Category Archives: Legends

Narratives about belief.

Chupacabra

Text:

When asked about the legends that his abuelita would tell him during his family visits to Mexico, MS responded:

“She also told us about the chupacabra. It’s one I actually asked about because my brothers and I played this game called Poptropica when we were younger. It had all these islands you could visit and one of them was the ‘Cryptids Island’ where you had to track down these urban legend creatures, like Nessie and Bigfoot, and one of them was the chupacabra, so I wanted to ask her about it. She said that yeah, her parents had told her about it growing up. So, if people found their goats or livestock with these puncture holes in their necks, they blamed it on the chupacabra.”

When asked what he could recall about the chupacabra’s appearance, MS responded:

“So in the game, it looked like this f*cked up looking, blue dog thing with spikes and sh*t. But, I think abuelita said it was more reptile looking.”

Context:

MS is a sixteen year old who has grown up in Los Angeles, CA. His abuelita immigrated from Mexico to Sacramento, CA in 1961. She then returned to her hometown in Mexico in the ’90s. Here, MS is recalling legends he had heard from his abuelita when his family visited her in her hometown during vacations.

Analysis:

This entry from MS highlights the role of non-native media in shaping perceptions of folk legends. As MS mentions, his initial interest in the chupacabra stemmed from its portrayal in the popular online children’s game, Poptropica. This brings forth the question of what role non-native media plays in shedding light on this folklore and what responsibilities it has while doing so. In this case, exposure to the legend in the context of a video game spurred his curiosity to explore the origins of the chupacabra further. However, from his description, it is clear that Poptropica’s depiction of the chupacabra adheres more to the North American imagination of what kills livestock: wolves. This visual description is distinct from the versions of the legend that tend to be seen in Puerto Rico and Mexico, where the creature is described as more reptilian. The choice to portray the chupacabra as more dog/wolf-like brings up another question of responsibility: How should Poptropica, an online game that claims to be an educational resource for children, balance its commercial interests with its goal to educate?

Chupacabra

Text:

The chupacabra was, in the words of the subject, a goat-looking humanoid creature that would suck the blood out of its victims.  If the subject ever went on a hike or into someplace more rural and nature-like with his family, then they would tell him and any other children with them that the chupacabra was always somewhere, and was waiting for kids who didn’t pay attention or didn’t heed their parent’s warnings so that it could snatch them up and carry them away to devour them.  They would especially remind the subject of this story if they and their peers weren’t staying close to the parents, and were going too far into the wilderness without supervision.

The subject reported that descriptions of this creature varied every time they were told about it, with the subject sometimes being told it was a monster, to sometimes being told it was a demon, to sometimes being told it was simply a scary animal.  However, some things that always stayed consistent with the retellings was that it was very small, very fast, very strong, and extremely grotesque.

Context:

The subject, N.S., grew up in the urban areas of Los Angeles, but was very close to rural hiking trails and other natural, outdoorsy environments, where they and their family would make regular weekend trips towards hiking trails and parks.  It was in these hiking trails and parks that the subject was warned by his parents of the dangers of the chupacabra, and of the dangers of going too far from their parents in the rural area.  The subject also stated that the stories about the Chupacabra slowly began to be phased out of their life as time moved on, until eventually, their parents never mentioned it again.

Interpretation:

The superstition of the Chupacabra was likely meant as a way to prevent the subject from running off from their parents when in heavily wooded and rural areas, especially since the subject could navigate the sometimes-thick brush more easily than their parents could.  By giving the subject a dangerous boogeyman in the form of the chupacabra, the subject’s parents were able to ensure that the subject would stay close to them, as well as avoid taking any unnecessary risks whilst they’re out in such an unfamiliar and dangerous environment.  The Chupacabra also likely had some history buried in actual sightings, with people over time spotting creatures that matched the chupacabra’s descriptions, and created a superstition hidden behind the Chupacabra’s nature and danger.

El Cipitio

This Legends is commonly known in the Central American Country of El Salvador. It is a bit of an urban legend, or horror story, especially popular among the lower class, in the “cantones” or slums. These are usually told to kids, and are passed down orally.

Context: This story was told to me by R, a family member of mine/ He grew up in El Salvador, and spend the majority of his life there. I am hearing his variation of the story, and although there are slight regional variations, they usually are very similar. This specific version is from the Sonsonate region.

