy waited so long in the backseat with a knife only to flee last minute. Also, I don’t know why there would be a bloodstain on the floor if he hadn’t killed anyone. I think the ending is an attempt to quickly wrap up the story and make it scary. It’s almost scarier knowing that there was someone behind you with a knife, even though he’s now gone, rather than the guy actually killing the man. The former gives me goosebumps, the latter is more shocking.

Gang Initiation

Nationality: American
Age: 23
Occupation: Student
Residence: Los Angeles
Performance Date: April 30th, 2013
Primary Language: English
Language: French

“There’s an urban legend in Detroit, Michigan. To join a gang you have to drive around with your lights off and then the first person who flashes their lights at you to turn your lights on, you have to follow them and kill them.”

The informant told me about this initiation ritual at the very end of our interview. He said that he heard it from his brother, who is also from Detroit. The informant grew up in a suburb outside of Detroit. He likes to think of Detroit as tough and dirty. This legend of a gang initiation ritual reinforces this image of the city. The informant said that he finds the idea of randomly killing a stranger terrifying. However, he still likes to tell the tale of the ritual.

I think this process for initiating gang members is extremely harsh. I don’t know why anyone would participate in such an inhumane practice. However, it is a little romantically horrible; it could take place in a serial killer tv show or a scary novel. I have heard of similar gang initiation practices. In fact, another informant informed me that there is the exact same ritual here in Los Angeles. It makes me more wary of flashing my lights at people if they don’t have their lights on, which I do regularly when I drive. Therefore, the informant’s use of this tale to characterize Detroit as harsh is a little off target, because it isn’t unique to Detroit. Culture is defined by its folklore, from both within and outside of it. The informant used the folklore to define Detroit culture, even though it isn’t all of the culture of Detroit and it doesn’t belong only to Detroit. The ritual is terrifying and reflects how harsh and scary gangs can be.

Irish Pub Joke

Nationality: American
Age: 23
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 30th, 2013
Primary Language: English
Language: French

“So my family’s Irish and so my dad knows a bunch of Irish shit that he brushed up on when we went to Ireland. So he told this joke to a lot of people in Ireland. And it’s:

An American walks into a bar in somewhere in Ireland and sits next to a really old guy drinking a beer. And the old guy’s like, “Did you see that wall on your way into town?” And the guy’s like, “Yeah.” And the old man’s like, “I built that wall with my own two hands. But do they call me O’Grady the Mason? Noooo.” Then he’s like, “Did you see those cabinets on your way into the bar?” And the guy’s like, “Yeah.” And the old man’s like, “I build those cabinets with me own two hands. But do they call me O’Grady the Carpenter? Noooo.” Then he says, “Did you see the iron gates on the way into town?” And the guy’s like, “Yeah.” And the old man’s like, “I built those gates with me own two hands. But do they call me O’Grady the Smith? Noooo. But you fuck one goat…”

The informant told me this joke in an Irish accent. He was excited when he remembered the joke, because it’s one of his favorites. I think he likes being part Irish (he said that his great-grandfather came here from Ireland), so this joke reminds him of his heritage. It also reminds him of his trip to Ireland last year, of which he has fond memories. Furthermore, the joke is a little dirty, so as a 23 year old, the informant understands and appreciates the more mature humor. I quote, “It’s fucking hilarious”. The informant learned the joke from his father, who learned it in an attempt to reconnect with his Irish heritage. Folklore can form powerful ties when it comes to heritage, ethnicity, and nationalism. Learning and understanding the jokes of a culture can make someone feel a closer connection with that culture, because humor is often culture-specific. Thus, both the informant and his father use this joke to feel more Irish.

I have met many people who are proud of their “Irish heritage”, even though they weren’t born in Ireland and may never have even been there. I think it’s more common when those people’s parents have also been proud of the link to Ireland, so they grew up hearing about their Irish heritage. So it makes sense that both the informant and his father feel this connection to Ireland and therefore love the joke. I found the joke funny, although I didn’t get it right away. I’m not Irish at all, so that could have something to do with it. The joke mentions various jobs that the Irish hold, including mason, carpenter, and smith. There jobs all involve manual labor and skilled hands. It reflects a big part of the economy in Ireland, as least before industrialization. The Irish would mainly work with their hands for money, because that’s what the culture and geographical constraints pushed them to. The joke also mentions a goat, because goats are common on Irish farms, and the people there interact with more often than here in LA for example. It’s funny that the old man had sex with a goat because it’s weird, which is half of why the joke is successful. The other half is because of the repetition of the pattern three times, a magic number in western culture. Overall, I think the joke is amusing.

Muffin Joke

Nationality: American
Age: 21
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 30th, 2013
Primary Language: English

“Two muffins are sitting in an oven. One muffin turns to the other muffin and says, ‘Does it feel hot in here to you?’ And the other muffin says, ‘Whoa, a talking muffin!'”

The informant learned this simple joke two years ago from her little sister. They were taking a road trip with her family, and three of her little sisters were sharing jokes among themselves. This is one she remembers. Telling the joke made the informant giggle, so she clearly still finds it funny. The joke is silly, doesn’t follow classic narrative rules, and the ending is unexpected, making it a successful joke. The informant says this is one of her go-to jokes, because she doesn’t know many good ones. The joke brings back good memories for the informant, because she loves her family and road trips.

I thought the joke was pretty funny, although I have heard it before. Furthermore, it’s not a joke only kids would find funny, but college students and adults as well. The humor in this joke is not age specific, it’s one everyone can appreciate. It relies on surprise and contradiction, two things that often can make people laugh. Someone else was in the room while the interview took place, and he cracked up for two minutes after hearing the joke. I guess he had never heard it before. I don’t think it mirrors any major themes in American culture. Muffins are a tasty and common breakfast snack. They remind me of baking yogurt muffins for a home-sciences class in middle school. I can’t find any other major connections to society other than that. I think it’s mainly just a silly, humorous joke.

 

Fishy and Trout

Nationality: American
Age: 21
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 30th, 2013
Primary Language: English

“If a drag queen is really pretty, and they look like a real female, instead of a man dressed in drag, then they call them ‘fishy’. And if they’re not ‘fishy’, then they’re trout. It’s like a diss, to call someone a trout.”

The informant introduced me to these drag-queen slang-terms during the middle of our interview. She used to work in a costume shop for drag queens, and she learned these terms from hanging out with several drag queens. She said that she enjoyed working in the costume shop because she met many people she wouldn’t have normally had the chance to. She seemed proud that she knew these slang words, because it gave her some authority in the world of drag queens. It made her connections with drag queens more real, because she could partake in their unique culture. Most occupational folklore works on this level. The more folklore one learns about a culture, the more accepted that person is as “one of them”. Even though the informant does not partake in dressing in drag herself, she still likes having ties to the culture.

I thought this piece of folklore was very interesting. It’s always cool to learn new words and their meanings, especially if they’re slang words from another culture.  I also thought it was interesting that both words, “fishy” and “trout”, connect to fish. I wonder what the connection between drag queens and fish is, if there is one. Maybe it’s because fish seem like a more gender-neutral animal, and drag queens like to walk the line between genders. Or it could be that fish terms are just more unique than the classic “pretty” and “ugly”, and drag queens like to be unique. Whatever the case, I feel that the words appropriately fit their meanings. “Trout” is more of a blunt, ugly word, while “fishy” sounds more delicate and similar to “pretty”. When a drag queen looks successfully like a real female, he is considered very pretty. I have seen many drag queens in the Mardi Gras festival in Provincetown, Rhode Island. There is a huge range in their female resemblance. I think it’s a very interesting culture, and I’m glad I know a little more about it now.