Category Archives: Festival

Burning Paper Money- Chinese Ritual

Text:
Informant: “During the New Year or Qingming Jie or the Ghost festival on 7/15, on these three dates we remember our ancestors. When I was young I did this for many years and I still like to do it, although not everyone does it now. We would take yellow paper and hammer coins onto it to make it look like money. My brother and I would go outside into the street and draw a circle on the ground. We put the yellow paper money inside the circle and burn it to memorialize our ancestors and give the money to them. At the end we take one piece of the paper money and put it outside the circle. That is for the little ghosts around, the people who don’t have families. While burning the paper we also say things like, ‘Grandma, Grandpa, we miss you. We hope you have a good life in another world. Hopefully this money can support you.’ And we also say something to the ghost friends so they can enjoy the money too.” My father and mother taught me to do this.”

Interviewer: “Do you still do this?”
Informant: “When I got older people started using printed versions of fake money instead of making it. I did it once in America by the beach but then realized it was against the law. In China, in the south people still do this today, but in the north many places moved the burning to cemeteries because of regulations.”

Interviewer: “Is this something that only kids usually do?”
Informant: “Yes, young kids do it. It’s kind of like a job and part of the culture.”

Context:

The informant learned this ritual from their parents while growing up in China in the 80s and participated in it with their brother during holidays associated with remembering ancestors, including Lunar New Year, Qingming Jie, and the Ghost Festival on the 15th day of the seventh lunar month. The informant remembers that during these times it was common to see many families in the neighborhood performing the same practice.

Analysis:

This example is a form of ritual folklore, since it involves a repeated set of symbolic actions performed during specific calendar events. The ritual follows several steps, such as making the paper money, drawing a circle, burning the money inside the circle, and placing one piece outside the circle for wandering spirits. These actions are believed to send resources to ancestors in the spirit world and to acknowledge spirits who do not have families to remember them.

The ritual also reflects cultural values related to ancestor respect and family continuity. Speaking to ancestors while the paper burns creates a moment where the living symbolically communicate with the dead, reinforcing family memory and responsibility across generations. At the same time, the practice shows multiplicity and variation. While the central idea of burning money for ancestors remains consistent, the informant notes that some people now use printed paper money or perform the ritual in different locations due to regulations. Despite these changes, the ritual continues to circulate and remains an important cultural practice for remembering those who have passed.

Onam- Indian Festival

Age: 22

Text:
Informant: “Onam is a festival about King Mahabali returning to visit his people once every year. One thing people do is make pookalam, which are flower carpets placed at the entrance of the house to welcome Mahabali. My grandma makes them and that’s where I first saw them. People usually get together to make one and it can take two to three hours. There’s also a big meal called Onasadya which we eat for lunch. People sit in rows with a banana leaf in front of them and volunteers serve the food. Someone will bring a big bucket of rice and scoop it onto everyone’s leaf, then another person comes and gives things like bananas. Everything is vegetarian and there is 25 different dishes, the number of dishes is important and you eat with your hands. There’s also boat races called Vallamkali with 100-foot snake boats. I’ve watched them on TV before.”

Interviewer: “How long have you been celebrating Onam?”
Informant: “Pretty much since I was a kid, maybe when I was six or eight. My family celebrates it and that’s how I learned about it. I don’t celebrate it as much anymore, but my parents still celebrate it.”

Context:
The informant grew up in India and learned about and participated in Onam through family celebrations during childhood. Their first encounter with the traditions was watching their grandmother prepare pookalam flower designs at home. The informant explained that their family regularly celebrated the festival when they were around age six or eight. Although the informant does not celebrate Onam as frequently now that they have moved to America, their parents still celebrate in India.

Analysis:
Onam is an example of festival folklore, which combines storytelling, ritual practices, food traditions, and communal gatherings. The festival is centered around the legend of King Mahabali and his annual return, showing how narratives help explain and structure cultural celebrations. The traditions practiced during Onam also express important Indian cultural values such as hospitality, cooperation, and community. Activities like making pookalam or sharing the Onasadya meal require many people working in tandem, which turns the festival into a collective experience rather than an individual one. The large vegetarian meal served on banana leaves and eaten in rows reinforces a sense of equality, since everyone receives the meal in the same way.

Dancing in Spain

Age: 22

Context: A roommate of mine from Spain shared a picture of her cousin in a pretty dress. Then she described the dance practice and what people do during the celebration.

