Tag Archives: nature

Bigfoot

Text: Below is a student’s performance of the Bigfoot legend.

Interviewer: When did you first hear about Bigfoot?

Interviewee: Well, first I heard about Bigfoot probably in second or third grade because I had to do a group project for elementary school, and it was very intriguing to me at first because, you know, at that age. I was very fascinated by animals, especially large animals, you know, that’s why I chose Bigfoot. I could have chosen between Loch Ness monster and other conspiracies. But, so that’s when I first heard about Bigfoot.

Interviewer: Did you believe it? What did you think about it?

Interviewee: Well, honestly, I did believe in that moment, because I researched a bit and saw, you know, many people had seen it, but no one had ever photographed it, and because of that, I did believe it, but slowly as I grew up, I began not to believe it much, and viewed it as a tale. I mean, it’s like, there’s animals we haven’t seen, but something like that, with actual human characteristics, is difficult.

Context:

This interview arose from a conversation with another Forms of Folklore student, reflecting on childhood beliefs. I shared my memory and history of belief of the Bermuda Triangle, and after that, he recalled learning about Bigfoot. He first learned about Bigfoot in elementary school, when given a project to chose to study different legendary creatures.

Analysis:

This example showcases a unique mode of dissemination for folklore. The top-down institute, this interviewee’s school, facilitated children exploring and researching different “conspiracy theories”. This method is unusual as typically folkloric legends are pictured as not credible by official institutes, while certain folk groups hold the legends to hold some chance of credibility. My belief is that the assignment to explore different conspiracies was created expressly because conspiracy theories are typically not discussed in classrooms, and thus the students are more excited about learning about them than more official topics. The interviewee also said something interesting, in how he views Bigfoot to be less plausible, because, compared to other folk creatures, Bigfoot is more human. This assertion illustrates how people view humanity to be more unique, compared to other animals in the animal kingdom.

Portuguese Bend Curse

Age: 19

Text
“When my boys and I were hiking the Portuguese Bend at night right on the coast on the cliffs, the ground like started shifting beneath us like kind of like an earthquake, it was pretty nuts. And at first we just kinda thought it was an earthquake but then we texted our boys back home and they didn’t feel anything, so we kind of just chalked it up to being the Portuguese Bend Curse because I don’t know, there was like no other explanation I guess.”

Context
RK explains that this is a curse/legend that is well known among his friends and other Palos Verdes residents, especially those that have spent time around the Portuguese Bend. He says that while hiking with his friends, he felt the ground move in a way that felt like an earthquake, but when he double checked with friends and family they didn’t feel anything. He says that he and his friends had no explanation for what happened, so they attributed it to the Portuguese Bend Curse. RK says that he’s been back to the Portuguese Bend a few times since that happened but nothing similar has happened.

Analysis
The Portuguese Bend Curse is a legend that is popular among the Palos Verdes area of Southern California, and RK’s specific story is a memorate. His experience shows that in weird moments that feel unexplainable, people will turn to folkloric and supernatural explanations for the event. This legend also shows that there is more to a place than just its geography; there is a ton of added identity to the Portuguese Bend that is built through stories and human memories. RK’s story is also a great example of Lindahl’s argument that legends and beliefs become stronger or validated through personal experience, as RK knew of the curse beforehand but never had any strong opinions about it until he experienced the ground shake in person. It’s also interesting that even though RK hasn’t felt the ground shake since that moment, he still believes in the Portuguese Bend Curse because of that one memorable and jarring experience.

Hou Yi Shooting Down the Sun

Interviewee:

According to Chinese mythology, in ancient times, there were ten suns in the sky. With all ten blazing at once, human life was nearly impossible. The land was scorched, crops couldn’t grow, and rivers and streams had dried up. People were barely surviving under this condition.

Then, a legendary character Hou Yi stepped up. Witnessing the suffering of the people, he decided to climb to the top of Mount Kunlun and, with incredible precision, shot down nine of the ten suns all at once, leaving only the one sun we know of today. Yeah, it’s the sun that rises in the east and sets in the west. I was told that he wanted to keep one of the suns because humans need light and heat to survive.

Because of Hou Yi, humanity was saved, so people revered him and called him a hero.

(This myth was told in Chinese and translated.)

Context: I learned this myth as a child when my father told me of it. My interpretation is that every culture has their own hero, and this (Hou Yi) is like the Chinese deity of the sun. I think Hou Yi’s story explains why we only have one sun in the sky now, and society needs to have somebody to be that “heroic” figure to kind of pay our respect to, without whom we couldn’t have our lives now. I think people’s attitudes towards Hou Yi are often quite grateful and positive, even till today.


