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“Every New Year’s Eve, right when the clock strikes midnight, my family rushes outside and we start banging on pots and pans like our lives depend on it. It’s loud, chaotic, and silly if you are a neighbor watching next door.

We don’t do this tradition just to make noise for fun, we are scaring away bad spirits. My Lola would say, ‘Make it so loud the malas (bad luck) can’t follow us into the New Year.” i feel like this tradition is not about silence and reflection. It’s more about being loud, communal, and kind of joyful. It shakes things up and clears space for something better.

Every year, no matter where I am, I find something to bang. When I’m not at home, I’ll use a cup and spoon if need be. Because for me, the noise is more than just a tradition. It is a way of saying that we made it to a new year and that we should chase bad spirits away and welcome what is to come next.”

Context 

The informant reflects on a recurring family ritual: banging pots and pans at midnight on New Year’s Eve to ward off bad luck. She traces the tradition to her lola (grandmother) and describes how this action has remained central to her family’s New Year’s celebration.

The informant highlighted how rituals passed down through generations become markers of cultural identity even when performed in different settings from where her grandmother originally would do this to where her family does it now.

My interpretation 

From a folklore perspective, banging pots and pans on New Year’s Eve functions as a protective folk belief ritual that’s aligned with what James Frazer termed magic superstitions. In this case it would be conversion magic where action is required to prevent misfortune. The practice is not institutionally religious but it operates within a system of vernacular spirituality and community belief that’s passed down through generations in domestic spaces.

The ritual also fits within a life cycle of belief systems surrounding transitions and thresholds like what Victor Turner would call a liminal moment. The striking of the pots is part of a ritual of noise that marks and manages a cosmic shift. Symbolically, the sound disorients evil, clears spiritual residue from the old year, and prepares the household for prosperity.

This ritual functions as both cultural preservation and performance of identity. It’s an informal act of heritage that resists assimilation by rooting the celebrant in a shared memory and practice.