Category Archives: Folk Beliefs

White Peacock Encounter & Mythology

Nationality: American
Age: 52
Occupation: Director of Student Engagement for the Office of Religious and Spiritual Life
Residence: Los Angeles, CA
Language: English

Text: “So, I was in Scotland for my fortieth… Forty-fifth birthday. Fortieth birthday. Forty-fifth birthday. Yes, I’m sorry, I was in Scotland for my 45th birthday, and I was on my way to find Iona Abbey, because Iona is the birthplace of Scottish Christianity and is kind of a pilgrimage site. But to get to Iona Abbey, you have to go across several little tiny islands to catch a ferry over to Iona abbey. So um.. and these little tiny islands have like a one lane road.

“So, my honey bun and I were driving on the last… across the last little island to catch the ferry. When we came around a bend in the road, out in the middle of nowhere, no like, country, and there was this beautiful white peacock with its feathers fully displayed, standing in the middle of the road, just looking at us. So I freaked out. I’m like, ‘oh my god you see that white peacock?!’ So the white peacock is just standing in the middle of the road looking at us, and we’re looking at the white peacock. And it didn’t move, and it just had its beautiful feathers displayed. And I knew that that white peacock was there for me, I just didn’t know what it meant. But I knew it was there for me. It did not move until we started to creep the car forward, and when we finally started to creep the car forward a little bit, it moseyed — you know, in Oklahoma terminology — it just moseyed off the road. Um… but it was gorgeous, and I’d never seen a white peacock in the wild, and I certainly had never come around a bend and had one waiting for me. But I felt like that peacock had been waiting for me. So I was mesmerized, and if we hadn’t been in a hurry to catch the ferry — because we were catching the last ferry over, and we were of course running late — I would have gotten out and, you know, tried to interact with this peacock. So it always haunted me that I never interacted with this white peacock, because I knew it was there for me.

“So fast-forward to when I’m 50, and I’m reading a book by Meggan Watterson, who’s a Harvard-trained divinity scholar, and it’s called The Sutras of Unspeakable Joy, and I think it was sutra number 14… I think it was 14. She has a line in it that says, ‘I am nothing more than the albino peacock of my own incandescent soul.’ Well, the moment I read that line… You know those moments in life where your whole body goes aflame, you’re like, “Wah!! What does this mean?” It took me down lots of rabbit holes where I was trying to understand the symbology around white peacocks in particular, not just peacocks but white peacocks. Well, there’s a lot of different things. One is that if you see one, it portends that you are on the right path, and because I was sort of on my pilgrimage at that age, I was like ‘yes, this is — I’m on the right path.’ I was sort of starting my path towards my spiritual sovereignty, so for me it was about spiritual sovereignty, and just knowing that I’m on the right path. But there’s a whole mythology around white peacocks that’s connected to Kuan Yin. And I’m gonna totally butcher this, but I want you to look it up. If I could go back to my journaling, I have it written down. But Kuan yin at some point, a goddess, was incarnate. By choice, because she wanted to be here to help the humans. And for some reason she had to go back to wherever that is. And she, like…. um… See, I’m not gonna say this very well, but the mythology is that the eyes on the peacock? She’s the one who created the eyes on the peacock. And the eyes on the peacock are supposed to be looking out for humanity while she is not here. While she is, you know, on the side of the gods and goddesses — the eyes of the white peacock are supposed to do that work for her.

“I just thought that was really cool because part of my growing up years, you know, I did my doctoral research about abusive Christianity, and I framed that through a panoptic gaze, and a punitive gaze, and it was so lovely to have a different framing of a gaze… And these eyes on the peacock feathers were a loving gaze, and a watchful gaze, but in protective way, and not like a “Let me see what all you’re doing wrong,” you know that kind of a gaze. So that’s partially why it was so striking to me. But look up the mythology around white peacocks, its pretty cool. And so now white peacocks are one of my… Totem animals, spirit animals? I don’t know what you would call it, but yes, there’s the story.”

