Category Archives: Material

Fast Paper Airplane

Text: Pictured below is the fully-folded fast paper airplane.

Context:

The image above shows the paper airplane that was made. This airplane is specialized to be faster and go farther than other paper airplanes. The creator of the airplane knew how to make many different planes, and assured me this one was the fastest. It landed in second place in a paper plane throwing contest. The creator of the airplane used to fold these planes while playing in elementary school.

Analysis:

The multiplicity and variance in paper airplane designs illustrates the folk dispersal from children in action. Different kids compete against each other to showcase their better, faster, more advanced folk items. This specific element of competition leads to more folk items being created, and those items, the paper airplanes, to be constantly optimized, until a fastest airplane is made and disseminated. Other factors also affect a plane’s popularity, like its ease to build, and its durability. Ultimately, paper planes are a great example of folk item culture amongst children, and showcase children refining and expanding their folk knowledge, as they compete amongst each other while playing.

Dumpster Pasta Ritual

Interviewer: “Thank you for meeting with me can you please tell me more about ritual practices you and your family perform?”

DA: “The one that comes to mind is this tradition we have where we make pasta every week. The pasta is called dumpster pasta because we use whatever is left in the fridge in the end of the week to make a pasta dish. The ritual started when my dad lost his job, money was tight so we tried making unfortunate financial circumstances into fun ritual practices in my family”

Interviewer: “Thank you for sharing that with me, do you still perform the ritual?”

DA: “Yes even though my family is doing better we still do the ritual as an act of gratitude to remind us of our struggles.”

Context: This ritual started in her immediate family and became an event for her and her family to break bread weekly and share a meal together. She mentioned that although her families finances are stable now, that she and her family still do the ritual, and she still partakes from her college dorm.

Analysis: This ritualistic practice spans distance as she still performs it even though her physical connection from her family is severed. It can be considered a ritual of healing for them now, and serves as a sort of liminal ritual as her family transitioned from financial statuses.

“Something Blue

Interviewer: “Can you please repeat what you just told me, because it is a great example of a ritual and folk tradition!”

OB: “In my Family, the “something blue” in wedding superstition has to be a blue thread sewn into the hem of the dress in the shape of an anchor. It is supposed to keep the marriage grounded, and supposedly keeps the couple together.

Context: OB’s cousin is getting married in the summer, and she wanted all her family members to sew blue anchors into the hem of their suits. He has learned this tradition for as long as he can remember in his family, however he has never participated himself because it is typically the bride. he is a gay male, and wants to eventually use the tradition in his suit when he gets married, carrying on the tradition in his own way.

Analysis: This is a great example of how a very broad and popularized tradition is localized into a more narrow specific familial tradition. This is an example of material culture, in which an object is representative of a folk belief of a tradition. This could be perceived as a ritual of intensification as it strengthens the bond between romantic partners as well as their families.

Hospital Flower Taboo

SG: In Persian Culture you never, ever, ever ,ever, ever, bring black gifts or flowers or anything to a hospital patient. it’s considered an omen that the patient won’t be leaving the hospital. Its preferential to use blue or turquoise colors in order to ward off negative energy.

Context: She learned this from her Persian family members, and actually performed the occupational hazard herself and was reprimanded by her parents. From then on she has made sure to only gift and wear positively associated colors in hospitals.

Analysis: This occupational taboo reflects the high stakes environment of healthcare, where symbolic associations are treated with the same caution as physical symptoms. Superstition is intensified in such spaces, where the stakes of life and death are raised. People draw closer to death in such spaces and thus are more inclined to follow natural laws and folk beliefs in a last ditch effort to claim some sort of power over natural forces like death.

The Hmong Flower Cloth

AZ: My mother makes these embroidered cloths called pajamas Ntaub. She says the patterns aren’t just decorations, they are codes. Certain zig zags represent mountains we crossed, and the little red squares are the seeds of our future. If you sew a bird, it means you are sending a message to someone who has passed away.

Contact: The informant is a classmate, and her mother immigrated here from Laos. The conversation was sparked when I saw a Hmong cloth pinned up on her wall in her room. She then described the cloth as a living history book, that functions as a way to maintain her cultural heritage in a country that often forgets Hmong history.

Analysis: This is a sophisticated example of material culture. Unlike vernacular folklore, this is a visual piece of folk communication where history is encoded into visual objects. From a socio political perspective, the folklore responded to the displacement of the hong people. When written language was suppressed or lost, the folk art became the primary archive of the communities journey. This reflects the rubrics focus on historical values, and the cloth is not just an aesthetic object but a tool for cultural survival and vernacular storytelling.