Category Archives: Protection

Knock on Wood

Nationality: American
Age: 55
Occupation: World Oil Leader
Residence: United States
Language: English

Text:

“Knocking on wood, this is believed to ward off bad luck or ensure good fortune. You knock on wood when you’re talking about something good but don’t want to jinx it so you knock on wood but if no wood is around you knock on your head. I usually use my head and knock 3 times.”

Context:

The Informant says they learned this from their grandma, but also recounts that people at work say it all the time during their meetings. They’ve had experience with this before of having bad luck if they don’t ‘knock on wood’ and really has a connection to the idea of three. They believe in this idea of bad luck in threes because it continues to happen in their life with accidents, sickness, and deaths.

Analysis:

This is represented as superstition, but more specifically, magical superstition. Magical superstition focuses on the idea of influencing an outcome with an action rather than predicting it. The idea is that if you knock on wood or your head it might influence or ward off misfortune or a ‘jinx,’ but doesn’t exactly predict it. In Frazer’s belief, this can be seen as sympathetic magic, where an action is taken to influence an outcome. Knocking on wood is apotropaic magic, a type of sympathetic magic, where the action of knocking on wood or your head will ward off evil influences or ‘bad luck.’ It’s a protective ritual with the hope of protecting one’s self from negative outcomes by knocking on wood. It’s also a very social aspect, where even the informant states that they use it with their coworkers during meetings, connecting them together with a familiar action which even becomes automatic. People might partake in this action in order to relieve anxiety and stress over possible negative future outcomes and prevent the opposite of whatever they said from coming true. The idea of knocking three times also is significant as its seen in many other cultures as well as this idea of bad luck comes in three, where knocking on wood prevents this three times.

Banging Pots and Pans on New Years 

Nationality: Mexican-Filipino American
Age: 22
Occupation: Engineer
Residence: Irvine, CA
Language: English

Text

“Every New Year’s Eve, right when the clock strikes midnight, my family rushes outside and we start banging on pots and pans like our lives depend on it. It’s loud, chaotic, and silly if you are a neighbor watching next door.

We don’t do this tradition just to make noise for fun, we are scaring away bad spirits. My Lola would say, ‘Make it so loud the malas (bad luck) can’t follow us into the New Year.” i feel like this tradition is not about silence and reflection. It’s more about being loud, communal, and kind of joyful. It shakes things up and clears space for something better.

Every year, no matter where I am, I find something to bang. When I’m not at home, I’ll use a cup and spoon if need be. Because for me, the noise is more than just a tradition. It is a way of saying that we made it to a new year and that we should chase bad spirits away and welcome what is to come next.”

Context 

The informant reflects on a recurring family ritual: banging pots and pans at midnight on New Year’s Eve to ward off bad luck. She traces the tradition to her lola (grandmother) and describes how this action has remained central to her family’s New Year’s celebration.

The informant highlighted how rituals passed down through generations become markers of cultural identity even when performed in different settings from where her grandmother originally would do this to where her family does it now.

My interpretation 

From a folklore perspective, banging pots and pans on New Year’s Eve functions as a protective folk belief ritual that’s aligned with what James Frazer termed magic superstitions. In this case it would be conversion magic where action is required to prevent misfortune. The practice is not institutionally religious but it operates within a system of vernacular spirituality and community belief that’s passed down through generations in domestic spaces.

The ritual also fits within a life cycle of belief systems surrounding transitions and thresholds like what Victor Turner would call a liminal moment. The striking of the pots is part of a ritual of noise that marks and manages a cosmic shift. Symbolically, the sound disorients evil, clears spiritual residue from the old year, and prepares the household for prosperity.

This ritual functions as both cultural preservation and performance of identity. It’s an informal act of heritage that resists assimilation by rooting the celebrant in a shared memory and practice.

Standing at a Baseball Game

Nationality: American

Occupation: Student

Residence: San Diego, CA

Text: 

“Standing while at a baseball game during a big moment jinxes it. And you jinx it more the earlier you stand. Like with runners on in a close game, if you stand at the beginning of the plate appearance that’s the biggest jinx possible. Or standing when Diaz (the New York Mets closer) starts a plate appearance. I don’t stand until it’s 3-2 bases loaded game 7 OR the guy in front of me stands.”

