Category Archives: Folk Beliefs

“Tabi Tabi Po Apo” – Filipino Superstition

Nationality: Filipino
Age: 28
Occupation: Prosthetist Orthotists
Residence: Atlanta, Georgia
Language: English

Text:

“Tabi tabi po apo” is roughly Filipino slang for “excuse me.”

It’s the belief that you must say excuse me before you pee on the side of the road.

Context:

The performer grew up in Bicol, Philippines which is a rural southern province of Luzon. He grew up in an impoverished area and played outside with with the neighborhood kids almost everyday.

“Growing up, we were told by our lolo and lola. When you play around the trees or bushes or plants, or just nature, where there are no walking paths, you have to respect the elders of nature. It’s like when you go to the forest right, you have to respect nature and all the things that you don’t see like spirits or children in the forest. It’s bad karma and can attract vengeful spirits like if you cross in their territory they become territorial and put a curse on you.”

Analysis:

“Apo” is a respectful term which is similar to saying “ma’am” or “sir” and in this case applies to spirits. It’s respect for the “unseen” spiritual world and nature. The nature respect could be tied to folk Catholicism (a blend between Catholicism and superstition). 80-90% of Filipinos are Catholic as the Spanish colonized and brought over the religion in the 1500s, and so many of their indigenous beliefs mixed with Caloic ones, making this phrase widely accepted across generations.

Another practical reason for the phrase’s popularity, especially in more rural or less developed areas, is the Philippines’ abundant vegetation and loosely defined land boundaries. In communities like where the performer grew up, where peeing outdoors is common, especially for children, saying “tabi tabi po, apo” is also a way to teach mindfulness and caution when interacting with the natural world—both physically and spiritually.

“Sukob” – Filipino Wedding Superstition

Nationality: Filipino
Age: 51
Occupation: Software Engineer
Residence: Naperville, IL
Language: English

Text:

Sukob is the belief that siblings should not have their weddings within the same calendar year. It’s also believed that the older sibling should get married first.

Context:

The performer grew up in the Philippines with many siblings who were born at similar times as one another. He has also been married and made sure to not to have his marriage within the same time as his siblings. His marriage has been going strong for 30 years so far.

“So it’s not competing with progress or prosperity and benefits or well-wishes. It’s like a known information like everybody knows it. Especially if you and your siblings are in the same age range, they will normally check first who is older and work with the other siblings for the dates. For example, Tito A got engaged the same year but Tito A gave way to Tito R and waited another year to get married. It’s a practicality thing. It’s also the superstition that the benefits will compete for the rest of your marriage.”

Analysis:

Filipinos are extremely superstitious with many believing that life events carry energetic, or spiritual, weight. To ensure a strong, hormonious, and propserous foundation for their lives, they must set themselves up well for life events. Apart from birth and death, marriage is the only other universal life event that is celebrated cross-culturally, putting a lot of weight on how the event occurs and how important it is in one’s life. Marriage, in particular, holds profound cultural significance as one of the few universal rites of passage celebrated across societies and is treated with a lot of intention. In Filipino culture, where family unity and respect are paramount, avoiding the overlap of weddings within the same family is seen not only as a way to prevent misfortune, but also as a gesture of deference. It ensures that each family member’s major life moment is honored without being overshadowed.

Additionally, “Sukob” superstition has risen in popularity due to the Filipino horror film Sukob which features a couple breaking this rule and the terrifying, dramaticized “karma” that ensued. Cementing a negative perception of Sukob in pop culture has lead to amplified anxieties around violating traditonal norms. Filipinos are especially superstitious due to many of them adhering to Cathiolisism. In a predominantly Catholic society where religious doctrine and folk beliefs often intertwine, the combination of spiritual caution and cinematic storytelling has reinforced the fear and observance of Sukob.

Basketball Magic Superstition

Text: “When I played basketball, I had this ritual that I had to do before each game. If I didn’t do it, I would be really anxious and play badly. At the end of warm ups, right before the game begins, my same teammate would have to make a right handed layup, then I would have to catch her rebound right from the net, then I would take a right handed layup, then dribble the ball to the ref/benches with exactly 5 crossover dribbles, then hold the ball for 3 seconds before giving/putting it away. I had to be the last one to take a shot before the game too. It was really obnoxious, but I had to do it. We did it before every game for all four years of high school.”

Context: The informant was a very strong basketball player throughout middle school and high school. Although she no longer plays at college, she coaches younger children and still feels that it is an important part of her identity. She says she is a very superstitious person in general, and has many little rituals that she must conduct before certain events (other ones she described included before math tests). This ritual was the most important to her though, as she needed to do it before every game, or she felt that she would not play well. She says she started the ritual in ninth grade. She does not remember the exact origin or why her and this specific teammate started it, but they had to do it before every game. She thinks that they just did it before one of the first games and they both played very well, so they had to continue. She says it was a necessity for her, and she got anxious even thinking about not being able to do the ritual before a game.

