The Lion, the Hare, and the Hyena

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KK: “One of them was called The Lion, the Hare, and the Hyena and that story essentially goes there was this lion named Simba, um, not from the Lion King, but you know he had gotten injured on a hunt and he was living in his cave and he was, you know, starving to death because he couldn’t really go out and get anymore food. And eventually this hare, um, came up to him and was like ‘Hey, you know, I’m a really well-renowned doctor around these parts. I can heal you up, just you know, I can lure some animals in here and you can hunt them because I can’t really get my own food and we can help each other out.’ And the lion was hesitant at first because he was a solitary creature, his pride wasn’t really with him anymore. But eventually the hare moved into the lions cave and they started helping each other out. The lion would hunt whenever he could and provide food for the both of them, while the hare nursed his wound. And then eventually this hyena, who was kinda a notorious trickster around the area, walked up and was like ‘Oh hey, Mr. Lion. I noticed that you’re, like, a little injured. Have you been getting treatment?” So the lion explained that he was getting treated by the hare who was famous around as like a doctor. And the hyena said ‘Well, you know, if he’s that good then I feel like your leg should have been healed a lot quicker.’ And the lion thought for a second and he was like ‘Yeah, you know if he is that good my leg should have been healed way quicker.’ The hyena was then like ‘You know, maybe me and you could go out hunting together sometime and I could help you out with your leg. And at this point the lion kind of sussed out that something was going on so he sent the hyena away. And the hyena came back the next day, but the hare was also there, and so the hyena said ‘Oh Lion, like, you wanna go hunting? I can help you out, you can help me out, etcetera.’ And he was eyeing up the hare in a really kind of predatory way, you know like he wanted to eat him. And the lion noticed and was like ‘No. Get out, you need to leave.’ Hyena came back the next day while the hare was out doing something and he said ‘Hey Lion, you know, like I promise you this guy’s a really good doctor and he could have healed your leg in a couple of days, but I think he’s keeping you injured so you two, um, so you can keep supporting him.’ And then what happened was the hare came back. and the hyena left, and the lion explained to the hare, he was like, ‘Hey, you know, if you’re such a good doctor, why, haven’t you healed me quicker?’ And the hare, and the hare was like ‘Well, where’d you hear this from, you know, I’m doing the best I can. I’m trying to help you out.’ And the lion said ‘Oh, from the hyena he keeps coming to visit.’ And then the hare kind of got the idea. He said ‘Oh, okay, well that’s actually really convenient, because if I get the skin off the back of a hyena, I can use it to patch your leg up instantly. I just haven’t had the chance to get it.’ So the hyena came back the next day and was like ‘Hey, lion!’ And he saw the hare next to him. He was like ‘We don’t have any need for this stupid hare anymore. We should just eat him, and you know I can heal your leg.’ And the the lion just immediately clocked what was going on and just jumped on the hyena, you know, tore the skin off his back and gave it to the hare. The hyena ran away embarrassed and you could tell that’s kind of like an origin story, for why hyenas have those like coarse hairs along their back, because the lion ripped it out and so the the hare was like ‘Hey I’ll patch your leg up all good’ and with the power of magic, and the hyenas skin the lion was healed, and they lived happily ever after.”

Background

KK is a 21 year old USC student studying psychology on a pre-med track. Of Indian descent, he was originally born in South Africa but has lived in England, the UAE and now in New York, Ny. KK heard this story for the first time as a child still living in South Africa from his grandmother. He says that it was one of Nelson Mandela’s favorite folk tales, and it has since become one of his.

Context

KK says that this tale is most commonly told as a bedtime story for children and that it also serves as a myth for the origin from the raised hairs running along the backs of wild hyenas. This story also serves to impart a moral onto its listeners that lying has bad consequences and telling the truth is always the noble path.

