Author Archives: ccoulson

Nature’s unpredictable… Or is it? 

Nationality: African American

Primary Language: English

Other language(s): French

Age: 65

Occupation: Management Consultant

Residence: Upstate, NY

Performance Date: 4/20/2025

Context: 

My informant, WB, is a family member of mine who lives in the Hudson Valley area of New York. From what I remember, they’ve always been into signs, aspects of nature that may influence decisions, and a lot of times, they’d be spiritual. I asked her one day, especially as I got more into science growing up, if there were any signs they could explain with science that they’d understand growing up that I may have never heard of, and there were. 

Text: 

“A ring around the moon means it’s going to rain. Growing up near farms 60 years ago before the sophistication of modern weather forecasting, we looked for signs in nature to predict weather. This of course could only be a source for prediction if it was a moonlit night. So when it was not a moonlit night, we listened for crickets to indicate a warming or cooling of the weather.  Also, whistling frogs for the coming of spring. Other indicators of bad weather were if your joints ache. This means a lot to me because it connects me to nature and the wonders around us in the natural world. To this date, I listen for crickets and whistling frogs to predict weather conditions. This was all passed down to us generation after generation. And it turns out that there was logic to this:

A ring around the moon: moisture high up in the atmosphere.

Whistling frogs: a warming trend for the coming spring and the frogs thaw. 

Aching joint: barometric pressure changes.

Crickets: hatch in the late summer.”

Analysis:  

This entry is a beautiful example of weather lore. Plus, it’s rooted in a time before people had access to modern meteorological tools. Though in my research, the belief that “a ring around the moon means it’s going to rain,” is actually one of the most widely known pieces of weather folklore, and has some scientific backing: the ring, or lunar halo, forms due to ice crystals in cirrostratus clouds high in the atmosphere, which often precede storm systems. So in that sense, this isn’t just folklore; it’s observational science passed down through generations. I also love how WB connects this tradition to other nature-based signs, like cricket chirps, whistling frogs, to aching joints. From my analysis of such signs, I found that many of these signs actually do correlate with changes in weather or season. For instance, Cleveland Clinic, in their article, “How Changes in Weather Affect Joint Pain,” explains the barometric pressure to joints, and according to the University of Minnesota’s Twin Cities, in their article, “Songs of Spring: A Ribbiting Chorus – Bell Museum,” frogs do indeed become more vocal as temperatures rise, signaling spring. What stands out to me most though is how WB frames all of this as a meaningful connection to nature, especially as our generations start to get lost in the digital age. This entry is fascinating to me because it’s not just about weather predictions, it’s about a whole way of understanding and interacting with the natural world. WB doesn’t just remember these signs nostalgically; WB still uses them, which shows how folklore can remain alive and functional even in a most contemporary context.

The girl and her games. 

Nationality: African American

Primary Language: English

Other language(s): French

Age: 49

Occupation: Digital Marketing Consultant

Residence: Upstate, NY

Performance Date: 4/18/2025

Context: 

My informant, YD, is a family member of mine who lives in the Hudson Valley area of New York. YD has always been into music, YD’s was a fantastic singer, and music was their whole thing. Though I’d never really asked about their earliest exposure to music, not like on the radio, but more like a tall tale, something that had to be passed over, like musical performances by the campfire on a lonely night with a couple of friends. So, they told me this:

Text: 

“The earliest musical experience or song attached to a personal history are the various patty cake games I played as child on the playground, after school and during the summer with a group of adolescent girls. These are songs sung between two people while hand-clapping and hand-slapping in unison, and with rhythm. These were songs like ‘Miss Mary Mack,’ or ‘Down Down Baby.’ I learned them from other girls on the playground and females in my family. They were passed down through generations with slight lyrical and rhythmic variations. I know my mother and my grandmother had their own variations. 

Why this stands out and is important to me is because of the history and impact of generations of young girls being taught my mommies, aunties and sisters; these whimsical yet deep songs are fun and have little meaning as a child, but deeper meaning as you get older and realize the things you were sing about. The socialization of kids, the fantasy and awareness of hardship and evil intent. We were so carefree and blissful, yet the world around us was dangerous, sad and we were so vulnerable. 