Context: Informant RS is a highly educated individual from the Oklahoma with multiple PhDs. A key part of her life was recognizing and healing from the abusiveness of the religious tradition that raised her. After graduating college, she spent many years exploring different spiritual traditions that valued divine femininity, intuition, animism, and environmentalism. RS currently identifies as Pagan and feels a spiritual connection to Scotland, especially upon learning that she has ancestral connections there. She is also a Carl Jung enthusiast and values his theories of archetypes and synchronicity. Kuan Yin is the Buddhist goddess of compassion.

Analysis: RS’s experience with and reaction to the white peacock is reminiscent of various (and often overlapping) traditions including witchcraft, Wicca, Native American spirituality and Paganism that ascribe magical or spiritual powers to non-human beings. Thus, she interpreted the peacock sighting as a sign of guidance, protection, and compassion during a formative point in her spiritual journey. Her knowledge of Kuan Yin’s mythology in Chinese culture reflects her education and spiritual exploration, and she was able to translate her experience in terms of spiritual and religious folklore she had studied.

The Krasue

Nationality: American
Age: 19
Occupation: Student
Residence: United States
Language: English

Text:

“It’s basically a woman’s floating head with her internal organs attached that goes flying around at night to eat unborn fetuses with her long tongue. She was a princess that was supposed to marry another king but had another lover. The king found out and wanted to execute her by burning her so she found a witch that gave her a potion to drink before she was burned so she could live. But she drank the potion too late because it took a while for its affect to work so she…most of her body burned minus her internal organs and head. Oh and I also know how to avoid it taking your unborn fetus. You basically just need to either have pointed fences or barbed wire by your window because it doesn’t want its hanging organs to get stuck in it so it’ll avoid your home.”

Context:

The informant first heard about it on a youtube channel called Snarled. They interpreted it as a scary story that is generally told to young children around 12 years old.

Analysis:

The theme of this story seems to suggest pregnancy in the form of a horror story. This is represented in Asia as a story of spirits or evil manifested from hatred and revenge. It acts as a warning to be careful during pregnancy by using evil figures. The princess itself represents an entity formed from injustice like a vengeful spirit while also having adding elements of magic, such as the witch and protective potion. This spirit might also reflect the cultural belief that our spirit might come back to life or being unrestful due to injustice. Also, the idea of using pointed fences acts as apotropaic defense system or magic by using physical objects to ward off evil spirits. In addition to a warning for pregnant women, the backstory of the princess also suggests an importance in social contexts, such as placing value or in or respecting a marriage and upholding this contract instead of breaking it or else you might end up like this woman.

Robert the Doll

Nationality: American
Age: 57
Occupation: Sales Representative
Residence: United States
Language: English

Text:

“The doll has supernatural abilities that allow it to move, change facial expressions, and make giggling sounds. Supposedly it is aware of what’s going on around it. It also is said to be able to move things around and is the cause of mishaps around people who disrespect him. Some people have had misfortunes after visiting him. The story goes something like a boy gets the doll as a gift and then strange things start happening because of it. It’s also been said that if you take pictures of the doll without asking permission it will curse you.”

Context:

The informant describes hearing about from various shows and interprets it as just a supernatural or demonic being. They also believe its more of entertainment value but wouldn’t necessarily mess around with it if it’s true.

Analysis:

This legend represents the use of a cursed object, possessed by an evil demon or, in other words, a fetish. The power is invested in a physical object, where much of the meaning stems from. This is more of an urban legend due to its contemporary approach as something modern and spread through media, centered around the present. Americans seem to find value in the supernatural or paranormal due to a need for exploration or meaning in the unknown, such as death. Within the object itself, there is a theme of respecting others, where much of the bad luck or misfortune is due to disrespecting the doll/the entity within it. The purpose of the doll adds to finding meaning in the unknown as a way to explain bad events that happen, but also possibly based on some truth. This also connects with American fears of the unexplained or strange behavior. This also has some elements of magical ritual, such as appeasing the evil spirit by asking for permission to take a photo. Frazer brought the idea of sympathetic magic, which the doll relates to as the object itself influences or causes events to happen in the real world.