Analysis:

Myth as an explanation of nature: This myth is an etiological myth—it looks at natural phenomena using a humanistic lens, naming the person who has done something that has led to a natural phenomenon to occur. Every time someone watches the sun rise in the east and set in the west, this myth of Hou Yi shooting down the other nine suns provides a human explanation for it, bridging humanity and nature. In addition, Hou Yi’s choice to keep one sun because humans need sun and light adds a personal and emotional texture to this myth that makes him revered as a “savior” of humanity or a hero.

Restoration of Energy and Cosmic Order: In Chinese culture, it is emphasized to restore energy and order—having “too much” of anything is considered a bad thing, compared to having “just the right amount.” This myth exemplifies this cultural belief. Hou Yi, by shooting down excessive suns that have led to natural disasters, restores the cosmic order, and this “restoration of energy” is praised in this myth.

California Lemon Ritual: Visiting Family On The East Coast

Nationality: American
Age: 63
Occupation: Retired
Residence: Alameda, California

Informant Information

Age: 63

Date of Performance: 2/18/2025

Language: English

Nationality: American

Occupation: Retired

Primary Language: English

Residence: Alameda, California

Text

“If you grew up in California and all your family lives on the East Coast, you grow a lemon tree. When you visit family there, you bring lemons because it’s very exotic because you can’t grow lemons on the East Coast. You put them in a bag and then pack them in your suitcase. Eventually, some family members began visiting us on the West Coast when they got older, and they’d pick their own lemons from our lemon tree. I have a lemon tree in my backyard as a present for my husband because he’s from the South, and you also can’t grow lemons there.”

Context

The informant was born and raised in California, while her extended family remained on the East Coast. Her parents were originally from the East Coast, and she made frequent visits throughout her life. As part of those visits, she carried a seemingly simple but meaningful gift — fresh California lemons. This act became ritualized within her family, rooted in the regional differences in agriculture and climate. Lemons, while technically possible to grow in parts of the East and South, are far more common and thriving in California’s mild climate. In colder or more humid regions, lemon trees are vulnerable to environmental damage and rarely flourish.

For her family, receiving these lemons symbolized a piece of California, a vibrant, fragrant token of the West Coast lifestyle. When family members later visited her in California, they cherished the opportunity to pick lemons from her tree themselves. The ritual became a two-way cultural exchange, a reflection of rootedness and connection to place. Later, she planted a lemon tree in her own backyard as a housewarming gift to her Southern-born husband, making the tree not only a familial tradition but also a personal and romantic gesture.

Analysis

This lemon-gifting ritual illustrates how everyday items can carry deep cultural and emotional meaning, especially across geographic boundaries. What begins as a practical act of bringing fresh produce to family transforms into a ritual that marks identity, nostalgia, and care. The lemon tree functions as a living symbol of California, and its fruit becomes a physical expression of home, warmth, and abundance.

The act of transporting lemons across coasts shows the significance of regional differences in agricultural production while also emphasizing how natural resources can become symbolic commodities in family relationships. The ritual communicates more than just gift-giving. It speaks to the longing for home, the pride in one’s origin, and the desire to share that with loved ones who live far away. Furthermore, the informant’s continuation of the tradition by planting her own tree and offering it as a gift to her husband reflects how rituals evolve to include new meanings. The lemon tree is now both a bridge to her past and a symbol of unity in her marriage, showing how folklore adapts to new contexts while preserving its emotional roots.

“Tabi Tabi Po Apo” – Filipino Superstition

Nationality: Filipino
Age: 28
Occupation: Prosthetist Orthotists
Residence: Atlanta, Georgia
Language: English

Text:

“Tabi tabi po apo” is roughly Filipino slang for “excuse me.”

It’s the belief that you must say excuse me before you pee on the side of the road.

Context:

The performer grew up in Bicol, Philippines which is a rural southern province of Luzon. He grew up in an impoverished area and played outside with with the neighborhood kids almost everyday.

“Growing up, we were told by our lolo and lola. When you play around the trees or bushes or plants, or just nature, where there are no walking paths, you have to respect the elders of nature. It’s like when you go to the forest right, you have to respect nature and all the things that you don’t see like spirits or children in the forest. It’s bad karma and can attract vengeful spirits like if you cross in their territory they become territorial and put a curse on you.”

Analysis:

“Apo” is a respectful term which is similar to saying “ma’am” or “sir” and in this case applies to spirits. It’s respect for the “unseen” spiritual world and nature. The nature respect could be tied to folk Catholicism (a blend between Catholicism and superstition). 80-90% of Filipinos are Catholic as the Spanish colonized and brought over the religion in the 1500s, and so many of their indigenous beliefs mixed with Caloic ones, making this phrase widely accepted across generations.

Another practical reason for the phrase’s popularity, especially in more rural or less developed areas, is the Philippines’ abundant vegetation and loosely defined land boundaries. In communities like where the performer grew up, where peeing outdoors is common, especially for children, saying “tabi tabi po, apo” is also a way to teach mindfulness and caution when interacting with the natural world—both physically and spiritually.