Category Archives: Rituals, festivals, holidays

中秋节 (Zhōngqiū Jié) Mid Autumn Festival

autumn moon festival

Title: 中秋节 (Zhōngqiū Jié / Mid-Autumn Festival)

AGE: 54
Date_of_performance: May 1, 2025
Language: Mandarin Chinese
Nationality: Canadian
Occupation: Retail worker and teacher
Primary Language: English
Residence: Toronto, Canada (formerly lived in Beijing, China for 20 years)

Folklore Explanation:
“When we lived in Beijing, we always made a point to celebrate Mid-Autumn Festival. It’s such a beautiful time of year—the air would start to cool, and you’d see mooncakes everywhere, all wrapped in ornate boxes. We’d pick some up, usually with lotus seed or red bean filling, and head to one of the parks in the evening. The full moon that night always felt enormous, almost too perfect to be real.

We’d find a quiet spot, usually one of those pagodas near a pond or on a hill, and set up a little picnic. Tea, fruit, mooncakes. It was never fancy, but it felt meaningful—just sitting together and watching the moon. Around us, you’d sometimes see other families doing the same, or even lighting lanterns, but we usually kept it simple. It wasn’t about tradition in the strict sense, more about soaking in the atmosphere. It was one of those nights where everything felt calm and reflective, like the city was collectively exhaling.”

Analysis
The Mid-Autumn Festival is a calendar-based seasonal ritual, rooted in harvest celebration and lunar worship. It falls on the 15th day of the 8th lunar month and centers on themes of family reunion, cosmic harmony, and abundance. The legend of Chang’e, the moon goddess, is the mythological centerpiece, making this a form of mythical and narrative folklore. Its practices—moon-gazing, eating mooncakes, lighting lanterns—are considered participatory folklore, passed down through domestic traditions, community gatherings, and increasingly, commercial influence. While originally tied to agricultural cycles and Taoist cosmology, the festival today blends spiritual symbolism with secular celebration. In urban areas like Beijing, participation often includes public space rituals, shared meals, and aesthetic appreciation of the moon—bridging the traditional and the contemporary.

清明节 (Qīngmíng Jié) Tomb Sweeping Day

Title: 清明节 (Qīngmíng Jié)

AGE: 55
Date_of_performance: April 4, 2025
Language: Mandarin Chinese
Nationality: United States (lived in china for 20 years)
Occupation: Employee of the British Council in China
Primary Language: English
Residence: Beijing, China, currently Toronto, Canada

Folklore Explanation:
“Qingming is a public holiday, so everything slows down for the day. You probably remember—we’d get the day off, and if we stayed in the city, you’d notice how quiet it felt in the morning. Most families would head out early to visit the graves of their relatives. You’d see them cleaning the tombstones, pulling weeds, and laying out offerings—usually food, flowers, or incense. Some people burned paper items, like imitation money or little paper houses, as offerings to the ancestors.

But it wasn’t just a solemn day. After the rituals, families would often go on long walks together—some even make a trip of it. A lot of people leave the city and go into the surrounding countryside or small towns where the holiday is more deeply rooted. You could see whole groups picnicking, flying kites, or gathering for a big meal. It’s a day about remembrance, but also about being together as a family. The weather’s usually mild by then, and it kind of marks the real start of spring.”

Analysis:

Qingming Festival is a form of calendar custom and ritual folklore, rooted in ancestral worship practices common in Chinese folk religion, Confucian values, and Taoist and Buddhist influences. It is an example of commemorative folklore, observed at a fixed point in the solar calendar (around April 4–6). The festival’s customs—tomb-sweeping, food offerings, and symbolic paper burning—are passed down intergenerationally, typically through oral tradition and communal practice, rather than through formal education. While deeply spiritual, Qingming is not tied to a single organized religion but reflects a broader cultural reverence for lineage, harmony with nature, and seasonal change. It continues to be transmitted through family practices, media portrayals, school education, and public rituals, maintaining a strong presence in both rural and urban areas of China.

Wearing Dots on New Years Eve – Holiday Ritual/Folk Magic

Nationality: Filipino
Age: 51
Occupation: IT Help Desk
Residence: Naperville, IL
Language: English

Text:

If you wear dots on your clothing (shirt, pants, underwear, socks, etc.), you will manifest wealth for the new year.

Context:

Since the performer can remember, her family always celebrated New Years together and everyone in her town (a small, rural town in the Philippines) would get together and all wear polkadots on New Years Eve. She brought the tradition to America and passed it on to her kids. The other Filipino-Americans she knows also wears dots on their clothes when they celebrate the new year.