Dybbuk Box

Nationality: American
Age: 67
Occupation: Retired
Residence: United States
Language: English

Text:

“The Dybbuk Box is said to house a malicious spirit. Spirit is said to be trapped in the box until someone helps set it free. Box is said to haunt any person who owns it. Said to cause strange things to happen around it. People who own the box are said to see shadow figures. I learned about it from this show by Zak Bagans, where he was given this box and then some of his workers died upon receiving it or just having bad luck. Said they had nightmares a lot or getting into bad accidents or almost dying.”

Context:

The informant remembers hearing about this from tv shows about the supernatural and interprets it as a story about demons and evil entities. They find it interesting to learn, but also factors in the fear that they feel when getting close to the object.

Analysis:

The Dybbuk Box, in this case, seems to take root from a mix of Jewish culture and American culture. A Dybbuk is from Jewish culture, a wandering spirit that seeks to possess something. The American portion is from the idea of trying to find meaning to that which we can’t explain as well as the fear of the unknown. This also represents an urban legend as its value is spread heavily through media and now takes a more modern approach. The idea also comes from a haunted, or possessed object, that is said to curse those around it. The theme that it could inhibit is to be mindful of one’s surroundings and of what you mess around with as something terrible might happen if you’re not careful. This also holds magical properties through contagious magic as whoever owns it is passed down a curse even after being separated. The opening of the box symbolizes a taboo, or a warning, and prohibiting the action or else misfortune will ensue.

Driving Green Ghost?!

Nationality: American
Age: 19
Occupation: Student
Residence: Boston, Massachusetts
Language: English

1. TEXT/TRANSCRIPTION

“So this is something my mom has always told me about, and she swears it really happened. She was really little, like, before she could even talk, and she was outside of her house in Massachusetts. And she says she saw a car drive by, and in the window, there was this ghost, just waving at her.

But the weirdest part? The ghost was green. Not just see-through or white or whatever, like the usual kind. It was glowing green, and she still remembers it so clearly. She always says it wasn’t a dream or anything, like, she genuinely believes it happened, and she’s told the story the same way my whole life. Every time she tells it, it’s like, dead serious.”

2. CONTEXT

“I honestly don’t know where she first told it, I think it just came up when I was a kid and we were talking about scary stuff or something. She’s told it more than once, but it’s always been the same. Like, no changes or anything.

It’s just one of those things she experienced and never forgot. And yeah, she couldn’t even talk yet, but she still remembers seeing that ghost in the car. I guess it just stuck with her. It’s kind of become one of those family stories, like weird, but kind of cool too.”

3. INTERPRETATION (my own analysis)

What I found most fascinating about this story was how vividly her mom remembered something from before she could even speak. It made me think about how certain moments, especially ones that feel emotionally or spiritually intense, can stick in our memory in a way that defies logic or age.

Even though this could just be written off as a childhood imagination or dream, her mom’s consistency and conviction over time gives it more weight. There’s also something symbolic about the ghost being green, unusual for ghost stories, which usually describe white or shadowy figures. The green glow adds a feeling of mystery or even peace, like the ghost wasn’t trying to scare her, just to be seen. The fact that it waved reinforces that feeling. It wasn’t aggressive or malevolent, it was a gesture of recognition or even friendliness.

I also think this story is a good example of how family folklore forms. It’s not something you’d read in a book, it’s personal and lived, passed down from a mother to a daughter. Stories like this build emotional bonds in families and become part of how people understand their own histories. Whether or not it’s “true” doesn’t really matter. What matters is that it meant something to her mom, and now, through the act of storytelling, it means something to AM (the initials of storyteller), and even to me as the listener.