Background:
Informant is a Chinese-American student at USC.
Main Piece:
“My family was just so convinced that like, nothing is ever dry until it’s bone dry. So I would go to blow dry my hair, and they’d be convinced, ‘no, it’s still wet’ and I would just keep on going, and they wouldn’t let me like go to sleep with like wet hair because I think they were just being like, ‘Oh, you’re gonna get sick’ and I was like, ‘No, it’s fine.’”
Context:
This conversation was recorded in-person.
Analysis:
Not sleeping with wet hair is something my parents have also told me. It’s a folk belief that is loosely tied with medicine/sickness, with the belief being propagated by the fact that it will scare children into drying their hair properly (though as my informant shows, at a certain age this wears off). There are probably scientific reasons either proving or disputing this claim, but considering that it was much easier to get sick pre-modern era, actions easy to control like drying your hair would probably be focused on the most.
Stretching To Grow
Background:
Informant is a half-white, half-Korean student studying at USC who has lived in America their whole life.
Main Piece:
“It’s literally like, when I was in Korea—I’m short as fuck—and like every morning my aunt and my mom would get all the cousins and they would pull our legs—they would stretch the shit out of our legs every like, morning or night or something, so that like we could be taller. I didn’t grow [laughs].”
Context:
This conversation was recorded in-person. I asked my informant whether they knew of any Asian customs.
Analysis:
Being tall is somewhat associated with East Asian beauty standards—this is often done in comparison with Europeans, who are on average taller than Asians. In my informant’s case, they experienced a form of contagion magic that acts as a folk belief (the belief that being in contact with someone’s legs and physically stretching them out would make the person taller). The act of physical contact is perhaps what continues this custom, as the person feels like there is control over the act of someone growing taller, which is always an unknown. Belief in this custom has perhaps waned, as noted by my informant who laughs at the fact that they’re still short.
Feng Shui
Background:
Informant is a Malaysian international student with Chinese ancestry at USC.
Main Piece:
“I had my Feng Shui read by an old lady when I was there [hometown in Fujian]. I have fire, fire, fire, wood, so the Feng Shui master gave me a necklace that’s supposed to be water to balance it out.”
Context:
I was discussing Western astrology with a group of friends and my informant, who did not know much about zodiac astrology, started talking about Feng Shui.
Analysis:
Feng Shui is probably one of the most common pieces of Eastern folklore/pseudoscience known to a Western audience, but only in regards to architecture or interior placement (how to design your bedroom, how should your house be facing, etc.). My informant’s piece is more focused on personal astrology, which in its essence, is trying to look into an uncertain/sacred/”other” realm in order to understand oneself better. The necklace my informant receives is an example of a conversion superstition, where something is done to undo the bad luck an action can cause—in this case, to balance out my informant’s energies. While my informant got his necklace for free, selling objects with folk belief attached to them is an easy way to trap unsuspecting people (tourists especially) into buying the objects, especially if the belief attached has same form of connection to the sacred.
Why Conductors Use Batons
Background:
Informant (M) is a student at USC who plays the trumpet.
Main Piece:
M: So the way that conductors used to conduct was like with a big stick, and they used to bang it against the ground to conduct, literally, like for the beats, and someone hit the stick, and it hit his foot, and contracted like, a disease and died from it—
I: Like tetanus?
M: It was probably tetanus, and yeah they stopped doing that.
I: So I guess that’s why they wave it now?
M: I guess, yeah, I think so.
Context:
“That’s also I think something I recall from a story told by my conductor…”
I asked my informant whether she knew of any composer-related folklore, which she couldn’t think of, but did know about this story.
Analysis:
This folk narrative gives explanation as to why a baton, perhaps the most symbolic object tied to conductors, is used in conducting, which is an essential part of any orchestra. As a legend, it is very much based in the real world, with the exact specifics of who this conductor is and what disease they contracted remaining as unknowns. As a simple narrative, this story has been passed down to my informant orally, and the conductor that told my informant this story most likely had a different performance. Since the story deals with conducting, it makes sense that my informant heard it from a conductor. While this story probably isn’t the singular reason why conductors now use batons, the aspect of death would be enough to convince people it is, or at least a primary reason why.
Eli Broad and Living Forever
Background:
Informant (L) is a neuroscience major at USC double-majoring in art history.
L: This is a folk tale that’s very important to me, um, that I am convinced of is a fact. So, let me set the scene. I used to volunteer at a neuroscience research laboratory that was in one of the two newest buildings at the USC Health Science Campus. Um, and those two buildings are: the Zilka Neurogenic Institute and the Eli and Edythe Broad Center for Regenerative Medicine. Now, Eli Broad, for the unfamiliar, large, like real estate insurance magnate in California, billionaire billionaire, who just passed away in like, April of last year, I think. And so, is there like any more stereotypical, like on his deathbed, billionaire thing, to like write a giant grant for, then for like a fucking STEM cell research, like make-me-live-forever research institute, right? So I’m convinced that when like Broad wrote that grant, there were strings attached. It was not just to build the building. Like there is definitely a couple of USC doctors that are taking care of the body. And here’s the scene: If you go to Grand Ave., to downtown LA, which is like, Broad’s whole mission, was to like make that area upscale, which it is now, you can go to the Broad Museum, which is where his whole collection is. And part of the appeal of it is that you take this miniscule elevator that goes up from the ground floor to the top floor, and you can see through this little window, the large middle one, the large middle floor, which is where they keep all the art that’s in storage, under temperature and humidity control. Now how convenient to have all that temperature and humidity control technology laying around with a reason for it to be there? Is it possible that maybe hidden between all the sculptures, there’s a little case with the cryogenically-frozen head of Eli Broad? Is it possible that this museum is actually a pyramid to this dead man where they keep his corpse and there’s a little live-feed at the end? A video camera or two, sensors, and you got people in the regenerative center that are monitoring that feed and doing their research and just waiting for the day where they can bring the man back?
I: So like the Walt Disney thing?
L: Completely!
Context:
Informant was discussing a tale that he claims is true and intends to spread it to as many people as he can.
Analysis:
Fascinations with the mystery surrounding the elite upper echelons of society have been deeply embedded into our culture thanks to media and entertainment news. My informant tells a story about Eli Broad and his supposedly cryogenically-frozen state (which I relate back to Walt Disney). This conspiracy theory is somewhat similar to a memorate, taking observed experiences (the Regenerative Medicine Center, the Broad Museum, and the fact that Broad was extremely rich) and relating it to a traditional narrative belief system (cryogenic state and moderation of Broad). While this tale may be utterly false, my informant’s delivery of the story is particularly interesting—it first uses personal relation to the topic as ethos, then pieces together information in such a way to prove his point, then ends on rhetorical questions to his audience. Such a performance moves the audience emotionally to potentially believe in this theory. In general, the concept of living forever is also a point of fascination to humans, with objects like the Philosopher’s Stone supposedly being able to bring about eternal life. Such a fantastical element is also a compelling point of the narrative.