Tag Archives: ghost

The Watchman and the Haunted Vaudeville Theater

Text:

AB: My hometown, I come from, like, Northwest, a little outside Seattle, in Washington. And there’s a lot of ghost stories. We used to be a mining town, I think. We’re definitely a cow town. So there’s a lot of ghost stories. My theater was haunted. There’s a lot of generations that’ll tell stories of being alone in the theater, walking across the stage, and then hearing footsteps behind them, and then those footsteps pass them. 

There’s a story that someone was down on the stage while everyone else was in the booth, and they saw a man up there. They were like, why did they let a random old man up there? So they went up to the booth and were like, hey guys, you cannot let people into the theater, and you definitely can’t let them into the booth. And the people in the booth were like, there’s been no one. What do you mean?

Interviewer: Was there a story behind why it was haunted?

AB: It used to be a vaudeville theater, I believe, like a talent show, just a lot of different acts. So I think a lot of the ghosts came from that. The old man up in the booth was called The Watchman. I think probably a couple of people died around there. But also when I was researching this for my paper, I searched it up, and apparently a lot of theaters are haunted. A lot of theater people come up with the story that it’s haunted. So, very superstitious.

Interviewer: Did you ever go alone with the express purpose of trying to see one?

AB: No. The story goes that they were gone by the time I was old enough to actually do anything. The theater that was haunted was rebuilt, when I was around six, my parents remodeled it. My dad designed it. So there weren’t any ghosts anymore. Though we did have a Furby that might have been haunting. The legend was that there weren’t any batteries in it. If you touched it during the show, or if you tried to move it between the girls’ and boys’ dressing room beds, the show was cursed.

Context: AB is a USC student originally from a small town in northwest Washington State, several hours outside Seattle, a former mining and ranching town with a long-standing vaudeville-era theater. Her family is closely tied to the theater (her father, an architect, designed the rebuild when she was six). AB also recounted several supernatural stories from her family: a non-biological aunt who was pushed down the stairs by a ghost, a report of her toddler-self seeing “people eating” in a room with just herself and her mother, and her father reporting figures standing outside the house before AB was born. All framed matter-of-factly as part of growing up in the Pacific Northwest.

Analysis: The haunted theater is one of the most stable folk-narrative formats in American performance culture: many theaters have a ghost, many theater people can tell you about it, and the story is reliably transmitted from older performers to younger ones as part of the threshold of becoming a theater person. The Watchman is a precise manifestation of a haunting and notably sets the story apart from more diffuse haunted atmospheres typical of larger urban theaters. The vaudeville-era origin point, the architectural rebuild that “fixed” the haunting, and the displacement of the supernatural onto a battery-less Furby in the new building together shows the resilience of a haunted place legend to a changing physical environment: I thought it very interesting that the haunting relocates into the next available vessel rather than dissipating with the original site, thereby preserving a valuable performance and experience for theater posterity. 

Hanako-San

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Interviewee: Hanako-San’s story is an urban legend in Japan, widely spread among children. While I believe it began spreading among people in the mid-20th century, it has been passed down to this day.

Hanako-San is a young girl who wears a red skirt or dress. According to this tale, when you go to a lavatory at night, Hanako-San will haunt you when you are using it.

If you knock a closed toilet stall door three times, Hanako-San will appear. In some versions, it has been told that after Hanako-San’s appearing, if you look up, there will be a ghost looking at you. In other versions of the story, a hand—Hanako-San’s hand, will appear, and Hanako-San will kill you.

There are some versions of the story that have a good ending. For instance, in one version of the tale, when Hanako-San appears, she will play game with you. And this is typically a good ending.

Interviewer: Why is Hanako-San there (in the lavatory)? Any suspicions?

Interviewee: There are sayings about how Hanako-San became a ghost. Some people say she was threatened, frightened, and bullied, and so she hid in a school’s lavatory and died there. Some others say that Hanako-San’s death was caused by air raids in World War II, which makes sense given when the story was first told.

Context:

My interviewee learned Hanako-San’s story when listening to a Chinese podcast. The host of that podcast specializes in Japanese horror stories. My interviewee thinks of this story as a “typical childhood ghost story.” She also uses this legend as a way to learn about Japanese culture and society—their history (such as WWII being alluded to in this legend) and ideologies, etc.

Analysis:

  • Psychoanalytic interpretation: This urban legend can be interpreted using psychoanalytic theory. At its core, this legend functions as an externalization of repressed anxieties in Japanese society: fears that the Japanese society couldn’t openly confront, such as child mortality, wartime trauma, and school bullying.
  • Spatial symbolism: Toilet rooms are typically very small and confined. Their confinement targets people’s fear and mirrors their repressed anxiety.
  • Social issues / Wartime origin: Though this is only one variation of the story, the wartime origin (Hanako-San dying of WWII air raids) connects to Japan’s generational, collective trauma and guilt (this legend was first spread around 1950, not long after WWII). This embodies people’s way of processing this war, as well as the historical violence.

Ghost Pressing on the Bed

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Interviewee: When I was young, my mom and dad would say it’s “Ghost pressing on the bed” that made me unable to move my body, despite being mentally awake.

I was 7 years old. One day, I woke up early in the morning —I think it’s around 4 or 5 o’clock—I was mentally awake, but I just couldn’t move my body. I thought I was stuck by something, but it was invisible, so I could not really see what happened on my body. This kind of like situation stayed with me for around 10 minutes. And then I fell asleep again, and then the next time I woke up, I could move properly.

When I told my parents about this, they said, “Oh, it’s a ghost. He or she was pressing down on your body so you could not move.”

It’s kind of like a common belief or way to explain this in China. Scientifically speaking, it’s about your mind—maybe you are being too mentally stressed or, like, too tired, and that will happen to you.