Interviewer Analysis

I could not find the ATU type number for this story exactly but there are plenty of folktales out there that carry similar themes and morals. Hyenas and jackals are often trickster characters in these stories, trying to convince the stronger, sometimes less clever, lion into helping them in some way. These stories usually end in the same way as well, with the lion realizing he has been tricked and then punishing the hyena thus showing the listener of the story, most often a child, that lying is an undesirable trait and that it leads to your own downfall. Stories with morals for children are not groundbreaking novelties, but the added bonus that this story also serves as an origin for a natural phenomenon is interesting.

The Sultan’s Daughter

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KK: “The next one is called the Sultan’s Daughter. Yeah, it’s called the Sultan’s Daughter, and it’s about, the main character is not the Sultan’s daughter, it’s the son of a king in one, in one country, and he sets out on a journey. His father wants to know if he’s you know responsible, and worthy of becoming king when he grows up. So he gives the Prince a bag of of money, and gives the Prince a sword, and he says ‘Okay, you know, go out and figure out what’s happening.’ So the Prince leaves, with him he has a bag of money, a sword, and a horse. And so he treks through a couple of different countries, and eventually the horse dies of starvation or dehydration, one of the two. But the Prince is in great spirits, you know, he has a general love of life and a love of the world. He loves exploring, so he just keeps walking by himself, and eventually he stumbles across this old ruin of like a temple, and he sees these two men with pickaxes digging up a grave. And they take out a skeleton from the grave, and so he he pulls out his sword, he’s a very righteous person, and he points it at them he says ‘Hey, stop! You know you can’t do that, you’re, that’s sacrilege.’ And the two bandits they say ‘Well, no, this man in his life owed us a great debt, and now that he’s dead, you know, we’re just coming to collect.’ The Prince said ‘I understand that you were owed a debt, but you know the man is dead now, and you can’t just defile his grave. I mean he’s probably not at peace with the fact that he never got to pay that debt himself, so let that be his punishment.’ The two men were like ‘Okay, well, sure, but we still need our money.’ So the prince said ‘Well, how about I pay you? and if I do, you have to promise to put those bones back and cover the grave with the utmost respect.’ And so the Prince paid them, and they put the bones back and covered it up, and once the Prince paid them, he realized ‘Oh, I’m out of money.’ So he had now no horse, no money, but he still just kept walking and he was still having a great time. He was loving life. And then he met this, this man who we’ll just refer to as friend for the rest of it. And this friend approached him and was like ‘Hey, wow! you’re traveling! I could travel with you for a bit.’ And he had a good, you know, he had an honest looking face, so the Prince was like ‘Yeah, of course, you know, come along with me.’ So the prince and his friend kept traveling, and then they stumbled upon the city. And as they walked into the city there was this beautiful, beautiful woman, the most beautiful that the prince had ever seen. And so he turned to his friend and was like ‘Wow! Who’s that?’ And his friend goes ‘Oh, that’s the sultan’s daughter but if you want her hand in marriage you have to, you know, solve her riddle correctly. Thousands have tried, but if you fail, you get put to death.’ The Prince was like ‘Man you know even though that’s a little cruel I’m in love. This is the woman for me. I’m gonna solve the riddle.’ So then the friend was like ‘You know, Why don’t we just go to bed, and well, when you have a fresh mind tomorrow you can go tackle the riddle.’ So they went to bed, and the friend woke up in the middle of the night, and he fashioned some wings out of just loose hay in the barnyard they were staying at and he took some of the hay as well and fashioned like a little bracken whip. And so he he flew out to the Sultan’s palace, and he waited for the daughter, who also had golden wings Just by the power of magic and she flew out of the palace like in the dead of night, and she flew to this witch’s cave. But the whole time she was being followed by the friend and the whole time the friend was, you know, beating her back with the the bracken whip. She didn’t notice she thought it was just the raindrops hitting her back in like a painful way and it didn’t leave any marks. So she gets to the witch’s hut, or the witch’s cave, and she goes and is like ‘Hey, like you know I need a new riddle this man is gonna come ask for something.’ So the witch is like ‘Okay, well, he’ll never get this. Tell him to, tell him to like answer: what am I thinking about right now? what is the princess thinking about? and the answer should be your gloves.’ So the next day they wake up and the friend goes ‘Hey, you know, if the princess asks you what she’s thinking about, say her gloves.’ And he goes in, and he gives the correct answer, and the princess is mad. She’s like ‘It shouldn’t be this easy, you know. No, come back tomorrow.’ Then the Prince is, he’s a good guy so he’s like ‘Oh, I mean I thought it was only a one time deal, but sure I like you so much I’ll come back tomorrow.’ So he he goes to bed, and the same thing happens. The next night the friend follows her to the witches hut, beating her with the lashes, and she, the witch gives a new riddle, and the new riddle is again: what am I thinking about? And the answer is the crown on top of my head. And so the next morning the friend says to the Prince ‘Hey, If again, she asks what you’re thinking about say the crowd on top of her head.’ So he goes in, gives the riddle correctly and the the Princess is furious. She’s like ‘There’s no way. This should not be this easy, come back tomorrow.’ So again, same thing happens. she flies out, and she gets beaten with the lashes. So she flies back for the third time, and the witch says ‘Okay, this time he’ll never get this. Tell him that you’re thinking about my head, the witch’s head. And so the princess flies back, and as she’s flying back, she’s like ‘Wow, you know my back is cut so much from this rain I’m never visiting this witch again.’ So then the friend has been waiting outside the witches cavern the whole time, and he draws a sword, and as the witch pokes her head out he cuts it off and he puts the head in a bag, and he goes back to the prince. And the next morning the prince wakes up, and the friend is like ‘Hey when the Princess asks what she’s thinking about just show her whatever is in this bag, but don’t open it till you get there’ and he gives him the bag with the head in it. The good prince goes in once again, and the Princess asks ‘What am I thinking about?’ And he he doesn’t say anything because he’s like ‘Okay? Well, I wasn’t given anything to say.’ And the guards draw their swords and the executioner has the axe at the ready and he’s like ‘Wait, wait, wait, wait, wait one sec’ and he reaches into the bag and pulls out the witch’s head, and you know, in classic fairytale fashion the princess is wooed and falls into his arms and is like ‘Yes, this is him. This is the man that I’m gonna marry.’ And the Prince is super stoked. He’s like ‘Oh, yes, I just got, you know, the prettiest girl in the whole land.’ So then he goes back to his friend and he’s like ‘Yo like it worked I mean’ and his friend is like ‘Oh, that’s great for you.’ And the Prince is like ‘So, you know, I gotta go back home to tell my dad, but when can I see you again?’ And his friend goes ‘Well, actually you know you’re not gonna ever see me again. Like I’m done here.’ And the prince is like ‘What do you mean?’ The man says ‘Do you remember when you stopped those two men from defiling that grave?’ And the Prince is like ‘Yeah, yeah, I mean I just thought it was the right thing to do.’ The man’s like ‘Actually that was my grave and you know I’m just here to help you out because you helped me out.’ Yeah, that’s the end of the story.”