Story:  EN ESPANOL

“El Cipitio se te aprecia como un niño de aspecto infantil, de unos 10 años de edad. Era bajito con una gran panza, y que lleva un gran sombrero. Solo los niños pueden verlo. El tiene la habilidad de viajar de un lugar a otro, teleportando, porque tiene poderes mágicos y se dice que disfruta comer ceniza o guineos majonchos.El Cipitío es bien travieso y juguetón. A el le gusta aparecerse en casas con hornillas de leña para comer ceniza, o lanzar piropos a las mujeres que se bañan en los ríos. Se cree que el papa del Ciptio es Dios Sol”

TRANSLATED STORY

“Cipitio appears to you as a childish-looking boy, about 10 years old. He was short with a big belly, and he wore a big hat. Only children can see him. He has the ability to travel from one place to another, teleporting, because he has magical powers and it is said that he enjoys eating ash or big bananas. Cipitío is very naughty and playful. He likes to appear in houses with wood stoves to eat ash, or compliment the women he meets. They bathe in the rivers. It is believed that the Pope of Cyptio is the Sun God.”

Analysis/YOUR interpretation: El Cipitio is an urban legend about a boyish looking humanoid, that appears only to children. He is very popular throughout EL Salvador, and is tale told by many in the country. He typically is seen doing various devious acts and overall mcsihhvious behavior.

This is a form of regional legend, that circulated among primary impoverished regions of the country. While a very normal topic in El Salvador, the tales usually simulate throughout the slums that border forests and the wooded areas. According to R, there are some theories as to its origin. Perhaps the largest and most believed one is that el Cipitio is some result of hybridization. That is he is actually the colonial interpretation of pre hispanic indigenous deity. His connection to the Nahuatl sun god, and the colonial attire he is depicted as wearing in his artistic depictions point to this, and make it clear that el Cipitio has some sort of connection to the colonial period. There have been many adaptations of this tale that have been dispersed in authors literature, movies and art, but they all stem from this narrative oral tradition.

El Cadejo

This story is told by M. The basis is a legend from Central America, but the story told was from his personal experience and encounter with the character. 

Context: M is a family member of mine. He is very close in my life. Growing up, he would always tell me about his interactions and encounters with various being growing up in El Salvador. This generated more curiosity within me, and I was fascinated by the fact that these characters were real. I don’t know how to feel about it now that i’m older…

Story: EN ESPANOL

” Tenia como unos 8 anos. Mi mama Juanita me mando a comprar pan una noche. Recuerdo que era una noche oscura, estábamos atravesando un sendero allá en las montañas. De repente, sentí una presencia extraña, como si algo estuviera siguiéndonos en la oscuridad.De allí, apareció de entre las sombras, un gran chucho (DOG), de pelaje oscuro y ojos rojos brillantes como focos. Era el Cadejo. Un gran chucho demoniaco Me quedé paralizado por un momento. El Cadejo me miraba fijamente, como si pudiera leer mis pensamientos. Sentí un escalofrío recorrer mi espalda mientras se acercaba lentamente. Pero algo en su mirada me tranquilizó, como si no viniera con intenciones malas.Entonces, el Cadejo empezó a ladrar. Casi como si estuviera hablando o tratando de comunicarse conmigo. Me quede congelada, muerto del miedo. Como si nada hubiese pasado, el Cadejo corrió, y se escondió en la oscuridad, y se desapareció. Andaba sonámbulo, y por eso lo sentí mas feo, como que me despertó del sueno. Menos mal quede traumado”

TRANSLATED STORY

”I was about 8 years old. My mother Juanita sent me to buy bread one night. I remember it was a dark night, we were crossing a path there in the mountains. Suddenly, I felt a strange presence, as if something was following us in the darkness. From there, a large dog (DOG) appeared from the shadows, with dark fur and bright red eyes like spotlights. It was Cadejo. A big demonic mutt I froze for a moment. Cadejo looked at me intently, as if he could read my thoughts. I felt a chill run down my spine as he slowly approached. But something in his look calmed me, as if he didn’t come with bad intentions. Then, Cadejo started barking. Almost like he was talking or trying to communicate with me. I froze, scared to death. As if nothing had happened, Cadejo ran, hid in the darkness, and disappeared. I was sleepwalking, and that’s why it felt even worse, like it woke me up from sleep. Thank goodness I was traumatized.”