But the tricky thing is that after that happened, I kept dreaming about weird things. I would dream of being in a playground, like a theme park, and riding a rollercoaster without any security belts on. And then, I saw someone sitting next to me, but I couldn’t really see her face, though I somehow knew it was a woman. It was just so scary that I almost peed (and I was young, only seven years old.)

I never told my parents that I had this dream after the “Ghost pressing down on my bed” experience because I didn’t know how to tell them, or maybe I was too ashamed to tell them. Now, when I think back on this experience, I think it’s funny—it’s something that not everyone will experience, and it’s something that is both very tricky and very unique.

Context:

My interviewee was told of this ghost by her parents when she was 7 years old, when she experienced sleep paralysis. She was then told of this monster that pressed against her on her bed, which made her uneasy even after that experience.

Analysis:

  • Folklore filling an explanatory gap: before scientific understanding of sleep paralysis was widely understood and accessible, the supernatural was used by folks to provide culturally acceptable explanations of this symptom.
  • Psychological pressure: The ghost that presses down can be read as a projection of psychological weight: stress, anxiety, repressed fear, made into an external, physical force in the form of a supernatural ghost. This is an example of using an “external being” to explain what’s inside people’s minds—their unconscious, inexplicable feelings and anxieties.
  • Memorate: this story is also an example of a memorate: a personal encounter with a legendary figure or spirit.

Willy’s Story

Age: 22

Text:

Interviewee:
The story is kind of a monster-ghost story from my hometown, Thousand Oaks, California. It’s about Willy, the moster.

There is this forest area behind my neighbor’s house, and they always warn their kids “Don’t go in the forest after dark, because there is a monster in the woods named Willy, and he’s gonna grab you.”  Willy was like a old, mean, adult figure that’s kind of a spirit in a sense, and he came with a cane. Then, this story got circulated around my neighborhood, and all the kids know this story.

Essentially, if kids disobeyed, like went into the forest, they would get taken. It’s kind of like the classic, like, be weary of stranger danger story. So yeah, that basically is the gist of the story itself. All the kids in my neighborhood know this story. We always tease each other, “Be careful of Willy, don’t go in the forest.” It kind of has that local legend feel, which is kind of interesting.

I was never brave enough to go in the forest and check on that, like I didn’t want to be the person to see that Willy’s real, you know, so I trusted everyone’s judgement.


Interviewer: This story kind of reminds me of Little Red Riding Hood, like don’t go off the track.
Interviewee: Yeah, yeah. Otherwise you will get into trouble.


Interviewer: Is there a prototype, or, is there someone who was actually taken, that you know of?
Interviewee: Lucky for my neighborhood—no. No one got taken by the monster. It was more of
just a cautionary tale. There is no specific people who got taken, but my parents would joke around and, like, have items being taken from my backyard, when I was like, “Oh where did my ball go?” They’d be like, “Oh, Willy took it,” and they probably just donated it or something.

Context:

When the interviewee was growing up, around 8 to 9 years old, he was told this story by his parents. All the kids in his neighborhood know this story, and some of the parents even brought this up too——according to the interviewee, “I think that’s actually where it originated, a friend’s parent told them this story.”

Analysis:

“Stranger Danger” Cautionary Tale: Willy’s Story is a local cautionary tale. This tale functions to regulate children’s behavior. Willy is an archetype of the stranger danger—an outsider who is dangerous and must be avoided by the children. On an emotional level, this stranger, who is old and carries a cane, contrasts with the safe domestic environment in which children grow up. Children are told this story because parents would like them to be cautious of the outside world, the strangers, and the forest.

Transmission: According to the informant, a parent in the neighborhood started telling this story to their kids, and then “all the kids (in his neighborhood) know this story,” and sometimes parents know too. This represents a vernacular transmission that is local and informal, and it is also one that goes in various directions. For instance, first it was transmitted in a top-down way, but it was later transmitted peer-to-peer by the children.

Spirit of the Woods

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KK: So, in high school, I used to live in a neighborhood that was known for having a soccer field, right? And the soccer field–I never did this, of course–in high school, a lot of people would go to the soccer field late at night to host these things that they would call “wood parties.” Basically, at the end of the soccer field there’s this long path, and you go straight into the woods from there. And people would go into the woods and they’d basically have this free-for-all where they’d drink, they’d do a lot of things, they’d hook up with people, whatever. Late at night, towards the end of my senior year, one of my friends went to one of these wood parties, and she said that there was this person in the woods that would follow the people who would stray from the group. And they could hear, like, the crunching of leaves, and they would hear, like–I don’t know what it was, but they would describe it as this wood spirit, or something, that would follow them if they were not in their group.”

Context:
KK: The context, I would think–I’m not saying she made it up, but– I’m pretty sure that, I think they were nervous cuz they would go pretty deep into the woods to hide from cops and stuff like that (laughs). So, I’m not sure if this wood spirit was maybe like, a manifestation of their fears towards getting caught by authority. But they would say that it would like, take their drinks and it would do certain things–but um, it was interesting cuz I think they were afraid of getting caught so they were very anxious. So people would say that they would notice certain things going on at their wood parties. You know, it was also a bunch of drunk teenagers, so. I don’t know.

Analysis: I think there’s definitely some value to KK’s theories about why this spirit was believed in. For high schoolers rebelling by drinking in the woods, it makes complete sense that superstitions surrounding a spirit of the forest would arise–it’s a very common set-up to spooky stories and horror movies, and the anxiety is understandable. I also think most forests and wooded areas tend to hold a bit of fear and/or mysticism for humans, and the idea of a spirit of the woods is also extremely common.