Background

KK is a 21 year old USC student studying psychology on a pre-med track. Of Indian descent, he was originally born in South Africa but has lived in England, the UAE and now in New York, Ny. KK heard this story for the first time as a child still living in South Africa from his grandmother. It was his favorite and would ask for this story to be told to him over and over again. He thinks it is his favorite because he connects so well with the overall moral of the story.

Context

KK says that the Sultan’s Daughter is another traditional South African folktale that would be told to children as a bed time story. The moral of this story in his words is that if you do good things, good things will come unto you and that you should have no desire for material goods. But you should use your resources to help others, and they will help you in return.

Interviewer Analysis

I found this story very interesting and over the course of the telling became wrapped up in the plot and the success of the main character, not just in analyzing the text. It is most often the most interesting tales that are carried on, as they are more memorable and more likely to be retold. This story certainly supports that hypothesis although it is admittedly quite long. As an emic observer this story makes perfect sense not only in its moral but also in its purpose.

Bunny Chow

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KK: “So there’s this dish in South Africa called bunny chow like colloquially, we just call it a bunny. It’s big enough that you would, it’s a big deal. There are restaurants that like specialize in bunnies, and essentially the the recipe is just you take a loaf of bread and you cut out the inside, and then you fill it with a curry of your choice. So like mutton curry, chicken curry, potato curry, beans, whatever. And the origin of it was, you know, Indian people from, like their homeland India, were taken by the British to South Africa to cut the sugar cane. They would be eating their lunch and would be eating curry, but they didn’t have anywhere to like put it or store it, and they didn’t have rice like easily accessible to them. So what they would do is just take the loaf of bread, like the British style bread, and fill it up with the curry. And then like nowadays, it’s just a really popular meal among the Indian South African community.”

Background

KK is a 21 year old USC student studying psychology on a pre-med track. Of Indian descent, he was originally born in South Africa but has lived in England, the UAE and now in New York, Ny. Bunny Chow is obviously a fusion dish borne out of necessity, made by these displaced Indian sugar cane workers. It has since become so popular, according to KK, that he eats it at his home in America and restaurants specialize in serving it back in South Africa.

Context

KK eats this meal regularly with his family at home in New York and says that the context this meal is served in is certainly a family style sit down dinner. Because of the size of a full loaf of bread, Bunny Chow is usually shared with multiple people which makes it a staple meal for Indian families with ties to South Africa.

Interviewer Analysis

Food traditions are very easy to share and that is why so many people have family recipes or dinner traditions that mean so much to them. I find it so interesting that this dish is a cultural fusion however, Indian style curry served inside British baked bread and served in Africa. This dish is obviously not something that came from a fancy written cookbook, but from the needs and innovation of everyday people. Bread bowls and Chalupas spring to mind as similar recipe variations on bread bowl with meat and vegetables inside, but it is obvious they do not share a common origin.

Užgavėnės

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GD: “Užgavėnės is a Lithuanian holiday, um, that’s translated to ‘The Before Lent.’ So, it takes place, um, right before the Lenten season, the weekend right before that, and what it is culturally is, um. It’s a festival in which we scare away the winter pretty much, and welcome the spring. Um, it’s been compared to, like, Mardi Gras and you’ll see as I talk more about it you’ll be able to connect that a little bit more, but um. The entire festival is just Lithuanian people getting together, making really scary masks and decorating them and going really big with these costumes and these like huge masks that they’ll wear, um, to scare away the winter. There is a structure that we construct that is usually a representation of winter, like taking place in like the form of a man or something or like a stick figure, uh, just this really large totem that we burn ultimately to just say ‘To the end with winter, here comes spring.’ And in the same light there is a little staged playing of a man and another man dueling pretty much, and one guy represents winter with the other guy represents the spring, and always the spring will overcome that and win against the winter.”

Background

GD is a 19 year old Lithuanian-American second year student at USC studying Theatre and Classics. Her mother was born in Lithuania and moved to a Lithuanian community in New Jersey, where GD attended Lithuanian school and church. GD describes Užgavėnės as her favorite holiday growing up, attending it not only in America but also in Lithuania. She remembers waking up before dawn in order to peel potatoes in order to make pancakes specifically for the festival. GD believes Užgavėnės to be so important not only to her but also to her culture because it was one of the few pagan holidays that survived Christianization in Lithuania.

Context

GD describes Užgavėnės as one of the more important holidays in the Lithuanian calendar with it originally being celebrated on the last day of winter before Christianization. It has been hastily Christianized and is now celebrated on the weekend immediately preceding Lent, but the traditions and meaning of the festival remain. GD describes Užgavėnės as being full of food like bagels and pancakes, and performers playing music as people dance.

Interviewer Analysis

Many traditional folk festivals and celebrations have been slightly changed in order to fit into the rising wave of Christianity, even Christmas retains many aspects of its original pagan traditions. It is unfortunate however that many of the traditions were lost in these re-skinnings, so it is nice to see that Užgavėnės, according to GD, was able to keep so many of its traditions. Festivals celebrating the end of winter and the coming of a sweeter season are a very common phenomenon especially in northern countries that experience harsher winters like Lithuania.