Here’s one those song I remember:

‘…Down down baby, down by the roller coaster

Sweet sweet baby, I’ll never let you go

Shimmy shimmy cocoa pop, shimmy shimmy pow

Shimmy shimmy cocoa pop, shimmy shimmy pow

My momma said to pick the very best one….’”

Analysis: 

Yes, this entry is a great example of children’s folklore, particularly in the form of hand-clapping games, which are rich sites of cultural transmission, memory, and performance. And so, I assume I don’t have to explain much about songs like the ‘patty cake’ one, but, in my research, the songs like “Miss Mary Mack” and “Down Down Baby” have circulated across generations, especially among young girls, often passed down orally with slight lyrical and rhythmic changes depending on region, family, or even the moment. These rhymes, on the surface, seem playful and nonsensical, but as YD notes, they often contain deeper themes that only become clear with age, even something I grew up realizing from my personal experiences as well. I love the way YD reflects on these songs too, it’s exactly what makes these pieces of folklore so powerful. They function as socializing tools, helping children build rhythm, coordination, and friendships, while also encoding cultural knowledge in a form that’s accessible and repeatable. What hits hardest for me is the idea of inter-generational bonding, something the history behind these childhood games supports heavily. This makes YD’s personal memory not just nostalgic, but part of a larger cultural practice that links them to their ancestry and community. And I think that duality, innocence on the surface, depth underneath, is what makes playground folklore so endlessly fascinating.

Finger Point of doom. 

Nationality: African American

Primary Language: English

Other language(s): French

Age: 49

Occupation: Digital Marketing Consultant

Residence: Upstate, NY

Performance Date: 4/18/2025

Context: 

My informant, YD, is a family member of mine who lives in the Hudson Valley area of New York. YD has told me about gestures as they were growing up in quite diverse households, from gestures of Italian culture, Chinese culture, and Swiss culture, I had never truly known what each of these gestures they’d jokingly use with me actually meant to them. So one day I asked them this question, but instead of explaining the gestures they’d learned from their diverse cultural background, the ones in which I had known, they told me the story behind a different kind of gesture, one I had overlooked. 

Text: 

“I’d say the gesture that has the most meaning (good and bad) is the ‘finger point’. Typically growing up the ‘finger point’ was an unspoken instruction or nonverbal scolding. Similar to ‘the look’ that many black families instinctively understand, I had the ability to decipher what my mother was saying when she pointed to something or at me. You didn’t dawdle but moved into action, clearly understanding every ‘word’ and detailed action expected of you. I think it came from slavery’s time frame, from what my mother had told me, when communication needed to be coded. I see this as a badge of honor and super power within our family that has kept me safe and I will continue to teach that instinct within our culture.”

Analysis: 

The “finger point,” as described here, and from my research, isn’t just a scolding gesture or a tool for discipline, but is indeed, part of a coded system of communication that has deep roots in African American cultural survival. YD connects it to practices that may have originated during slavery, when verbal communication was restricted or dangerous, and truthfully so, in many African American folklore studies that explores the development of nonverbal codes as survival strategies, quiet gestures that spoke volumes in unsafe or oppressive environments was common and impressively passed down for generations. That concept alone blows my mind. It’s interesting how YD doesn’t just view the gesture as disciplinary, but as a legacy of resilience, intuition, and inter-generational wisdom. It’s especially meaningful that they frame it as something to be passed down, reinforcing the idea that folklore isn’t always just stories or songs, but also ways of seeing and navigating the world. YD’s account transforms what some might consider a small behavioral detail into a rich cultural artifact, filled with meaning, memory, and pride. I think that’s all so brilliant, and will probably never look at finger pointing the same way again, in a good way I mean. YD’s tale is a great reminder that folklore can live in the body, in silence, and in a single glance or gesture.