Context:
My friend is an enormous Mets fan. He has season tickets so he goes to almost every home game when he is not at college, and watches most away games on television. When I asked him what happens if you stand too early, he did not list any specific incidents, but did give specific theoretical events, such as an overexcited crowd causing the Mets closer to give up a home run or for their star first baseman to strike out. This is not a commonly held belief, it is shared between my friend and his father. It is also worth noting that my friend is very tall, so if he stands up it would be difficult for the person behind him to see.
Analysis:
This superstition is a reflection of how magical thinking is often born out of a desire to have control over events that are otherwise out of our hands. The interesting thing about this superstition is that the action he takes contradicts the rest of the crowd. While everyone else stands, he remains seated. By taking this individual action, he has an individual feeling of control over the outcome of the game, despite having no real influence on the result. This superstition could not exist if it was a widely held belief; it only exists because it allows my friend to feel a sense of individual control over something beyond his reach.

Family Hamsa

Nationality: Algerian, American
Occupation: Student
Residence: Champaign, Illinois
Language: English

TE has a family heirloom in his pendant necklace, which he says is a hamsa. This necklace was given to him by his father last year. When not wearing it, he keeps it by his front door. The necklace is said to prevent evil spirits and bad luck from harming its wearer.

TE is unsure of the origins of the hamsa, saying its either a part of his culture as either north African or from Islamic roots. This necklace came from his father, who was born and raised in Algeria, and TE is pretty sure that it was passed down from generations upon receiving it last year. As a piece of his cluture, TE is very proud of his hamsa and wears it almost every day.

This necklace is a piece of tradition from either North Africa or Islam, and helps TE connect with parts of their heritage they come from. As part North African, he feels a responsibility to honor his familial roots, especially seeing how this necklace has been directly passed down to him from his father. The ancestral connection to this necklace may be why it is said to ward off evil spirits, as the spirits of his ancestors are protecting him as they did his father before him. While speaking to TE, it was clear that in the year since receiving the pendant, he cared deeply about it and made sure to take care of it. The deep respect for his past was solidified in his hamsa, and thefolkloric tradition of passing it down makes its significance personal for TE. As a piece of protection, TE didn’t seem to necessarily believe that it would ward off evil spirits, but was of the impression that it was far better safe than sorry in regards to its spiritual powers. The notion that it wasn’t belief of spirits, but rather lack of evidence to disprove spirits, is an interesting as it shows the trust in their heritage, drawing upon the beliefs of those before him as indication of its efficacy. This necklace is a strong piece of contagious magic, requiring the user to physically wear it to appreciate its effects, or to hang it up by the front door when protecting the home from spirits entering.

Pregame Ritual

Nationality: American
Occupation: Student
Residence: Bristol, Rhode Island
Language: English

Whenever TC plays soccer, they have a very specific pregame ritual that they have to perform every game, or else they will not play as well. He wears the exact same base layer of socks with his cleats every single game. While the top layer of longer socks are cut out to fit the shin guards, the base sock layer was the exact same pair for 2 years straight. After TC finishes warming up, the next time they step onto the field, whether it be walking out with the starting lineup or subbing in, he makes sure that his left foot is the foot stepping past the line onto the field every single time.

TC first mentioned the reason why he wore the same pair of socks was due to his trouble finding socks that fit in his cleats well, with them sliding in his boots too much for his liking. One game, he decided to try a cut pair of socks with a base pair of socks, which saw him play exceptionally that game. Ever since then, he wore those same socks for every game to replicate the success he saw there. Additionally, the left foot out first when stepping onto the field is a good luck charm he says helps him play better. If he notices that he’s stepped onto the field with the wrong foot, he’ll go back and redo his entrance to prevent bad luck.

This ritual is highly repetitive, requiring the exact same set of circumstances every single time he plays soccer. TC does not call himself a very superstitious person, but holds this ritual to be very important to his success on the field. By limiting the variance before he plays the game, it gives him the same exact mentality as every other day, letting him focus on the game at hand. The emphasis on putting the literal best foot forward, which can be interpreted as homeopathic magic while stepping onto the field creates a barrier between the game and the world outside of it. By putting his best foot forward, TC can also be confident of his footwork in the game. No matter what is going on outside the game, once TC has stepped onto the field game ready, he can switch to competition right away. The placebo effect is extremely important, because even i changing socks or the walk-on ritual doesn’t have any major effect on TC’s physical being, mentally the pressure that he’s cast bad luck on himself can create a downward spiral leading to a poor performance .