Eglė, Queen of Serpents

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GD: “Eglė, this girl, is bathing and a little snake comes up to her and she’s like ‘Oh no! The snake saw me naked, Ahh!’ And the snake speaks to her and goes ‘Hey girl, in order to make this right you have to come back and you have to get married to, like, me or one of my brothers. And she goes ‘Ahh, okay, oops. Stuff happens I guess.’ So the snake goes back to snake land and Eglė goes back to her family and she talks, and she’s like ‘This is the situation, this is what’s gonna happen, I’m gonna go be married off to the snake king.’ And a few days pass and hundreds and hundreds of snakes come to her house, come to her village and her family gives them first, like, a chicken and the snakes are like ‘Yeah, we got her!’ But it’s actually a chicken and then they do the same thing with a goat, and a sheep until they end up giving the actual daughter away. So Eglė goes with the snakes and goes to Snake Island and meets the snake king, but the thing is, is that he is actually just like a handsome, regular dude. They fall in love, and just have a good time and kinda chill on the island. They have four kids all whose names translate into names of trees.”

Interviewer: “Do you remember what their names are?”

GD: “Ahhh, I know their English translations. It’s, there’s Oak, Aspen, Birch and…could not tell you the fourth. But Eglė, I also should have said this in the beginning, Eglė translates to tree in English. So they are on snake island just having a good time, having the kids, and she doesn’t really talk about her life at home. She doesn’t talk about it because she grew up poor, she grew up in the village and now she’s just having a good time ruling all of the snakes. Until one of her sons asks, and her son and her decide to go back just to, you know, check in with the family, see how everyone is doing. But the king doesn’t let them in fear that she will not return. Eventually he does agree after some, you know, back and forth and gives her a special, like, call to do whenever if she needs to contact him or if there is an emergency that she needs to, like, contact him right away apparently this sound would transcend sound barrier. Um, but she goes and they’re there and the family does not want to give them back. Eglė wants to go, the son wants to go, but they, they will not go back. So, what happens is she does the call. She calls out for family, all of her family comes and with them, like her her kids come, and with them the hordes and hordes of snakes. This being said, snake king husband is still on the island. So there’s just a big battle between her family and snakes and in order to protect herself, and to protect her children, she turns them all into trees. The End.”

Background

GD is a 19 year old Lithuanian-American second year student at USC studying Theatre and Classics. Her mother was born in Lithuania and moved to a Lithuanian community in New Jersey, where GD attended Lithuanian school and church. She first heard this story from her immigrant mother. GD describes the moral of this story as one about blood family versus chosen family. Your family is whoever you choose to spend your time with and represent yourself with, and sometimes that’s snakes. GD describes this story as being somewhat controversial in it’s message among traditional Lithuanian storytellers. What stuck with GD was that Eglė as a woman had the power and responsibility to protect her children and her family and was justified in doing whatever she had to in order to reach that goal.

Context

GD says Eglė, Queen of Serpents was a bed time story that would be told to her as a child, but it was different in that it ended with a sort of triumph for the main character. Many Lithuanian bedtime stories, in GD’s words, ended with the cruel end of the main character in order to teach children about the dangers of the world.

Interviewer Analysis

This story is very reminiscent of Beauty and the Beast and other stories in which young women come face to face with horrible monsters only to learn that they are either secretly beautiful men or were beautiful men cursed to be monsters. These tales have a nice moral in that it teaches people not to be prejudiced and to instead get to know someone yourself before passing judgement on them. This story has the added moral of being able to choose your family and so I think is a great story to read to children.

This tale is classified, in the Aarne–Thompson–Uther Index, as tale type ATU 425M, “The Snake as Bridegroom” and can be found in Jonas Balys analysis of Lithuanian folktales (published in 1936).