Monthly Archives: April 2019

Balero, Mexican toy

Nationality: Mexican
Age: 54
Residence: California
Performance Date: 2019
Primary Language: Spanish

 

 

Main Piece:

A balero is an authentic Mexican toy made of wood. One part is made in the shape of a barrel with a hole in the middle, which is then tied to a small wooden shaft. The point of the toy is to make the barrel turn so that the shaft is inserted into the barrel’s hole.

Context:

The informant is a 54-year-old man from Guadalajara, Mexico. Growing up he had very little money to spend on toys so he would make his own variation of the classic toy.

20190410_104024 The picture shows his own variation on the classic toy.

 

 

Chinese Restaurant Clapping Game

Nationality: American
Age: 21
Occupation: Student/Musician
Residence: Pennsylvania/California
Performance Date: 4/11/19
Primary Language: English

Context

Having collected a fairly common children’s game, thumb wars, I sought a game or rhyme that was more obscure. While familiar with similar games such as Paddy Cake (which the informant mentioned for reference), I had never heard of the Chinese Restaurant variant.

Main Piece

When I was little, on the playground we used to have… it was a sort of “paddy cake”-like game that had, um… a rhyme about a Chinese restaurant. So you would start and you would clap your hands together and clap opposite hands with your partner, and it would be like:

“I went to a Chinese restaurant 

To buy a loaf of bread bread bread

The waiter asked me what I want 

And this is what I said said said”

and then you would point to your eye and say:

“I know karate”

then you would punch and say:

“Punch in the body”

Then you would cover your hands with your mouth and say:

“Oops I’m sorry”

Then you would wag your finger and say:

“Don’t tell my mommy”

And then the most upsetting part is that you would move your eyelids in accordance with people’s race, so you would say:

“Chinese” — pull your eyelids up — or down, I don’t remember

“Japanese” — pull your eyelids up and then you say:

“Freeze!”

And then whoever said “check please!” first would win.

Notes

As the informant notes, the game is upsetting, enforcing the kind of racial stereotypes and prejudices that would have been seen as innocuous in past decades. As such, I would classify it as an example of blason populaire. It is through games and rhymes such as these, shared among children during their formative years, that casual racism insidiously engrains itself into young minds. Thankfully, the informant grew up and now recognizes the problematic nature of this game, but many others likely do not, and maybe even teach it to their children one day.

Thumb Wars

Nationality: American (German heritage)
Age: 21
Occupation: Student/Musician
Residence: Wisconsin/California
Performance Date: 4/10/19
Primary Language: English

Context

I asked the informant for a popular schoolyard game from his childhood, and this was his immediate response. Though I had played many a thumb war, his opening signature chant varied from mine.

Main Piece

Alright: thumb wars! Everyone used to do ‘em, and it starts off with the signature chant: “one, two, three, four, I declare a thumb war” as you move your thumb from left to right in opposition to your opponent’s. Sometimes, I don’t know if this is a thing out here, but we had “one, two, three, four, I declare a thumb war. five, six, seven, eight, you’re the thumb I really hate” um, I’m not sure if that’s a thing out here but we did that back home and then, you know, obviously you just like take your thumb and you try to push the other person’s thumb down as your hands are intertwined. It is cheating to move the elbow, um, it has to be all the thumb and yeah, the winner gets nothing, besides pride.

Notes

Thumb wars were very popular during my childhood, and so this recounting may not be the most valuable piece of lore, but I was intrigued by the variation in the classic introductory chant. While familiar with the first part — “one, two, three, four, I declare a thumb war,” in my experience, it is followed by “five, six, seven, eight, try to keep your thumbs straight.” Because my informant grew up in Wisconsin, I believe it may be a regional variance.

 

The Hook Man

Nationality: American
Age: 21
Occupation: Student/Musician
Residence: Pennsylvania/California
Performance Date: 4/11/19
Primary Language: English

Context

The informant both introduces and retells her father’s encounter with the mysterious “Hook Man.”

