Tag Archives: Superstition

Jasy Jatere

Nationality: Paraguayan
Age: 23
Occupation: Student
Residence: Los Angeles
Performance Date: April 20, 2017
Primary Language: Spanish

My friend grew up in Paraguay and has a lot of myths and legends that stem from the Guarani tradition.

Friend: “The Jasy Jatere is the God of the siesta. I heard about him from my grandmother. Apparently he would steal kids who snuck off during the siesta, which is a nap most people take during the day. I think the story was told to keep kids from leaving their houses while their parents were sleeping. Like don’t go away or the Jasy Jatere will get you!”

Me: What did he look like?

Friend: “He was supposed to look like a kid. He has blonde hair and is pretty small-framed. But he’s actually a full-grown man. Kids are supposed to think he’s their friend, he plays with them and feeds them fruit and honey, and then, according to my grandmother, he imprisons the kids and pokes out their eyes so that they cannot see to find their way home.”

Me:Did it scare you into napping during the siesta?

Friend: “Yeah I was pretty freaked out by Jasy Jatere. I definitely thought he would come and get me if I wasn’t napping. He’s sort of like the boogeyman of Paraguay.”

Analysis:The Jasy Jatere being a “Paraguyayan Boogeyman” is interesting. In some ways, it is creepy that parents would try to scare their children into staying at home and trying to sleep. Most of the time, these fears dissolve without much consequence. A child grows up and learns not to fear the Jatere, or the Boogeyman. Another connection that could be made to the Jasy Jatere is Peter Pan. It is the same archetype: a boyish creature who seems to be immortal, coming when children are without their parents, to take them away to a far off place– usually never to return home. Many cultures have these types of stories, and I think they play into our fear (and curiosity) of being taken from a loving home  with one of our kind who has learned to survive without the support of parents. transcoder

Step on a Crack

Nationality: American
Age: 19
Occupation: Student
Residence: Queens, New York
Performance Date: April 20
Primary Language: English

“A lot of people said that if I… stepped on a crack, I would break my mother’s back… it was mainly a lot of people at school though… I ummm…actually believed it though hahaha… I was terrified of cracks throughout most of my childhood and almost started crying once because I actually did step on a crack”

This seems to be a common one throughout many school children throughout the world that if you step on a crack that you will break your mother’s back. There doesn’t seem to be much of that throughout other cultures besides American culture. Also it never permeates adult culture as well. We always see children who always believe in this never adults. Some versions of this myth are only during a game of hopscotch as to create an incentive to win—a pretty large and threatening incentive if you ask me—while some, like that of the informant is used as a way of life.

For more information on this superstition see: http://www.smartalecksguide.com/2011/09/are-there-dark-origins-behind-step-on.html

Three Times Japanese Superstition

Nationality: Japanese-American
Age: 19
Occupation: Student
Residence: Arcadia, CA
Performance Date: February 11, 2017
Primary Language: English
Language: Japanese

Aubrey is a Japanese-American currently attending ELAC. She plans to transfer to UCSD to pursue a bachelor’s in Marine Biology because she intends to protect the marine environment with her university education. She enjoys drawing, watching anime, attending sports games with her dad, and playing with her dogs.

Original Script

If it happens twice, it happens three times. So for instance, if you drop something twice that day, the third time you drop an object it’ll be a much more valuable object such as glass or your phone.

Background Information about the Performance from the Informant

The informant first heard of this superstition from her mother one day when she was in elementary school. She had dropped her phone twice that day before her mother warned her what would happen for the third time. She was so scared of what would happen in the future that she handled her phone like a precious diamond.

Context of the Performance

I interviewed the informant in my house.

Although the Japanese believe the numbers, four and nine, are unlucky, they have superstitions where the penalty for committing a taboo action is three years of bad luck. There is also the superstition that sneezing three times means someone is talking unfavorably about you. This superstition told by the informant also calls upon the number three as a connotation for bad luck.

My Thoughts about the Performance

When I heard about this superstition, I thought the informant’s mother told her daughter about the superstition to scare her into treating her phone with care. In a broader context, this Japanese folk belief may have been created to encourage people to be more cautious about their possessions. It seems that one of the functions of folklore in most, if not all, cultures is to scare people into performing an action.