“Prosperity for the whole year because the dots are like money. If you have money at the strike of midnight then the whole year you will have money.” “It’s Chinese, the circle is the symbol of something like wealth.” “We just know growing up. But it’s Chinese related but Filipino culture likes to mix cultures.”

Analysis:

Dots are circular shaped, and circles look like coin, and coins symbolize prosperity. Therefore, wearing dots is a form of homoeopathic magic. By wearing “dots,” it produces the like of “prosperity.” This new years tradition is often coupled with using movement, sound, and taste for good luck as well with many Filipinos also jumping at midnight to grow taller, shaking coins to ward off evil spirits, and opening doors and windows to “let in the good luck.” Many of these traditions are similar to Chinese values as in Chinese culture, round objects symbolize harmony, wholeness, and wealth. Therefore, for Chinese New Years, they also include many “round” items such as round fruits (ex: oranges) or giving out coins in red envelopes. The influence of this culture can be greatly attributed centuries of migration and trade from Southern China which is why there is even a sub-section of Filipino communities known as Tsinoy.

“Tabi Tabi Po Apo” – Filipino Superstition

Nationality: Filipino
Age: 28
Occupation: Prosthetist Orthotists
Residence: Atlanta, Georgia
Language: English

Text:

“Tabi tabi po apo” is roughly Filipino slang for “excuse me.”

It’s the belief that you must say excuse me before you pee on the side of the road.

Context:

The performer grew up in Bicol, Philippines which is a rural southern province of Luzon. He grew up in an impoverished area and played outside with with the neighborhood kids almost everyday.

“Growing up, we were told by our lolo and lola. When you play around the trees or bushes or plants, or just nature, where there are no walking paths, you have to respect the elders of nature. It’s like when you go to the forest right, you have to respect nature and all the things that you don’t see like spirits or children in the forest. It’s bad karma and can attract vengeful spirits like if you cross in their territory they become territorial and put a curse on you.”

Analysis:

“Apo” is a respectful term which is similar to saying “ma’am” or “sir” and in this case applies to spirits. It’s respect for the “unseen” spiritual world and nature. The nature respect could be tied to folk Catholicism (a blend between Catholicism and superstition). 80-90% of Filipinos are Catholic as the Spanish colonized and brought over the religion in the 1500s, and so many of their indigenous beliefs mixed with Caloic ones, making this phrase widely accepted across generations.

Another practical reason for the phrase’s popularity, especially in more rural or less developed areas, is the Philippines’ abundant vegetation and loosely defined land boundaries. In communities like where the performer grew up, where peeing outdoors is common, especially for children, saying “tabi tabi po, apo” is also a way to teach mindfulness and caution when interacting with the natural world—both physically and spiritually.

“Sukob” – Filipino Wedding Superstition

Nationality: Filipino
Age: 51
Occupation: Software Engineer
Residence: Naperville, IL
Language: English

Text:

Sukob is the belief that siblings should not have their weddings within the same calendar year. It’s also believed that the older sibling should get married first.

Context:

The performer grew up in the Philippines with many siblings who were born at similar times as one another. He has also been married and made sure to not to have his marriage within the same time as his siblings. His marriage has been going strong for 30 years so far.

“So it’s not competing with progress or prosperity and benefits or well-wishes. It’s like a known information like everybody knows it. Especially if you and your siblings are in the same age range, they will normally check first who is older and work with the other siblings for the dates. For example, Tito A got engaged the same year but Tito A gave way to Tito R and waited another year to get married. It’s a practicality thing. It’s also the superstition that the benefits will compete for the rest of your marriage.”

Analysis:

Filipinos are extremely superstitious with many believing that life events carry energetic, or spiritual, weight. To ensure a strong, hormonious, and propserous foundation for their lives, they must set themselves up well for life events. Apart from birth and death, marriage is the only other universal life event that is celebrated cross-culturally, putting a lot of weight on how the event occurs and how important it is in one’s life. Marriage, in particular, holds profound cultural significance as one of the few universal rites of passage celebrated across societies and is treated with a lot of intention. In Filipino culture, where family unity and respect are paramount, avoiding the overlap of weddings within the same family is seen not only as a way to prevent misfortune, but also as a gesture of deference. It ensures that each family member’s major life moment is honored without being overshadowed.

Additionally, “Sukob” superstition has risen in popularity due to the Filipino horror film Sukob which features a couple breaking this rule and the terrifying, dramaticized “karma” that ensued. Cementing a negative perception of Sukob in pop culture has lead to amplified anxieties around violating traditonal norms. Filipinos are especially superstitious due to many of them adhering to Cathiolisism. In a predominantly Catholic society where religious doctrine and folk beliefs often intertwine, the combination of spiritual caution and cinematic storytelling has reinforced the fear and observance of Sukob.