Context:

This story was told to me by a Chinese international student at USC, whom I’ll refer to as SG. We were sitting together in one of the quiet study lounges at Parkside after midnight, discussing the kinds of ghost stories we’d heard growing up in China. That’s when she told me something she had never written down or shared publicly—something that happened to her in her childhood that she still remembers with frightening clarity.

The Story:

When SG was 10 years old, she lived with her grandparents in Harbin, a city known for its long, dark winters. Her grandfather had a habit of rising very early, often before sunrise, to boil water and do light chores. Their apartment had large, thick curtains that covered the floor-to-ceiling windows in the living room.

One early winter morning, just before 6 a.m., SG woke up suddenly. She had heard soft footsteps and assumed her grandfather was up again. Curious and still sleepy, she wandered out to the living room—only to find it completely dark, with no lights on. She paused at the doorway.

That’s when she saw it: a silhouette of a person standing perfectly still behind the curtain, as if staring out the window. The form was unmistakably human—tall, slightly hunched, and entirely motionless.

Thinking it was her grandfather, she called out to him.

No answer.

She approached slowly, heart pounding. The air felt wrong—too still, too cold, as if the temperature had dropped. When she finally touched the curtain and pulled it aside—

There was no one there.

No one in the room. No sound of footsteps. No open windows. Just the snow falling silently outside.

Terrified, she ran back to her room and hid under her blanket. She didn’t tell anyone for weeks.

Informant’s Thoughts (SG):

SG says what disturbed her most wasn’t the sight of the shadow, but the fact that she saw it so clearly, and yet her grandfather had still been asleep in his room the whole time. Years later, she still isn’t sure if it was a dream, a hallucination, or something else.

What unsettles her most is that she continues to experience the exact same dream every few years: waking up in a different place, walking into a dark living room, and seeing a shadow behind a curtain.

Each time, she says, she wakes up before pulling the curtain open.

My Thoughts:

To me, what makes SG’s story haunting isn’t just the visual horror of the silhouette—it’s the way it has embedded itself into her memory and dreams, repeating like a ritual.

I’m struck by how familiar this setting feels: cold northern apartment, heavy winter curtains, the eeriness of early morning silence. Even though nothing explicitly supernatural happens, the ambiguity makes it even scarier.

It also makes me think about how many ghost stories we hear as children in China are tied to domestic spaces—kitchens, hallways, staircases—not abandoned mansions or graveyards. They are ordinary spaces made terrifying by something just a little out of place.

This story lingered with me long after she told it—not because of a ghost, but because of the uncertainty that still follows her.