Text:

“When I lived in Spain, when I was like a kid from 7 to 10 years old, um we would go to the Feria de Sevilla, which is a fair that happens, like, after Holy Week, every April. Um, and it’s basically a week-long party where people stay up until like 3 in the morning, like dancing and stuff. But it’s very communal because, um, every family gets a casita, which is like a little tent where they have a little wood floor so people can, um, dance.

People are just like dancing flamenco and having a good time and drinking beer and listening to music and wearing really pretty dresses, flamenco dresses for the ladies and very like, nice suits for the guys.

Um, it’s just really fun. And they have like um, and they have a fairground on the side as well. But people usually go for the family and for dancing and having a good time.”

Analysis:

The festival happens at a specific time of year and gives people the responsibility and prep required to put on a successful celebration. As Stoeltje states, this festival sets a scene and a tone, bringing groups of people together with purpose. Additionally, as we’ve discussed in lectures, this is a multigeneric festival. The costumes, food, and dancing are all pivotal parts of the whole. If I didn’t live in a quiet suburb, I would love for us to have celebratory festivities such as these.

Feast, Festival, and Fur – The rituals of a furcon

Leave a reply

Age: 27

Text: Interviewer – “When was the first time you heard of a furry convention?”

JP – “I’ve for sure sure known about them since I was younger but I didn’t really think positively about them until years later. I was a bit of an edgelord back in the day.”

Interviewer – “Have you been to one before or many?”

JP – “I’ve been to the same one, TFF, or Texas Furry Fiesta for 3 years as of now. So a couple times, I’d say.”

Interviewer – “What has been some notable elements of these, some highlights that you get excited about when traveling and going to these conventions?”

JP – “To me, the Artist Alley, a large room in the convention center where tons of different artists are posted up to sell their merchandise, get commissions in person, or advertise. It’s super cool. Besides that, the various community events that TFF has have been the highlights for me.”

Interviewer – “What rituals do you feel are active elements of every furcon, or you feel should be a part of them if not?”

JP – “Fursuiting for sure, and while it’s unnecessary I particularly have fun playing a bit of a character. I have 2 different suits, so I’m able to change up the characters I go as, which adds to the fun of it all since a lot of other people are doing the same. Some conventions even have events to show off all of the different attendees suits! Though despite it being a very integral thing, it’s still unnecessary and one doesn’t need a suit in order to attend.”

Interviewer – “What’s been your most memorable or best memory in the fandom or at a furcon?”

JP – “As far as my best memory, it would prolly be my first con just getting to spend time with some friends and having the opportunity to explore the city with them.”

Context: Similar to other fandom based conventions, a “furcon” is just that, a convention for furries or fans of the furry community to gather, go to panels, buy art, and be a meeting point for friends who would usually be online to meet up in person. When talking to JP about his involvement within the fandom, since I knew he recently went to Texas Furry Fiesta, I wanted to delve in and ask about the folk practices done at this kind of event, as I know other conventions akin to comicons have their cosplays, panels, celebrity features, and art galleries.

Analysis: Furries are one of the fandoms that have such deep cultural ties to industries, popular culture, media, and their own complex traditions, rites, and rituals. One of said rites of passage is attending a furry convention, or a furcon for short. Aside from this rite of passage, many traditional events occur, some mentioned by JP. These would include the sharing of community folk art at the artist’s alley, a dance competition, showing off the hard work and craft of fursuit makers by featuring your own, as well as being a pseudo-pilgrimage for a friend group all within the fandom to meet up. A furcon is a multi-faceted treasure trove of lore for all of those who attend, their passions, and particular interests in their characters, how they present themselves, and the boundless memories, activities, and events at their disposal.

“St. Fratties Day” Celebration – Cal Poly San Louis Obispo

Age: 22

Date Collected 4/16/2026

Context:

My informant is a close friend of mine attending Cal Poly San Louis Obispo. She is a graduating senior and an active member in a sorority. She told me about Cal Poly SLO’s most recognizable holiday, “St. Fratties Day.” When I went to college in Santa Barbara, I knew all about St. Fratties day, but I never got the opportunity to go.

Text:

“Every year on March 17th, we wake up at 3:17, get dressed in our “greenest” outfits, take a green Jello shot, and hit the block parties.” That’s been the tradition long before my friend first enrolled at Cal Poly SLO, but it seems the traditions are changing.