Pagpag

Nationality: Filipino
Age: 18
Occupation: Student
Residence: Los Angeles, CA
Performance Date: February 12, 2017
Primary Language: Tagalog
Language: English

Pauline is an international student from the Philippines. She is studying Chemical Engineering in the United States, and she plans to return to the Philippines once she graduates and receives her B.S. in Chemical Engineering. Her hobbies are watching anime, eating delicious food, and taking naps.

Original Script

In the Philippines, there’s this superstition that like every time you go to a wake or a funeral you’re not supposed to go straight home. You’re supposed to do this thing called pagpag, which is basically like after the wake or the funeral, like you go anywhere else that isn’t your home so like people usually like go to the mall, they don’t do anything, they just go in and walk out and then they go back home. Because that way you’re kinda like removing all of the bad energy and stopping the spirits from following you home. Because we believe like if you go straight home you’re going to bring all that bad energy with you. And the word pagpag basically means like for example if you have like a carpet and you want to remove all of the dust and hair you kind of flap it like that and all of the dust comes off and so that’s kind of like when you go into the place you’re kind of making pagpag all the bad energy from yourself.

Background Information about the Performance from the Informant

The informant and her family are less traditional and do not perform pagpag after funerals. However, when the informant attends wakes or funerals with her more traditional Filipino friends, they make her perform pagpag with them. They usually go to a mall or a park for a while before returning to their homes

Context of the Performance

I interviewed the informant in a study room at Parkside IRC.

Pagpag is a term that means “to shake off the dust or dirt” in Tagalog. Filipinos have used the term to refer to the superstition that one cannot head directly back to one’s home after attending a funeral until one has performed pagpag. This ancient practice has been preserved by Filipinos in fear of the possibility of the dead’s soul following the visitor home after the wake.

My Thoughts about the Performance

There are many superstitions about funerals or wakes that involve one being haunted by the deceased. I find it interesting that many of my Filipino friends still practice pagpag with their families after funerals. They reason that these superstitious beliefs are merely guidelines to prevent any consequences; they lose nothing for following them. In other words, it is better to be safe than sorry.

Ghost Light

Nationality: American
Age: 22
Occupation: Student
Residence: Los Angeles, California
Performance Date: February 11th, 2017
Primary Language: English
Language: Spanish

Background information:

My informant is a theatre major from New Jersey, now living and studying in Southern California. She has told me about many superstitions from the theatre and film world, and this particular one is about the ‘ghost light’ that must be on all sets. There are two reasons for having this light, a practical and a superstitious meaning. I have physically seen this light on one of the sound stages in Warner Brothers studios in Burbank, where the guide concurred with what my friend told me about ghost lights. She doesn’t believe in this superstition, and finds it a little creepy when working late at night when this is the only light on. She is signified in this conversation by the initials B.I.

Main piece:

B.I.: Basically ghost lights are a kind of bare bulb light, usually, which is left on all the time on a set or in a theatre. They’re a bare bulb lighting in a metal frame, in a tall stand. They serve two purposes. Practically, they’re for lighting up a stage or a sound stage out of hours as normally there would be no lights on if a person was working out of hours. The second reason is more superstitious. They say that the ghosts of the stories haunt the sound stages and the theatres, I don’t know if they’re literal ghosts or metaphorical ones, and that the light drives them out. It’s said that all theatres and sets have ghosts, and sometimes people say that having the one light on allows for the ghosts to perform on the stage out of hours, so they’re not unhappy with the living and leave the actual performances themselves alone.

 

Performance Context:

This piece of folklore was related to me in a larger conversation about film and theatre superstitions, in which she related to me the superstitions about “The Scottish Play.” I asked about this superstition in particular after seeing a ghost light on set on a tour of Warner Brother in Burbank.

 

My thoughts:

It seems that the entertainment industry is very focused on superstition. This seems to me to stem partly from the insecurity of success in film and theatre, and the ability to be famous one day and ruined the next. Whilst these are standard facets of the industry, these kinds of superstitions act as a kind of regulating influence, a way for humans to control both their personal fate, and in general the uncontrollable. Overall, one could see most forms of mythology and legend as ways of putting order on those things which are physically unknowable by humans. The idea here that it may be the ghost of a particular performance locates the tale very clearly in the film/theatre world, yet the practical usage of the light as a way for people working out of hours to see both legitimizes those working under the guise of needing light, but believing in the superstition, and actually allows them to get work done. As many sound stages sets in particular do not have overhead lighting, as light is normally moved around during the production, the presence of one stable light allows people to work out of hours without having to interfere with the set.