Wolf of Wall Street’s got nothing on this…

Nationality: African American

Primary Language: English

Other language(s): French

Age: 65

Occupation: Management Consultant

Residence: Upstate, NY

Performance Date: 4/20/2025

Context: 

My informant, WB, is a family member of mine who lives in the Hudson Valley area of New York. For a while now, I’ve known WB to be quite amazing at spending money, teaching me over the course of my life the concept of not wasting money on things that won’t be intrinsic in some capacity, or I’d end up like ‘another man on the street.’ Now, I always wanted to know what they meant by ‘man on the street,’ and it turns out it wasn’t a saying, metaphorical expression, or proverb, it was a reference to a stereotype they hated, yet held dear: 

Text: 

“Men are better with money than women. Now I don’t believe that but it’s something I grew up hearing. I come from a matriarchal family of successful women who oversaw and currently still oversee the family finances and the family business. They have all fared well and have been given the respect of being good with finances by their male family members and spouses especially. I think that saying came from an attempt for men to control women, like historically. We can look back in history and see when a man married a woman, her riches became his to control. Specifically in the most recent history, Colonial America, who followed the laws of their mother country; husbands controlled the woman’s property!!!” 

Analysis: 

So, this piece reflects a common gender-based folk belief which operates more as a social myth or stereotype than a truthfully grounded in experience. Now what’s compelling here is how the informant challenges the saying from both a personal and historical perspective. They come from a matriarchal family, where women not only handle finances but have consistently done so with success and respect. That alone functions as a counter-example that refutes the original saying and exposes it as culturally constructed rather than inherently true. However, I’ve definitely heard of this stereotype in my own life too, and of course, being related to WB, I never believed it either. The informant then takes it a step further by providing some slight historical context that reveals how the proverb wasn’t just a reflection of beliefs at the time, but also a tool used to justify inequality. And of course, in my research, and general experience in American history courses, yes, this stereotype was used tangibly to oppress women in colonial times and even still now in the digital age. Sadly some things never change. Though what I find most powerful here is that WB doesn’t just dismiss the saying they expose its function as control and offer real evidence from their family to disprove it. This turns the proverb into a kind of anti-folklore, still resembling folklorism though, a saying that survives culturally, even when it’s contradicted by lived experience. It’s also a good example of how folklore can be deeply personal and political at the same time, and how challenging traditional sayings can be part of reclaiming cultural and historical agency.

There’s a snake in my… Pocket?

Nationality: African American

Primary Language: English

Other language(s): French

Age: 65

Occupation: Management Consultant

Residence: Upstate, NY

Performance Date: 4/20/2025

Context: 

My informant, WB, is a family member of mine who lives in the Hudson Valley area of New York. They used to tell me a lot of riddles as a child, and loved to play games with riddles all the time. One day I decided to ask them if they ever heard of an original riddle that stuck with them personally, one they had not yet shared with me. This is what I got: 

Text: 

“‘What do you get when you put a snake in your pocket? You get bit.’ The meaning of this is to beware of trusting and getting too close to scrupleless people. While I hate that it puts snakes in a bad light, this saying has always taught me to take the time to get to know people who may become a business partners. AND, even then, you may still get bit!! I think this is one that my grandfather created, perhaps it was passed on from an experience his parents had who were in the restaurant business back in the 20’s and finally lost the business to their business partners.  This means a lot to me, it has taught me to pay close attention to the motives of people in general when it comes to finance, positive or negative. I know most people say ‘I trust people until they prove otherwise’ but for me, ‘I don’t trust people I meet until they prove trustworthy.’”

Analysis: 

Okay, so, this proverb they exemplified, I personally had never heard before, and upon looking it up, I found next to nothing, which is great! This might actually be unique to WB’s family (or at least not widespread) adding to the idea that it was coined by their grandfather or adapted from an older phrase. What’s interesting is how it uses the symbol of the snake, which in many global traditions (from the Bible to African trickster tales to Greek mythology) represents deceit, danger, or moral testing. In this case, the snake stands as a metaphor for untrustworthy people, especially in financial or business settings, with the “pocket” standing in as a symbol for closeness or vulnerability. It’s also compelling how the proverb serves not only as a warning, but also as a reflection of a real, generational experience. I think it’s cool that the personal history gives the phrase emotional weight and makes it more than just a casual saying, almost becoming a tool of survival and a form of inherited wisdom. What I find most fascinating is how WB uses it to define their personal philosophy on trust, flipping the more common belief that trust is given until broken. I honestly lean that way too. Plus, WB seems to approach trust as something earned, which they frame not as cynical, but as careful. It’s a great example of how even a small, family-rooted piece of folklore can carry over an entire worldview.