Monthly Archives: May 2025

Popocatépetl’s Smoke

Nationality: American/Mexican
Age: 19
Occupation: Student
Residence: West Covina, CA
Language: English/Spanish

TEXT: “When I was little, my Abuelita would point out the volcanoes in the city where she grew up, Puebla City, Mexico. She would tell me the story of two volcanoes, Popocatépetl and Iztaccíhuatl, the warrior and his sleeping princess.” She told me how the legend went, as they were once in love, but Iztaccíhuatl died before they could be together. In an attempt to honor her, Popocatépetl carried her to the mountains, and the gods turned them into volcanoes so they would be together forever. My abuelita believed that when Popocatépetl started smoking, it was him showing his love for the other mountain. The last time I was in Puebla, about 2 years ago, I looked up and the volcano was smoking.”

CONTEXT: This story is rooted in the traditional Mexican legend of Popocatépetl and Iztaccíhuatl, which is widely known in central Mexico, especially in and around Puebla. The legend has been passed down for generations and reflects indigenous beliefs about love, death, and the natural world. In the story, two volcanoes are said to be the transformed bodies of a warrior and a princess, symbolizing eternal love and loss. The narrator shares a personal memory of their abuelita recounting this tale during visits to Puebla City, tying folklore to family, place, and lived experience.

ANALYSIS: The narrative blends cultural tradition with personal memory, making the retelling more intimate and emotionally resonant. The grandmother serves as a cultural transmitter, passing on not just the legend but her interpretation—that the volcano’s smoke is an expression of love. This belief turns a natural phenomenon into a meaningful sign, demonstrating how folklore often helps people connect emotion and environment. The narrator’s final observation—seeing the volcano smoking years later—reaffirms the legend’s emotional power, suggesting that even in the face of loss, love can still be seen, felt, and remembered through nature.

La Siguanaba

Nationality: American/Salvadoran
Age: 18
Occupation: Student
Residence: San Diego, CA
Language: English/Spanish

TEXT: “I have cousins in Sonsonate, El Salvador, and last summer, we stayed at my aunt’s place on the edge of town. One night, our power went out, and we sat outside to cool off, since the fans and air conditioning needed power to function. My cousin pointed toward this dark trail in the backyard, and he said, “That’s where La Siguanaba lives.” I asked him what a “Siguanaba” was, and he explained that it was a woman who looks majestic from behind, but has a horse’s face when you see her up close. He said she tricks men who are out late, especially if they’re drunk or cheating. I looked at him and laughed, but when I woke up the next morning, I looked over at the path and saw footsteps on the same trail, but everyone was still in the house. I told my cousin about it later in the day, and he said, “She only shows herself when she wants to.”

CONTEXT: This story refers to the Salvadoran legend of La Siguanaba, a folkloric myth of Central America, particularly in rural spaces such as Sonsonate. In the classic readings of the tale, La Siguanaba is a beautiful woman from behind, who seduces unfaithful or reckless men, then turning to show a terrible face, and is often described as having a horse’s head. The legend is most frequently used as a moral cautionary tale, with the intent of being shared between generations as a lesson in morals or tradition. In this adaptation, the narrator shares an experience from when he was visiting family in El Salvador. E explained how the myth was told to him in a casual conversation during a blackout, an event where myths, especially scary stories, can leave a longer lasting impact.

ANALYSIS: This memorate is an example of how folklore is kept alive through personal stories and family conversations. E mentions that the legend was shared during a power outage, which makes the legend feel more natural and believable. The cousin doesn’t try to prove that the legend is real, but instead just explains the story the way it was told to him. The footprints add a mystery element to the legend, making the listener wonder if the legend could be true. Even though no one saw her, the cousin’s final comment talking about how she only shows herself when she wants to, helps keep the story going, providing a continuation of the tale.

