Category Archives: Digital

The Backrooms

Text

C: “originally, I th- it was off of a seemingly random 4-chan post. I think it was a 4-chan post. Um… where it was an image of this oddly yellow, liminal space, seemingly going on forever, where it was captioned something along the lines of detailing these wet – these damp, musty floors, the flickering and the drone of the fluorescent lights. And this almost established a medium or a vessel for many many creatives to then come forth and expand on it in ways never thought imaginable. Um… there are – there is a highly expansive backrooms wiki, um, going across how this first yellow, um maze-like interior was the first level of the backrooms going areas such as um, tunnels with piping, hotels, uh, office buildings, pastures with houses, um, birthday parties, carnivals, any sort of environment where things are presented that are seemingly infinite and just not right, incredibly uncanny in their description and existence. Though beyond that, I feel the most interesting aspect of it is how um.. Esp– like beyond just the image or, uh, text-based creatives, how a lot of visual, how a lot of content creators have taken it to make games about it. I, being one of them myself. Um… Or cane pixels probably making the most, uh, kind of canonizing the backrooms in a way. Being a person to establish these foundations that explore the backrooms, the systems for which they operate aswell as now, later, making a movie about it aswell.

Amost related to it in a sense, before the backrooms were a thing, before they were massively popularized, the internet equivalent of it prior would definitely be the SCP archive or Secure, Contain and Protect where a completely open database or wiki where people, creatives, um… writers who’d effectively go into this archive, write a creature entry, a entity entry for any of these things, whether it’s safe, hard to contain, or incredibly dangerous, um, based off of like what it is, what it does, and all these within the lore of SCP have a place, have an existence because the binding agent is what brings it all together and similar to that, the backrooms — many people can go and make different levels, make level 666, make level 1, make level fun, all these different iterations off of the same start that then now have a breath of air to breath this kind of truth, which is fascinating that, in a way, this fictitious thing is a way for creative minds to bring about how they feel in a medium from back then to the present day”

Context

A fellow folklore scholar told me about their experience with the backrooms during a conversation about digital legends.

Analysis

Legends like this one that grown on the internet are unique in that the collaboration between contributors is recorded in great detail. This means that those who develop the folklore are able to take partial ownership over the role they played in “creating” a legend. You can even see in the informant’s language about “text-based creatives” and “content creators” that there is significantly more agency given to these performers of the legend than the storytellers of the past. On the internet, parts of folklore can be “authored” as the legend continues to grow and morph in new ways.

Dead Dove: Do Not Eat

Text: “Dead Dove: Do Not Eat”

Context: This is a term that is prolific among fanfiction circles, particularly on Archive of Our Own, which uses a content tagging system. EK is a college student in Southern California who has been active in fandom spaces and fanfiction culture for a number of years.

“Dead Dove: Do Not Eat” is a tag used on Archive of Our Own. EK notes the tag’s negative reputation, however, its “correct” usage simply means to pay attention to the other tags on the work, because what is tagged is what will be present in the fic. This often is usd in fanfiction with potentially triggering or upsetting content, because the author wants to emphasize that the content is tagged, and it should not come as a surprise to any reader who chooses to read the piece.

This tag’s origin comes from an Arrested Development scene, where a character opens the fridge to see a paper bag labelled “dead dove: do not eat.” He opens the bag and, when he finds a dead dove inside, says “I don’t know what I expected.” It’s in this way that the tag is meant to say that the fic is going to contain what the tags denote, and the reader should not be surprised by the content.

Analysis: EK discusses the misinterpretation of this tag as having a “scary” reputation–that often, “dead dove” is a red flag for many readers in and of itself, without even looking at the rest of the tags. Because it is often used on works with potentially triggering or taboo content, the tag itself has taken on a taboo reputation. It’s interesting to me, however, that this has become the case for a practice that is essentially a public service–“dead dove” itself doesn’t mean anything scary or taboo, all it does is tell a reader to know what they’re getting themselves into. I also believe that “dead dove” as a tag is kind of a sweet custom, on a fandom’s part; it’s community care, in a way, looking out for others to make sure they won’t be upset by anything they read. It’s also a measure of protection, as online anonymity makes people quite comfortable yelling at fic authors in the comments for things that were clearly advertised in the tags or description of a fic.