To my informant, this is a uniquely SLO festival that’s shared with students all over California; students come from neighboring schools to attend, similar to UCSB’s Deltopia to celebrate. Typically, students indulge in “Irish like drinks – Guinness, Irish Whiskey, Baileys, Green colored mixed drinks and of course green Jello shots,” “anything that seems remotely Irish is there.” More recently, my informant explained that students come dressed in custom green t-shirts painted with white paint and patched. Like four leaf clovers or messages like “kiss me, I’m Irish” or “I love Irish goodbyes.” About two years ago, students made their own green “borgs” decorated with on- theme messages funny quotes or Irish themed puns.

The holiday has been largely student- run, consisting of massive block parties where certain streets of the town are packed full of students celebrating. House parties, local band performances and pre-games litter the surrounding neighborhoods as students prepare to gather on Hathaway street at 5am. Most students hear about the event through word of mouth, as it is quite popular; if not through friends, they see posts on social media discussing house parties or cover charges for bands. But it seems the tradition is about to change significantly.

Last year, the school started its own concert music festival on campus to divert attention from the neighborhood street parties. My informant told me that this is largely due to the resulting property damage, noise and underage drinking that occurs. In the 2025 celebration, roofs caved in and fences were toppled over by the mass of people.

My informant explained that while in the middle of the crowd she “literally thought I might die.” But, thats part of the fun. Regardless, she explained, the surrounding neighborhood, police, and other officials have placed pressure on the school to make St. Fratties less damaging for the community. So, as a result the school offered a music festival free of entry that has big names performing. My informant explained that the school and community’s goal is to make the block parties illegal and push students towards more “responsible and respectful” celebrations. Additionally, next year, the school is going to switch to semesters, so St. Fratties weekend will fall under their Spring break. My informant believes that “this is their [school and officials] path to totally killing it.”

This last March (2026) the streets were barricaded, with cops on horses preventing students from moving around. So, this exciting student tradition might not exist for much longer, which is sad for my informant and future generations of SLO students. This is a huge event for the students at SLO. They look forward to it, and it is a way for them to communicate their identity as SLO students and show off their campus and student life to friends from out of town. To them, this isn’t just a big party, its part of their life. The event takes a lot of energy from the students as well. Setting up, planning, coordinating their individual contributions and plans. It also takes place on “dead week,” or the week before their finals for the quarter. So, there is a significant cost for dedicated students to fully commit or even attend the event.


My informant explained that after the initial rush, around seven or eight in the morning, she and her friends go back to their house and sleep in the sun by the pool. They rest, get some work done then go out again later that night to the bars in town, which have green decorations, themed drinks and the bands performing. This is where the student population joins the rest of the community, because both students and adults are all out celebrating at the bars.

Analysis:

This event shows a lot about student identity and how events and festivals become a core part of students’ on-campus life. The community comes together to celebrate, meet one another, and enjoy being around one another. It’s an event where groups that otherwise might not interact can mingle and find common ground. It is a way to let go and be free of the difficulties of school for a moment. To release your tension before the push from finals. But also, in a way, a means to challenge the system. Students defy their obligations to study for finals to take part in this event. This is by definition the carnivalesque. An act that defies the “dominant” or regular system of the academic calendar by providing a day to suspend those roles as students. It is especially poignant because it takes place at the highest stakes moment of the quarter, right before finals week.

It also has ritualistic elements, like waking up at 3:17 am (3:17 = March 17th) and drinking Jello shots. This crates a shared “starting point” that all students can enter this event. Brutal as it may be in the moment, it is a fond memory of my informant and shows that students are committed to this event because there’s a “barrier to enter.” These are things that students wouldn’t normally do, waking up that early or drink the Jello shots. But under the context of the event, these things have meaning created by the culture and traditions passed on by older students.

It has been sad to hear about how the school and institutions are in effect “killing” the event. Switching to the semester system means everyone will likely be free from school and away on break. The holiday needs a place, that place and community are removed for the period of St. Fratties. There are risks for the event- students getting hurt, property damage, and noise, to name a few. But, I don’t think killing the event totally is a fair or beneficial solution. The event has become part of SLO’s identity, and students look forward to it every year. Even though they are offering a festival, my informant explained it was poorly run and wasn’t as fun or unique as the block parties. We learned this is called fakelore. An institutional ripoff trying to build on the authenticity of the people’s culture. My friend explained that it felt forced rather than natural. As an outsider, I’m upset by this. It’s like getting a YouTube video interrupted by a corny corporate ad that’s trying too hard to fit in. It also eliminated the house parties, random interactions, and smaller local student bands. When the day becomes just a performance, the students aren’t active participants; they become more like an audience. This institutional replica of the event highlights how the culture and specifics of the event are sanitized by larger corporations to create a mass-produced event. There are thousands of music festivals every year, but only one St. Fratties day.