Interviewer: “OK, personally some rituals i’ve grown accustomed to and practice are mostly related to theatre. Superstitions such as avoiding naming the play “Macbeth” in the theatre, never wearing your costume outside of rehearsal and performance, and a created folk song that was local to my high schools theatre department. What are some rituals or superstitions you believe in?”

AB: “I always knock on wood when I say something I don’t want to jinx, I don’t really even think about it anymore its more of an automatic reaction out of fear or something”

Interviewer: “Why do you think that works, like why do you use it?”

AB: “I don’t know, it makes me feel like i’m undoing evil energy, like your correcting it before some karmic lesson is taught to you, its like proactive.”

Context: The informant learned this practice from her parents. Her parents are very spiritual and superstitious and thus this, among many other practices, have become common place in her life. She recalls using the practice of “knocking on wood” since she was very little, around 9 years old. She is unsure if this practice has a tangible affect on her life, however she still uses it as a method of providing comfort to herself, proactively “saving” herself from an event before it occurs.

Analysis: This interview highlights how folk beliefs persist even when individuals do not fully rationalize or consciously believe in them. AB repeatedly framed their practices, such as knocking on wood as accidental or habitual, suggesting that these rituals function more as a medium to grant oneself peace of mind rather than superstition. This suggests that these rituals function less as explicit belief systems but more as engrained cultural behaviors where the action of knocking on wood takes less energy than the worry that accompanies bad karma.