Category Archives: Signs

Prognostications, fortune-telling, etc.

Nature’s unpredictable… Or is it? 

Nationality: African American

Primary Language: English

Other language(s): French

Age: 65

Occupation: Management Consultant

Residence: Upstate, NY

Performance Date: 4/20/2025

Context: 

My informant, WB, is a family member of mine who lives in the Hudson Valley area of New York. From what I remember, they’ve always been into signs, aspects of nature that may influence decisions, and a lot of times, they’d be spiritual. I asked her one day, especially as I got more into science growing up, if there were any signs they could explain with science that they’d understand growing up that I may have never heard of, and there were. 

Text: 

“A ring around the moon means it’s going to rain. Growing up near farms 60 years ago before the sophistication of modern weather forecasting, we looked for signs in nature to predict weather. This of course could only be a source for prediction if it was a moonlit night. So when it was not a moonlit night, we listened for crickets to indicate a warming or cooling of the weather.  Also, whistling frogs for the coming of spring. Other indicators of bad weather were if your joints ache. This means a lot to me because it connects me to nature and the wonders around us in the natural world. To this date, I listen for crickets and whistling frogs to predict weather conditions. This was all passed down to us generation after generation. And it turns out that there was logic to this:

A ring around the moon: moisture high up in the atmosphere.

Whistling frogs: a warming trend for the coming spring and the frogs thaw. 

Aching joint: barometric pressure changes.

Crickets: hatch in the late summer.”

Analysis:  

This entry is a beautiful example of weather lore. Plus, it’s rooted in a time before people had access to modern meteorological tools. Though in my research, the belief that “a ring around the moon means it’s going to rain,” is actually one of the most widely known pieces of weather folklore, and has some scientific backing: the ring, or lunar halo, forms due to ice crystals in cirrostratus clouds high in the atmosphere, which often precede storm systems. So in that sense, this isn’t just folklore; it’s observational science passed down through generations. I also love how WB connects this tradition to other nature-based signs, like cricket chirps, whistling frogs, to aching joints. From my analysis of such signs, I found that many of these signs actually do correlate with changes in weather or season. For instance, Cleveland Clinic, in their article, “How Changes in Weather Affect Joint Pain,” explains the barometric pressure to joints, and according to the University of Minnesota’s Twin Cities, in their article, “Songs of Spring: A Ribbiting Chorus – Bell Museum,” frogs do indeed become more vocal as temperatures rise, signaling spring. What stands out to me most though is how WB frames all of this as a meaningful connection to nature, especially as our generations start to get lost in the digital age. This entry is fascinating to me because it’s not just about weather predictions, it’s about a whole way of understanding and interacting with the natural world. WB doesn’t just remember these signs nostalgically; WB still uses them, which shows how folklore can remain alive and functional even in a most contemporary context.

White Peacock Encounter & Mythology

Nationality: American
Age: 52
Occupation: Director of Student Engagement for the Office of Religious and Spiritual Life
Residence: Los Angeles, CA
Language: English

Text: “So, I was in Scotland for my fortieth… Forty-fifth birthday. Fortieth birthday. Forty-fifth birthday. Yes, I’m sorry, I was in Scotland for my 45th birthday, and I was on my way to find Iona Abbey, because Iona is the birthplace of Scottish Christianity and is kind of a pilgrimage site. But to get to Iona Abbey, you have to go across several little tiny islands to catch a ferry over to Iona abbey. So um.. and these little tiny islands have like a one lane road.

“So, my honey bun and I were driving on the last… across the last little island to catch the ferry. When we came around a bend in the road, out in the middle of nowhere, no like, country, and there was this beautiful white peacock with its feathers fully displayed, standing in the middle of the road, just looking at us. So I freaked out. I’m like, ‘oh my god you see that white peacock?!’ So the white peacock is just standing in the middle of the road looking at us, and we’re looking at the white peacock. And it didn’t move, and it just had its beautiful feathers displayed. And I knew that that white peacock was there for me, I just didn’t know what it meant. But I knew it was there for me. It did not move until we started to creep the car forward, and when we finally started to creep the car forward a little bit, it moseyed — you know, in Oklahoma terminology — it just moseyed off the road. Um… but it was gorgeous, and I’d never seen a white peacock in the wild, and I certainly had never come around a bend and had one waiting for me. But I felt like that peacock had been waiting for me. So I was mesmerized, and if we hadn’t been in a hurry to catch the ferry — because we were catching the last ferry over, and we were of course running late — I would have gotten out and, you know, tried to interact with this peacock. So it always haunted me that I never interacted with this white peacock, because I knew it was there for me.