El Padre Sin Cabeza

Nationality: American/Salvadoran
Age: 18
Occupation: Student
Residence: San Diego, CA
Language: English/Spanish

TEXT: “My mom was raised in Suchitoto, a municipality in El Salvador, and when we visited her side of the family, she pointed out a church, Iglesia Santa Lucia, and said, ‘That’s where they say El Padre Sin Cabeza walks at night.’ She told me the story of a priest who was punished for a sin long ago, and now he roams the town at night, headless, searching for peace. She said people hear church bells ring late at night, even when no one is making them ring. My cousins and I were always too scared to go near the church, even my older cousins didn’t want to explore the streets at night, since we were all scared of the legend. It seems like in our religious family, it wasn’t about seeing him but about what happens when you break your word or lose your way.”

CONTEXT: This memorate was shared by the informant, E, during a conversation about legends from his home country. E shared this story that his mother told him, rooted in the Salvadoran legend of El Padre Sin Cabeza, which is a very well-known legend that is passed down across generations, especially in smaller towns. Though the story did not involve a direct encounter with the legend, the legend shows how oral traditions and folklore are preserved and shared in different ways within families, especially in religious or culturally prevalent settings.

ANALYSIS: This is an example of how legends are passed down through family and tied to real places. While the intention of the story is kept the same, the interpretation changes as new people hear it and as it gets passed down through generations. In El Salvador, the tale of El Padre Sin Cabeza is well known, especially in smaller towns, but instead of telling it as a scary story, E’s mom shared it as part of their visits to her hometown, which gave the story a more meaningful interpretation. Even without seeing anything strange, the story shaped how E and his cousins behaved, avoiding the church and the streets and night, showing how legends can influence, not just through belief, but through family and memory.

A Cameroonian Union

Nationality: American/Cameroonian
Age: 19
Occupation: Student
Residence: Arlington, Virginia
Language: English

TEXT: “When my cousin proposed to his now-wife, he had to follow a tradition that’s been in my family for generations. He needed to buy his bride’s family gift as a sort of bride price, a sort of toll he needed to pay before marrying her. The tradition comes from my Cameroonian culture. I remember the room filling with laughter, negotiations, and happiness, which marked the beginning of a lifelong connection.”

CONTEXT: This ritual was shared by the informant, F, during a conversation about wedding customs in different cultures. F talked about a marriage tradition from his Cameroonian background, where the groom must give gifts to the bride’s family before the wedding. He described attending his cousin’s bride price ceremony, where everyone laughed, talked, and celebrated together. F emphasized how important this step was in connecting the two families and honoring long-standing customs.

ANALYSIS: This is a good example of a cultural tradition that happens during big life events like marriage. In Cameroonian culture, the groom gives gifts to the bride’s family, which shows respect and seriousness about the marriage. It’s not just about the couple but about bringing two families together. Even though times have changed, people like F’s cousin still follow this tradition, which helps keep their culture alive. For F, it was more than just a party—it was a special moment that showed how important family and tradition are.

A Long Goodbye

Nationality: American/Cameroonian
Age: 19
Occupation: Student
Residence: Arlington, VA
Language: English

TEXT: “In my Cameroonian culture, funerals usually last several days so that everyone has time to come together and support the grieving family. It’s not just a quick one day service and burial, it’s a time for the whole family and the community to gather, share memories, sing, pray and be present with eachother, to remind the grieving family that there is still joy in life. I remember one funeral, a family friend’s, where people came from different parts of the world, just to offer their condolences and stay with the family to offer more support. The long funeral helped the family feel less alone, and it became a time for not just mourning, but celebrating the person’s life and the legacy they leave.”

CONTEXT: The tradition shared by F during a discussion about how cultures handle grief and funeral customs. F explained that in Cameroon funerals are major events that can last days, even weeks. These gatherings give everyone a chance to travel, attend and offer comfort to the family for long periods of time. F recalled a time when people traveled long distances just to be present for the family, showing how important it is for community support to be available during difficult moments like loss. The focus is on both honoring the dead and helping the grieving family.

ANALYSIS: This is both an example of a funeral custom, and a communal ritual that helps people deal with grief together. In Cameroonian culture, funerals aren’t rushed, and services are far from short. The extended mourning period allows the family and community to have more time so that no one feels left out or unsupported. The extended mourning period allows for further emotional healing, sharing memories and a display of respect for the deceased. It also shows how community bonds are both strong and unbreakable, since these traditions help keep those bonds alive, even during hard times.