Informant (N) is a 53 y/o Chinese woman who is a first-generation immigrant to the US and has lived in the US for around 23 years.
I: Can you tell me about the story about 九马画山 (jiu ma huà shān) we heard by the tour guide when we visited Guilin?
N: (trans.) The Nine Horse Mountain’s rock face has a lot of plants and colors, which is why it’s known as 画山. Legend has it that on this mountain you can “see” nine horses on the rock face, and it’s said that the more horses you can see, the farther that person will go in terms of accomplishments. When President Bill Clinton visited Guilin, he was very excited to see the mountain, but when he got there he wasn’t able to see a single horse, which is saying he’s not very bright.
九马画山的石壁不是有各种植物，颜色啊，所以就称为画山。在这座石壁上呢，传说是能看出九匹马，看得越多人就走的越远，也说越成就。说是Bill Clinton去桂林旅游的时候，他很期待去看这座山，但一到的时候一匹马都看不出，就说他很笨。
I: Why is it that he’s not very bright?
N: (trans.) You can at least see one horse in the mountain, but he couldn’t even see one. But of course, seeing horses is really just saying the person has a vivid imagination.
这因为多少可以看到一匹马的，但他一匹也看不到。当然，能看得出马也只是证明你这个人很有想象力的。
Context:
This conversation took place over the phone. The original performance of this folklore was given by a tour guide while on a boat on the [] River.
Analysis:
The story my informant tells me is a legend, a narrative that is based in the real world but isn’t necessarily factual—both Bill Clinton and the mountain exist, but the number of horses he saw is highly debated. This legend also acts as a subtle dig towards Clinton, which, given the fact that the original performance was in Chinese and given by someone Chinese, makes reasonable sense. Placing a person of importance in such a location also gives the location a heightened sense of fame, making it more alluring to international tourists and participate in the legend (counting the horses on the rock face), which is how belief in this legend also continues.
Author Archives: Hazel Gao
Don’t Sleep With Wet Hair
Background:
Informant is a Chinese-American student at USC.
Main Piece:
“My family was just so convinced that like, nothing is ever dry until it’s bone dry. So I would go to blow dry my hair, and they’d be convinced, ‘no, it’s still wet’ and I would just keep on going, and they wouldn’t let me like go to sleep with like wet hair because I think they were just being like, ‘Oh, you’re gonna get sick’ and I was like, ‘No, it’s fine.’”
Context:
This conversation was recorded in-person.
Analysis:
Not sleeping with wet hair is something my parents have also told me. It’s a folk belief that is loosely tied with medicine/sickness, with the belief being propagated by the fact that it will scare children into drying their hair properly (though as my informant shows, at a certain age this wears off). There are probably scientific reasons either proving or disputing this claim, but considering that it was much easier to get sick pre-modern era, actions easy to control like drying your hair would probably be focused on the most.
Stretching To Grow
Background:
Informant is a half-white, half-Korean student studying at USC who has lived in America their whole life.
Main Piece:
“It’s literally like, when I was in Korea—I’m short as fuck—and like every morning my aunt and my mom would get all the cousins and they would pull our legs—they would stretch the shit out of our legs every like, morning or night or something, so that like we could be taller. I didn’t grow [laughs].”
Context:
This conversation was recorded in-person. I asked my informant whether they knew of any Asian customs.
Analysis:
Being tall is somewhat associated with East Asian beauty standards—this is often done in comparison with Europeans, who are on average taller than Asians. In my informant’s case, they experienced a form of contagion magic that acts as a folk belief (the belief that being in contact with someone’s legs and physically stretching them out would make the person taller). The act of physical contact is perhaps what continues this custom, as the person feels like there is control over the act of someone growing taller, which is always an unknown. Belief in this custom has perhaps waned, as noted by my informant who laughs at the fact that they’re still short.
Feng Shui
Background:
Informant is a Malaysian international student with Chinese ancestry at USC.
Main Piece:
“I had my Feng Shui read by an old lady when I was there [hometown in Fujian]. I have fire, fire, fire, wood, so the Feng Shui master gave me a necklace that’s supposed to be water to balance it out.”
Context:
I was discussing Western astrology with a group of friends and my informant, who did not know much about zodiac astrology, started talking about Feng Shui.
Analysis:
Feng Shui is probably one of the most common pieces of Eastern folklore/pseudoscience known to a Western audience, but only in regards to architecture or interior placement (how to design your bedroom, how should your house be facing, etc.). My informant’s piece is more focused on personal astrology, which in its essence, is trying to look into an uncertain/sacred/”other” realm in order to understand oneself better. The necklace my informant receives is an example of a conversion superstition, where something is done to undo the bad luck an action can cause—in this case, to balance out my informant’s energies. While my informant got his necklace for free, selling objects with folk belief attached to them is an easy way to trap unsuspecting people (tourists especially) into buying the objects, especially if the belief attached has same form of connection to the sacred.
Why Conductors Use Batons
Background:
Informant (M) is a student at USC who plays the trumpet.
Main Piece:
M: So the way that conductors used to conduct was like with a big stick, and they used to bang it against the ground to conduct, literally, like for the beats, and someone hit the stick, and it hit his foot, and contracted like, a disease and died from it—
I: Like tetanus?
M: It was probably tetanus, and yeah they stopped doing that.
I: So I guess that’s why they wave it now?
M: I guess, yeah, I think so.
Context:
“That’s also I think something I recall from a story told by my conductor…”
I asked my informant whether she knew of any composer-related folklore, which she couldn’t think of, but did know about this story.
Analysis:
This folk narrative gives explanation as to why a baton, perhaps the most symbolic object tied to conductors, is used in conducting, which is an essential part of any orchestra. As a legend, it is very much based in the real world, with the exact specifics of who this conductor is and what disease they contracted remaining as unknowns. As a simple narrative, this story has been passed down to my informant orally, and the conductor that told my informant this story most likely had a different performance. Since the story deals with conducting, it makes sense that my informant heard it from a conductor. While this story probably isn’t the singular reason why conductors now use batons, the aspect of death would be enough to convince people it is, or at least a primary reason why.