No Beta, We Die Like [Blank]

Text: “No Beta We Die Like [Blank]”

Context: This is a term that is prolific among fanfiction circles, particularly on Archive of Our Own, which uses a content tagging system. EK is a college student in Southern California who has been active in fandom spaces and fanfiction culture for a number of years. She explains the meaning of the phrase is that the fic has not been “beta read” by someone else–it has not been read or edited by another person aside from the author before being posted online. While the original form of the phrase is “No beta we die like men,” often the phrase is customized toward the fandom, with “men” being replaced by the name of a character who dies in the show. EK notes that it’s usually a particularly painful death, often a particularly beloved character who died, whose name is substituted in. She also notes that it’s not always solely a character name–in some instances, it’s “my sanity” or other references to the author’s real life, or other times a reference to a commentary about the show’s writing [ie. “we die like [character’s] characterization] or other aspects of the property.

The origin of this phrase comes from a picture of a bumper sticker that read “no airbags we die like men.”

Analysis: EK views this as a public service announcement on a fanfiction, sort of a disclaimer meant to explain any errors or “bad writing” found within the piece. I also view this as a kind of signifier of in-group status, recognizing that someone is a member of a fandom and was emotionally impacted by a character’s death–enough to bestow their name within the tag, almost as a badge of honor. This is a way to make light of any emotional turmoil brought on by a character’s death and find community in the emotional response to a piece of media, as most fandom is fixated on.

Song lyrics as Fanfiction titles

Text: Song lyrics are often used as fanfiction titles on Archive Of Our Own.

Context: Archive of Our Own (Ao3) is a fanfiction site popular in the modern day. EK is a college student in Southern California who has been active in fandom spaces and fanfiction culture for a number of years. She describes the common practice of using song lyrics to title fanfictions because, as she says, “titles are hard, and songs are cool.” She notes that it is common to see this on “one-shots,” or single-chapter fanfics, but if this is found in a multi-chapter fic, she also describes the practice of using different lines from a song for each chapter title, as it applies to the content and characters. EK also mentions the genre of YouTube videos that compile these lyric titles, editing them together to create a kind of “lyric video” made entirely out of Ao3 screenshots.

Analysis: I view this as another form of texual poaching, as Henry Jenkins identifies in his studies on fan practice in Textual Poachers. This is the nature of “transformative work,” as fanfiction has often been called–here, different forms of copyrighted IP are brought together in a fanwork, used for new, explorative creative purposes. This, combined with the age-old tradition of fan playlists, as well as fanfiction often being populated by young writers who struggle with finding titles for their work, gives way to this fan practice. This also acts a kind of signalling to others within the same in-groups as the author–people who recognize the title are able to recognize that the author likes the same music and stories as they do, therefore creating a trust and connection between audience and author.

Late Night Newspaper Room Ghost

Age: 58

Location: Boston, MA (Tufts University)

Text:
“when I was in college, I worked for the student newspaper, and I pulled a ton of all-nighters. I was always in that newspaper office at like 2 or 3 a.m., laying out pages, fixing articles, doing all the last-minute formatting before everything went to print. At that hour the building was basically dead. There were never really any students, no professors. Most of the time it was just me and maybe a few others from the school paper.

One night I was alone in the office working, and I heard this knocking on the door. I got up and opened the door but nobody was there. The whole hallway was silent. I didn’t really think much of it though I thought it was a bit creepy. I figured maybe someone was messing around or walking by, so I went back to work. But about twenty minutes later, the same knocking happened again. Again, I opened the door and there was nothing there.

At this point I was still trying to stay focused, but I was definitely getting freaked out. Then, sometime around four in the morning, it happened a third time. Same knocks. Same pace. Like someone was trying to get my attention on purpose. Now i was scared.

This time I didn’t open the door. I figured that if whatever it was was trying to play tricks on me, then then now would be the time that there was finally something there. So I didn’t answer it. But then it knocked again. So I got up and opened the door. There was still nothing there!

After the fourth time it never happened again. Ever. No explanation, no ending, no clue what was going on. Just knocks in the middle of the night that stopped as suddenly as they started. It was weird. Part of me thinks it was just someone messing with me. But that room could’ve been haunted”

Context:

This memorate was told to the informant by their father, who experienced repeated unexplained knocking while working alone in his college newspaper office late at night during production deadlines.

Analysis:

This memorate fits perfectly into campus ghost lore, where late-night workspaces become settings for strange and unexplained events. The repeated knocking creates a sense of intentional but invisible presence. What gives the story its power is the lack of resolution: no culprit, no explanation, just unexplained knocks that never returned. The mystery itself becomes the haunting, turning an ordinary college office into a space marked by unease and unanswered questions.