“So fast-forward to when I’m 50, and I’m reading a book by Meggan Watterson, who’s a Harvard-trained divinity scholar, and it’s called The Sutras of Unspeakable Joy, and I think it was sutra number 14… I think it was 14. She has a line in it that says, ‘I am nothing more than the albino peacock of my own incandescent soul.’ Well, the moment I read that line… You know those moments in life where your whole body goes aflame, you’re like, “Wah!! What does this mean?” It took me down lots of rabbit holes where I was trying to understand the symbology around white peacocks in particular, not just peacocks but white peacocks. Well, there’s a lot of different things. One is that if you see one, it portends that you are on the right path, and because I was sort of on my pilgrimage at that age, I was like ‘yes, this is — I’m on the right path.’ I was sort of starting my path towards my spiritual sovereignty, so for me it was about spiritual sovereignty, and just knowing that I’m on the right path. But there’s a whole mythology around white peacocks that’s connected to Kuan Yin. And I’m gonna totally butcher this, but I want you to look it up. If I could go back to my journaling, I have it written down. But Kuan yin at some point, a goddess, was incarnate. By choice, because she wanted to be here to help the humans. And for some reason she had to go back to wherever that is. And she, like…. um… See, I’m not gonna say this very well, but the mythology is that the eyes on the peacock? She’s the one who created the eyes on the peacock. And the eyes on the peacock are supposed to be looking out for humanity while she is not here. While she is, you know, on the side of the gods and goddesses — the eyes of the white peacock are supposed to do that work for her.

“I just thought that was really cool because part of my growing up years, you know, I did my doctoral research about abusive Christianity, and I framed that through a panoptic gaze, and a punitive gaze, and it was so lovely to have a different framing of a gaze… And these eyes on the peacock feathers were a loving gaze, and a watchful gaze, but in protective way, and not like a “Let me see what all you’re doing wrong,” you know that kind of a gaze. So that’s partially why it was so striking to me. But look up the mythology around white peacocks, its pretty cool. And so now white peacocks are one of my… Totem animals, spirit animals? I don’t know what you would call it, but yes, there’s the story.”

Context: Informant RS is a highly educated individual from the Oklahoma with multiple PhDs. A key part of her life was recognizing and healing from the abusiveness of the religious tradition that raised her. After graduating college, she spent many years exploring different spiritual traditions that valued divine femininity, intuition, animism, and environmentalism. RS currently identifies as Pagan and feels a spiritual connection to Scotland, especially upon learning that she has ancestral connections there. She is also a Carl Jung enthusiast and values his theories of archetypes and synchronicity. Kuan Yin is the Buddhist goddess of compassion.

Analysis: RS’s experience with and reaction to the white peacock is reminiscent of various (and often overlapping) traditions including witchcraft, Wicca, Native American spirituality and Paganism that ascribe magical or spiritual powers to non-human beings. Thus, she interpreted the peacock sighting as a sign of guidance, protection, and compassion during a formative point in her spiritual journey. Her knowledge of Kuan Yin’s mythology in Chinese culture reflects her education and spiritual exploration, and she was able to translate her experience in terms of spiritual and religious folklore she had studied.

Theatrical Folklore: The Macbeth Curse – “The Scottish Play”

In theatre folklore, it is considered bad luck to say the name “Macbeth” inside a theater unless one is performing the play. Instead, actors and crew refer to it as “The Scottish Play” to avoid invoking misfortune. The belief is that uttering the name in a theater will bring accidents, technical failures, or even personal injury.

If someone accidentally says “Macbeth,” there are traditional rituals to reverse the curse, which often include:

  • Stepping outside the theater, spinning around three times, and spitting over one’s shoulder.
  • Reciting a line from another Shakespeare play, often from Hamlet or A Midsummer Night’s Dream.
  • Knocking on wood or performing other symbolic actions to cleanse the bad luck.

Many theater professionals follow this superstition, even if they do not fully believe in it, simply out of tradition and respect for the craft. 