Main Piece

When I was a kid, I lived in a house in the woods, and often, the power would go out. So when the power was out we would sit around the kitchen table with candles and my dad would tell us scary stories. This story is a story my dad told me when I was a kid, and it’s called “The Hook Man.” So my dad told it in the first-person perspective as if it happened to him, ‘cause he believes it did. It’s a ghost story — he believes it happened to him while he was at the University of Virginia. I don’t believe that, ‘cause I don’t believe in ghosts, but this is how it goes:

So my dad and his friends were by the old train tracks one night because they heard this urban legend about the Hook Man. The Hook Man worked on the transcontinental railroad in the early 20th century. He was the man who would put the railway down — the train tracks. And that work was very dangerous, so one day, the Hook Man got his hook, because his arm got cut off while he was working, and he died soon after, because he had no food, no way to sustain himself. So his ghost would haunt the train tracks.

So, my dad and his friends decided they would go to the train tracks in search of the Hook Man. And he would carry a lantern — the Hook Man — and this is how you would know, because the lantern would swing on his hook. So, they came to the train tracks. They were in their car waiting and they’re waiting to see him. And all the sudden, about five hundred feet away, they see the hook, the light swinging *swwsshh* — my dad did sound effects — and so, they got in their car and they’re like, “that’s the Hook Man” and they step on the gas *rrrr* (doing car revving sound effect) down the train tracks and they stop, because they notice that the lantern is now about a hundred feet away from where it was before. So they chased the lantern all night, and in the morning, it was gone. And that’s “The Hook Man.”

Notes

When the informant introduced her story as “The Hook Man,” I assumed she was referring to the popular urban legend of an escaped hooked convict terrorizing teenage couples, but was pleasantly surprised with a completely original ghost story. As with many supposedly-true ghost stories, this one has likely evolved and been exaggerated over time by the informant’s father, though this is a second-hand telling. As such, “The Hook Man” could be classified as a memorate: it originated with an experience the informant’s father ostensibly had, but was almost certainly altered to conform to common storytelling conventions when retold to the informant.

Piggly Wiggly Day

Nationality: American (German heritage)
Age: 21
Occupation: Student/Musician
Residence: Wisconsin/California
Performance Date: 4/10/19
Primary Language: English

Context

I asked the informant if he had participated in any folk group traditions — something shared by a select group of people connected through a specific shared culture or activity. In this case, the group was a marching band.

Main Piece

Alright so, I was in the drum and bugle corps, called the Madison Scouts, from… in 2015 and 2016. It’s, like, a summer thing so, like, you spend the… you pay like, three thousand dollars to tour the country with a marching band basically. And I did that for five summers, but anyways, in ’15 and ’16 I was in the Madison Scouts and they have a tradition where on the Fourth of July they go to Cedarburg, Wisconsin, and instead of calling it like the Fourth of July or Independence Day or anything they call it Piggly Wiggly Day, because — and this is not, like, all Cedarburg, Wisconsin, this is just the Madison Scouts, like, the people in the Madison Scouts, we call it Piggly Wiggly Day because one of the former members of the Madison Scouts now owns a Piggly Wiggly grocery score in Cedarburg, Wisconsin, and he caters, like, our food for an entire day from his grocery store and its like, we get kind of, like, fed, like, shit, throughout most of the summer so like, Fourth of July comes and we get like, catered shit and… it’s Piggly Wiggly Day and it’s a great time. Cedarburg, Wisconsin.

Notes

This piece reflects the diversity of the adolescent experience in America. Having grown up in southern California, I had never been to, nor heard of, the Piggly Wiggly grocery chain, while in Cedarburg Wisconsin, it held great significance for my informant and his fellow Madison Scouts. This tradition also shows the ways faceless brands and corporations often become a cherished part of people’s cultural fabric; a grocery chain feast can even replace a national holiday like Independence Day when imbued with meaning and reverence by a group of young Scouts. Piggly Wiggly Day can thus be seen as a prime example of reception theory.