Analysis/YOUR interpretation: 

El cadejo is described to be a big black dog, with bright red eyes. M described them as lightbulbs, shining in the distance. Throughout Central America, there have been tales of this demon dog making its appearance in the dead of night, and scaring people beyond compare. This legend seems to also be a type of myth. It could be plausible that M, and the many who claim to see him ran into an actual dog, who simply made its way, and scared them. Once again, this tale is an example of Narrative, A legend, but also could be myth, as it may or may not be loosely based on a true occurrence. It cold very well be some sort of exaggeration that is interpreted as this demon dog we know as the cadejo. Overall, there is a very strong culture of story telling in El Salvador that reinforces this theory. In the case of M, he claims to have encountered it, and agrees that the tale is common consensus among many Central Americans

La Siguanaba

Text: “Legend says there was a beautiful woman who used her charms and the help of a witch to get the prince, Yeisun, to marry her. Yesiun went to war, and the woman had numerous affairs while the prince was gone. She then became pregnant from one of her affairs, and the child she birthed is known as El Cipitio. El Cipito’s father was actually Lucifer Morningstar. Once Yeisun comes back from war, he finds out the truth of his wife’s infidelity. He curses El Cipitio to live forever and turns his feet backwards and he also turns his ex-wife into the Siguanaba, meaning she would be the most hideous woman. La Siguanaba is a shapeshifter spirit who takes form as an attractive, long haired woman seen from the behind. She will lure men into danger without them seeing her face, specifically in the dark near a water source. She proceeds to reveal her face, which is that of a hideous woman. Some have witnessed her appearances to be a horse or a skull. She can also appear to children, in order to lure and hypnotize her victims into her grasp.”

Context: My informant – a 20-year-old woman from Los Angeles – told me this legend, pulling on the story she often heard as a child growing up in a Salvadoran household. She explained to me that this was a story she heard from her father, who actually claims to have seen La Siguanaba as a boy. She told me that when her father was seven years old, he was picking coffee beans in the forest with his father, and across the stream that divided the river, he saw a woman facing away from him. He told his father what he had seen, and his father quickly covered his eyes with a jacket and guided him home on a two hour-long journey. While walking, his father stared straight ahead, fearing glimpsing the woman across the stream with his own eyes. My informant’s father explained to her that her grandfather was terrified of him and his son being lured to their death by La Siguanaba, hence why he covered his son’s eyes and refused to turn around. My informant shared with me that her father still talks about it to this day, and he has been weary of taking his family near bodies of water where La Siguanaba might be waiting for her next victim. 

Analysis: After my informant told me of this legend, I was a little confused on what La Siguanaba’s mission or purpose was. After looking online for a little bit, I read that La Siguanaba was not only cursed to take a monstrous form, but that when unfaithful men looked upon her, they would either die or go insane. The story resembles that of Medusa very closely, and I was intrigued by the similarities and differences between their legends.

In Greek mythology, Medusa was one of the Gorgon sisters devoted to the Goddess, Athena. She was extremely beautiful, and she committed herself to a life of celibacy in order to serve as a priestess for Athena. The legend goes that one day, Poseidon – the God of the Sea – saw Medusa and was mesmerized, immediately pining for her attention. Devoted to Athena, however, Medusa rejected him, ultimately resulting in Poseidon raping her in Athena’s temple. Athena then cursed Medusa (either as a way to protect herself or as a form of punishment for her celibacy being broken) to have a head of snakes and to turn any man that looked upon her into stone. 

Like Medusa, La Siguanaba was cursed and transformed into a monstrous creature as a punishment. Yet, while La Siguanaba engaged in infidelity and had a child out of wedlock, Medusa was punished for something that was completely out of her control. Nevertheless, both legends demonstrate the fascination humans have with women being a victim of something or committing an act that isn’t considered virtuous, resulting in her being transformed into a monster that seeks vengeance on men. While La Siguanaba was indeed unfaithful to her husband, I believe that her legend and the ones that parallel her showcase the disparities between men and women and highlight the imbalance between the treatment of both genders. There aren’t any legends or stories that I can think of when a man cheats on his wife and is then turned into a monster, yet we see countless examples throughout folklore of women always being the one who is cursed when it comes to infidelity (like La Llorona). The legend of La Siguanaba gives greater insight into the ways in which gender and power intersect in society and represent broader cultural beliefs. 

References:

Jaya, Sree. “Dangerous Beauty : The Real Story Of Gorgon Medusa.” Medium, 2021, https://medium.com/paperkin/what-does-it-take-to-feel-sympathy-for-a-monster-3f88a2727b0c. “The Legend of La Siguanaba.” Espooky Tales, 2020, https://www.espookytales.com/blog/the-legend-of-la-Siguanaba/.