I first heard about this superstition from M, the music director at my church, who has a strong background in both music and theater. He brought it up during our conversation. M explained that many actors and stage crews take the “Macbeth” curse seriously and will quickly perform a ritual if someone accidentally says the name inside a theater. He also mentioned that he has witnessed productions where, after someone said “Macbeth,” things started going wrong—props went missing, technical difficulties occurred, or performers forgot lines.

M sees the superstition as part of the camaraderie of the theater world, where traditions help create a sense of shared identity and respect for past performers. Even though he personally doesn’t believe in the curse, he follows the tradition out of habit and to avoid making fellow performers uneasy. The superstition surrounding Macbeth is an example of folklore that persists within professional communities, shaping behavior and reinforcing tradition. This belief connects modern theater practitioners to centuries-old customs, creating a sense of continuity in the performing arts.

There are several theories about the origin of the “Macbeth curse”:

  • One suggests that Shakespeare included real witches’ spells in the play, angering supernatural forces.
  • Another theory is that the play’s themes of violence, betrayal, and ambition create a chaotic energy, leading to an increase in accidents on stage.
  • Historically, Macbeth was often performed when a theater was struggling financially, leading to an association between the play and bad luck.

Psychologically, the curse may also function as a self-fulfilling prophecy—actors who believe in it may become anxious, increasing the likelihood of mistakes, which then reinforce belief in the superstition. This pattern reflects a broader human tendency to attribute misfortune to external forces rather than coincidence or human error. Beyond superstition, the tradition of avoiding “Macbeth” shows how rituals and beliefs create a shared cultural identity within a professional community. Even in a modern, rational world, folklore continues to thrive, especially in artistic settings, offering performers a sense of connection to those who came before them. Whether taken seriously or treated as a humorous ritual, the belief in “The Scottish Play” remains an enduring part of theater culture.

Date_of_performance: 2/24/25
Language: English
Nationality: American
Occupation: Teacher
Primary Language: English
Residence: San Francisco, CA

Weird Trees

Age: 20

Date: 2/27/24

Major: Archeology and Cinema and Media Studies

Year: Junior

Primary Language: English

Place of Origin: Houston, Texas

INTERVIEWER: What is the superstition that you’ve heard of and that you practice and where did you hear it from? 

STUDENT: Superstition? Sorry, I got to think. No, cause oh, I have one! I guess I only developed this superstition, this past summer because I was doing like archaeology work in Providence in San Andres . And so there’s like these funky looking trees on the island and like kind of, if you see a tree, like that stay away from them, because that means like someone’s doing like black magic. And so I’m like always looking at like kind of the foliage and being like, is this one of the trees like is today gonna be like a curse? I don’t know. 

INTERVIEWER: That’s really specific, but like it is it is that is kind of weird.. And you learned this from like other archaeologists? 

STUDENT: Well, yeah, like I learned it like in the field because like I kept having bad luck. and so so they were like, oh, like did you accidentally interact with this tree and I was like, I don’t know. So now, like whenever I have like a bad day, I’m like, did I touch the tree? Like, like, I don’t know that I touched the tree today, who knows? Right, okay, yeah. You’re welcome.

Ride Safe Sign

Nationality: American
Age: 20
Occupation: Student
Language: English

The gesture: Out with the left hand extended downward  by his thigh, “O” made a gesture like a peace sign, the index and middle finger extended and the palm turned forward facing the same direction as him.

“It’s the universal for, like a ‘ride safe’ thing when you pass another biker, like on the opposite side of the street, because there’s that sense of community that comes from riding, so it’s like, when you see someone else who’s taking that risk and is out riding and stuff, you always give them that little sign. And it’s kind of a biker only thing. 

Analysis: As the informant identified, this gesture encourages community members to support each other and recognize their risk and commitment. More than that, this gesture seems like a blessing, especially in its almost compulsory nature. The informant mentions that one ‘always’ gives this sign when seeing another rider as a way to say ‘ride safe’. “Ride safe” in itself is a blessing, a wish upon others to be safe on the road, and the gesture creates a nonverbal blessing that riders can give while also riding safe themselves. Because it is expected to always give this sign, the absence of it might indicate ill will or a jinx, making the upkeep of this tradition and gesture more important to those who believe in its significance.