Interpretation: 

This “ritual” reflects a form of magic superstition. This is when symbolic, repeatable actions are believed to affect performance outcomes. Specifically, this is a manifestation of homeopathic magic, where an action can influence the event—“like produces like”). In this case, she believes that if she completes this ritual, she will play well in the game. Even though this method is not technically rational, and has no scientific reasoning behind it, it offers her mental control in a high-pressure environment. It is necessary for her to enter a mindset where she is ready to perform in the game. 

This superstition reminds me of how, generally, athletes can use and develop folk practices to cope with anxieties during games. Specifically, in North America, sports carry quasi-religious importance. Many players often have rituals and superstitions that they feel the need to complete in order to perform well in a game. They believe that if they do not perform this ritual, it can lead to negative outcomes, which is especially stressful in unpredictable situations, where they want to control the outcome of the game, but cannot. This also parallels how other cultural groups, in general, develop rituals to navigate liminal spaces. In this case, the liminal space is the time in between the warm up and the game, when players are most anxious. 

This ritual also functions as an identity performance. Her commitment to the ritual shows her dedication and commitment to the sport. It reflects the values of discipline, repetition, and hard work that are emphasized in sports. This shows how society creates its own forms of sacred performance.

Chinese Folk Medicine

Text: “Ever since I was a kid, my mom used Chinese white flower oil on me. We are not Chinese, but she believed heavily in Chinese medicine, and preferred to use it over typical medicine like acetaminophen or ibuprofen. She used it for a variety of reasons. If I had a cold or flu, a stomach pain, muscle aches, or really anything, she rubbed this oil on it. I have no clue if it really worked, I often did feel better after but now I’m not sure if it’s because of placebo or not. This is something that’s been lost since coming to college, as I never took any Chinese medicine with me. Now I just use typical medicine, but it was a core part of my childhood, and I still remember the smell and feeling of the oil.”

Context: 

The informant is half-Taiwanese, but describes Chinese folk medicine. She says that it is common for East Asian people, in general, to use Chinese medicine because many of them share the same beliefs regarding folk medicine. She says that she can remember her mother using Chinese white flower oil on her since she can remember. As she describes, it was a very important medicine for her during her childhood, but she is skeptical about whether it truly works. She is a science major, so believes more in modern and pharmaceutical medicine. She no longer uses the white flower oil now, but still has strong memories associated with it.

Analysis:

This example of Chinese medicine is an example of folk medicine. Folk medicine relies on cultural knowledge that is passed through generations. It is very independent of institutional Western medical systems. The specific white flower oil that the informant describes is an example of contagious magic. Although there are no “active” ingredients in the oil, compared to medications such as acetaminophen and ibuprofen, the oil’s “essence” is believed to transfer healing properties through physical touch. Although essential oils can have certain healing properties, they cannot extend as far as users believe. The informant expresses how he is uncertain about whether the oil truly works. This shows how there can be blurred lines between what actually works as folk medicine and knowledge, and in this case, the placebo effect. Additionally, the informant says he does not use the oil anymore, after moving away to college, which shows how folklore’s performance is highly contextual and often tied to a specific setting and place. 

The informant says that his family is not ethnically Chinese, which shows how intercultural folklore transmission functions, and how it can spread globally. Additionally, the mother’s trust in traditional Chinese healing methods over Western medicine suggests a resistance or uncertainty to institutionalized medicine. This reflects what we were discussing in class, which is the tension between folk knowledge and institutional science. If the user believes that the oil works over a form of institutionalized medicine, this shows how science is not always truth. If there were to be scientific evidence that the oil works, this would also show how folklore can turn into science, as discussed in lecture. 

Om Nama Shivaya – A Daily Ritual

Nationality: American
Age: 18
Occupation: Student
Residence: Sammamish, Washington
Language: Hindi

Ritual: The daily repetition of Om Nama Shivaya before any tasks or actions to be taken

Background/Informant’s Interpretation: Taught by his dad, the first day of high school, this saying is close to his heart and important for his daily routine. The repetition of Om Nama Shivaya, as taught by his dad, is to help him build confidence and certainty in the fact that in whatever he does, he does it with a full heart, a Hindu God’s, Shiva, divine blessings as well. Not only does he do this before major exams, such as final in the coming weeks, but being part of numerous extracurriculars and sporting groups in high school and college, he still says this everyday to ensure he is able to perform at the fullest of his potential in whatever he sets his mind to.

My Interpretation: Coming from a similar religious background, I find this saying important and influential in terms of one’s affirmation. However, I find that this saying and others like it are something that you can find through familial connections or being present in a religious community like a Hindu Temple or connections to a priest. I find that the repentance of this ritual also builds up characters and creates confidence through an omnipresent third party, who, while judging you and is known as the destroyer of worlds, can become one of your greatest mentors and assist you in whatever it is you want to do. I find it particular present as a prayer said during poojas, a religious ceremony that celebrates or brings attention to one of the many hindu deities that a family may associate or put themself with.