Show Circle

Main Piece: Show Circles happen just moments before performers go on stage. Depending on the company/team it gets more or less intense. The entire company gets in a tight circle with all the coaches around us for a pep talk. It has to happen always in order to have a good show. My team has to have our arms around each other with one foot in, but I’ve seen some complicated ones that require spinning and a ton of other stuff. Our head coach is in the middle of the circle, with any supporting coaches around us.

Context: The informant is a dancer on an international US dance team called V-Mo. She has been in dance clubs ever since high school. As a dancer, she’s experienced many traditions and rituals that her teams use to get ready and set the mood.

Thoughts: I have seen this before for not only dancers but many performers and athletes as well. What happens in these circles is almost never the same from what I’ve seen but emotions and adrenaline that are elicited from these are unlike any other. I really like this concept because it shows how supportive teams are of each other.

Menehune

Main Piece: Menehune is categorized as a mischievous small people. They are like dwarves but not really. They are just small people who live hidden in the valleys of Hawaii. They were there before the settlers and they made the roads, buildings, and ponds. They especially made the waterfalls and streams that connect to the ocean. They’re in a lot of children’s books and are like figures for kids to look up to as hard workers who work at night. I’ve heard them being used as tricksters who mess with visitors if they don’t behave.

Context: The informant is a current freshman at USC. She lived in Hawaii until she graduated high school. Growing up there, she learned all about the customs and folklore of Hawaii.

Thoughts: I like the concept of having a figure to look up to especially since it promotes hard work. It also reflects the respect for the land as well, which I think more people should definitely have. Their secondary role as a trickster also plays as a rule maker for tourists so that they do not go out wandering at night. 

For More information see, “The Menehune of Hawaii – Ancient Race or Fictional Fairytale?” by April Holloway

Holloway, April. “The Menehune of Hawaii – Ancient Race or Fictional Fairytale?” Ancient Origins, Ancient Origins, 11 June 2014, www.ancient-origins.net/myths-legends/menhune-hawaii-ancient-race-or-fictional-fairytale-001741.

Dead Baby Joke

Nationality: American
Age: 22
Occupation: Unemployed
Residence: San Diego, CA
Performance Date: 04/24/20
Primary Language: English

Piece:

Informant: What is worse than ten dead babies stapled to one tree?

Collector: I don’t know. What?

Informant: One dead baby stapled to ten trees. 

Context: The piece was collected during a casual interview. I grew up hearing the informant telling dead baby jokes so I asked her to participate in an interview to collect one. 

Background: The informant is my twenty-two year old sister. She learned this piece from friends in high school who shared her self-proclaimed “dark humor.” She both attended high school and currently lives in San Diego, California. She is an avid metal and alternative music fan with a love of body modifications including tattoos and piercings.

Analysis: Dead baby jokes are most common among teenagers and people in their early twenties, coinciding with my sister’s age both when she learned the joke and when it was performed for this collection. I believe my sister particularly enjoys this genre of joke because it is very grim and graphic. She participates in numerous unconventional subcultures that involve bold displays of self expression (including seven face piercings and visible neck and hand tattoos) that may be considered tabooistic. The joke finds humor in infant death, a subject usually not discussed openly or with humor if discussed at all. In doing so, the joke is at odds with social convention in the same way that my sister’s displays of self expression may be.

For more information on dead baby jokes, see:

Dundes, Alan. “The Dead Baby Joke Cycle.” Western folklore 38, no. 3 (January 1, 1979): 145–157. http://search.proquest.com/docview/75040401/.


Lifting Your Legs Over Train Tracks for Good Luck

Nationality: American
Age: 61
Occupation: Dog Trainer
Residence: San Diego, CA
Performance Date: 03/07/20
Primary Language: English

Context: The informant and I were driving in the car when we passed over train tracks and she told me the piece. The piece was collected in its natural performance setting.

Background: The informant is my mother, who is a third generation Irish immigrant. She learned the piece as a child from her parents who would say it when passing over train tracks.  

Piece:

“Lift your legs for good luck!” 

Analysis: I grew up hearing this piece from my mom every time we drove over train tracks. Neither one of us knows why it is good luck, but I believe it is an exercise in controlling something tangible to control the intangible. Train tracks can be dangerous places. By lifting our legs, perhaps we are attempting to subvert this danger. Some variants of this practice involve lifting one’s legs in order to prevent them from being chopped off by the train tracks while other variants threaten that if one does not lift their legs, they will die young.

For another variant of this practice visit:

Edelen, John. “Lifting Feet Over Train Tracks.” USC Digital Folklore Archives. University of Southern California, May 13, 2019. http://uscfolklorearc.wpenginepowered.com/?p=47643.

Haunted House on Clinton Street in Brooklyn

Nationality: Canadian/American
Age: 20
Occupation: Student
Residence: New York City
Performance Date: 02/14/20
Primary Language: English

Piece:

Informant: “See that house right there?”

Collector: “Yeah.”

Informant: “Some guy killed his wife there and now it’s haunted. There have been like six people who have lived there since and they all sold the house within like three months of living there.” 

Collector: “Do you know for sure that the guy killed his wife?”

Informant: “No but that’s what they told me.” 

Context: Me and the informant were leaving a party at the informant’s friend’s apartment on Clinton Street in Brooklyn, NY. We passed a house with a For Sale sign a few doors down when the informant turned to me and told me the piece. 

Background: The informant is a student in New York City. The legend was originally told to him the first time he passed the house while visiting a friend who lives a few doors down from the house. He views the story as making a street that would otherwise be forgotten or insignificant into one that is memorable and interesting. 

Analysis: I enjoyed hearing the piece because it made the walk home much more interesting. It is common for people to invent stories when they notice police cars/commotion but are given no information as a way to trick themselves into feeling informed. I find this story to be an example of this. It is not conventional for many people to move in and out of a house in such an abbreviated period of time, leaving people searching for answers even more. This endows the house as a liminal space, one in which people are never fully settled, making it the perfect breeding ground for ghost stories and folklore more generally. It seems to function as a point of conversation and excitement for the informant and his friend group, coloring their everyday life without necessarily being considered dangerous or fear-inspiring.