Author Archives: Sonali Chanchani

Persian Folktale: Khale Suske

Nationality: Persian
Age: 20
Occupation: Student
Residence: Los Angeles
Performance Date: April 1, 2013
Primary Language: English
Language: Farsi

Contextual Data: After recounting the story of Bōz Bōze Ghandí, my friend mentioned that most of the other stories he had heard growing up had been sad, darker stories. He then mentioned this story of Khale Suske, which he said he didn’t remember too well, but he again remembers hearing it from his mother — usually before or after he was about to take a bath. Originally, he hadn’t planned on telling me this tale with me, but I asked him if he wouldn’t mind sharing it anyways. The following is an exact transcript of his story.

“This is the story of Khale Suske which literally means like ‘Madam Beetle,’ and — but she’s considered to be, like, a real person. And basically, she…Her grandmother’s sick and on her deathbed, her grandmother asks her to go out and find a husband or to find love or something. So she heads out all throughout Iran and meets all these different men and the consistent question that she asks all the men is: ‘If I was your wife, how would you beat me?’ [Laughs.] And the men respond with like different violent acts. Like the butcher says, like, ‘With my cleaver.’ [Laughs.] Like… The… I don’t know, the carpenter says, ‘With this piece of wood,’ or something. And… And all the male characters have, like, animal personas and so she meets, Alā Mooshed, which is Mr. Mouse and she asks Alā Mooshed, ‘How would you beat me?’ And he says, ‘I wouldn’t beat you, I would hit you gently with my tail.’ And she falls in love with the mouse. And, you know, as they’re I don’t know, courting or whatever, as a sign of her love, Khale Suske makes, like, a bowl of soup for the mouse. And as the mouse is drinking it, he falls in the soup and drowns. And that’s the end of the story [Laughs.]”

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My friend doesn’t quite understand the significance of this story—he said that he was always a little confused by it. But he said it was similar to many of the Persian folktales that he had heard growing up in that the ending was dark and rather depressing. He said that this might have ties back to Islam as a sort of “culture of sadness.” He said, in particular, that the love stories that he had heard tended to have these tragic endings. He laughed during parts of the story because from a modern American perspective, he found the casualness with which some of the ideas (e.g. wife-beating) were mentioned to be somewhat ridiculous.

Certainly, there may be a validity to this idea of the “culture of sadness,” but beyond this, it mainly seems as though my informant recalled this story because of the fond memories that he associated it with. He couldn’t remember all the particulars of the story, but he clearly remembered when he was told it, which hints at why he might find it meaningful.

Again, though he wasn’t sure about the origins or the significance of the story, one thought is that it is a tale meant to bring attention to the repression and abuse of women in Islamic or Iranian culture. Khale Suske attempts to find happiness by seeking out a husband that will not abuse her, and when she finally does, he dies. The story is certainly tragic, and so sharing this tale — particularly in the modern day — could be a possible way of bringing attention to these types of gender inequalities.

Swedish Myth: The Witches’ Pilgrimage

Nationality: Swedish and English
Age: 21
Occupation: Student
Residence: Los Angeles
Performance Date: April 22, 2013
Primary Language: English

Contextual Data: I asked my friend if she had any stories or myths from when she was younger that she wouldn’t mind sharing with me. She mentioned that she was half Swedish, and so there were a lot of Swedish myths and legends that she had heard growing up and which she encountered whenever she went to Sweden. She mentioned one particular tradition that took place around Easter time, and I asked her to tell me more about it. The following is an exact transcript of her response.

Informant: “Okay. Well, I don’t know if it’s…It’s directly related to Easter, but it’s around Easter time, and I’m not really sure where—where it comes from, but my family lives, like really far in the north…So I remember when I was visiting there—I mean, I’ve been several times, but once I was in Sweden around the time of this holiday. And I don’t really remember what the holiday is called, but, um… It’s at the very least a northern Sweden thing—could be like a Swedish thing entirely. But, um, basically they have this legend that on the certain day of the year—it’s around Easter—all of the, um, witches in Sweden will fly to this like mountain in the north. And it’s called—I think it’s called Blue Mountain, but I’m not entirely sure, but it’s kind of like this witch pilgrimage that happens. And all of the witches, like, fly—like, you know, you could see, like, witches in the air going on, like, their migration to their…yearly convention at Blue Mountain. I don’t really know [Laughs]. So, um, I was really little and I woke up, and my parents woke me up and they were like, ‘[Name], [Name], wake up!’ And this woman walked into the cabin that we were staying in, and she was like all hunched over and she had these like, warts on her face [Gestures with hands to face] and she was missing teeth and she had like this shawl wrapped around her head. And she came over and she started, you know, kind of cackling at us, um, and gave me a bunch of, like, little chocolate covered eggs and, like, pinched my cheeks, and was generally kind of creepy [Laughs]. And then she left, and my parents were like, ‘Wow, [Name],’ um… ‘That’s one of the witches going to Blue Mountain.’ And I thought it was the coolest thing. Um… It actually turned out to be one of my Swedish family members whose name is Ann, and she just dressed up like, really well, and painted this, um, black stuff on her teeth so it would like she didn’t have—like she was missing some. But I think it’s something they kind of do for the kids up there, um, and I don’t know where it comes from. Maybe it’s like a throwback to sort of the pre-Christian times in Scandinavia. Um, but it coincides with Easter.”

Me: “So do you think it’s a celebration for the children? Or do you think there’s some other symbolic significance to it?”

Informant: “I think maybe at one point there was a greater symbolic significance—like sort of with Halloween, you know, you have…Like it used to not be necessarily about like, candy and kids running around dressed up, but it became a holiday that maybe was rooted—what was it, like  ‘sowin’ or ‘sowane’ or something, like that was the Pagan holiday. And then that became like, All Hallows’ Eve and then that became Halloween, and it sort of has been deconstructed to something that’s entertaining for kids because they can still kind of harness that, like, sense of magic that I think adults have kind of put out of their minds. Um, so I think at one point it was maybe more serious than it is, but I don’t know for sure ‘cause I have limited experience with it, but I think now, it’s definitely something that’s for, like, the children. It’s almost kind of like Halloween around Easter. You know, like a witch shows up and gives you candy.”

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My friend did a fairly thorough job of explaining the tradition and why it continues to exist — that it may have had a greater significance once upon a time (perhaps coming from pagan traditions or pagan mythology), but that nowadays, it is something that is sustained because of its appeal to children.