Category Archives: Riddle

Imagine you are in a Brick Room

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Performance Date: 2/27/2019
Primary Language: English

Text:

Informant (R): I also used to do a bunch of riddles and stuff, like while hiking at summer camp, you know?

Collector (J): yeah, yeah, that was fun!

R: My favorite was the brick room one.

J: oh yeah, that one messed with me as a kid, I felt so dumb because I couldn’t figure it out.

R: I mean, it was hard!

J: How did it go again?

R: Ok, so imagine you are trapped in a solid brick room, with no windows, no doors, nothing. You have a single piece of rope and a paper clip and a note that says you must escape the room or you’ll die. How do you get out?

J: I mean, I know the answer, but can you say it?

R: Yeah, so I said imagine you’re in the room. Stop imagining.

Context: Both R and J went to summer camp together. They were recalling old games and riddles for the sake of this collection. R learned this riddle from a camp counselor who repeated this riddle while hiking with younger campers.

Analysis: As other riddles are, this riddle contains insider information for those who know the answer to the riddle. Those who “play the game” of trying to solve it are typically misguided and attempt to find ways out of the room with the rope or other tools. Depending on the performance, the “clues” to escape change, keeping those attempting to solve the riddle on their toes. However, those who know the riddle are quick to remember the keyword “imagine.”

Going Through Doors Riddle

Nationality: American
Age: college age freshman
Occupation: student
Residence: Los Angeles
Primary Language: English

JK: Ok, so, it’s a blackout and you’re walking along uh street uh a dark neighborhood street and you see one little cottage that is lit up by candlelight so you go inside and there’s a red door and a purple door. Which one do you go through?

VG: The red.

JK: K, so you go through the red door and you are presented with two more doors. There’s a brown regular looking door and there’s uh- polka dot door. Which door do you go through?

VG: The brown.

JK: You go through the brown door and you are presented with two more doors…it’s a black door and a white door. Which door do you go through?

VG: The white door.

JK: Ok, so you go through the white door and you come out of…the s- into uh- a space brightly lit by candles and there’s a couple there and they’re very angry that you broke into their home and you can either choose death by uh their dogs who will tear you apart or you can choose death by electric chair. Which one do you choose and why?

VG: I choose electric chair-

JK: Why?

VG: Because it’s faster.

JK: Nah-

EM: I know what this is- can I answer it?

JK: Yeah.

EM: Cause- wait there’s no electricity right?

JK: Yeah, you choose the electric chair because the power is out.

(Everyone laughs)

VG: Dammit.

 

Background:

Location of story – N/A

Location of Performance – Different student’s dormitory room, Los Angeles, CA, afternoon

 

Context: This performance took place between 2-3 people who were working on a film project together for class. This story came in response to my question if anyone had time to talk before the film shoot to talk about traditions specific to school, festivals, holidays, and riddles. JK and I had just met recently on this project. His story had just followed two about high school traditions.

 

Analysis: My favorite part about this performance is that the other person in the room, EK, had heard of this riddle before. Moreover, EK’s question about whether she can spoil the end demonstrates the universally understood pressure to let the one being challenged demonstrate their wit. I was actually nervous participating in this performance because historically, I am not very good at riddles and whenever I “fail” I always feel socially inferior. It may seem silly, but my anxiety only confirms the social implications of these riddles. 

 

Letter “E” Word Riddle

Nationality: American
Age: 18
Occupation: Student
Residence: Los Angeles, CA/ Denver, CO
Primary Language: English

SB: I have one riddle that I know. And it’s what starts with E and ends with E and has one letter in the middle…

VG: Eye.

SB: No (laughs)-

VG: Oh, ha!

SB: Eye? Starts with E, ends with E, has one letter in the middle.

VG: Eye

SB: What?!

VG: E.Y.E.

SB: Oh, I guess that works too. The riddle is honestly not that exciting- it’s an envelope.

VG: Oh, haha! Where’d you learn that?

SB: Um, well, when I was little I was really into riddles, so I had a little riddle book that my parents gave me, and that’s the only riddle I remember from it…

VG: When did you use the riddles? Just on the- friends?

SB: Yes, I used it as a way to make friends. I thought it would make me more popular. It did with the weird kids, but generally it was not a big hit. That’s why I only remember one.

 

Background:

Location of story – Denver, CO

Location of Performance – SB’s dormitory room, Los Angeles, CA, night

 

Context: This performance was done just between SB and I in response to me asking if she had any urban legends, riddles, or holiday traditions. I am very close friends with SB. This story follows one about a conspiracy theory about the Denver airport being linked to Satan.

 

Analysis: This is a prime example of how riddles have been used historically as a social tools. SB was able to implement these in order to demonstrate her own wit to potential friends as well as vet them herself to see if they enjoyed the performance. It is also interesting to note that my answer fit the prompt, but she would still not accept it because that was not how the riddle has historically been performed. It does not matter if my answer is correct because it is not the one that she desired. To me, this demonstrates that the riddles people choose to perform are extremely personal and reflect personal preference, just as choosing clothing or music might indicate.

Children Hand Sign Language about Sexuality

Nationality: American
Age: 21
Occupation: Student
Residence: Chicago, IL
Performance Date: April 21, 2019
Primary Language: English

Collector’s Note: This child’s hand sign song has a particular hand motion that comes at the end of the first two sentences. It is followed by two more gestures within the second sentence after the word “this”. It is best to first read the song straight through and later refer to each sentence’s number and timing of hand motion while viewing the corresponding pictures in order.

“Good girls sit like this. (1)

Catholic girls sit like this. (2)

Girls who sit like this, (3)

get this, (4)

like this. (5) *snap* ”

Screen Shot 2019-04-24 at 3.13.11 PM

Context: This piece was collected at the childhood home of a friend of the collector from both elementary and middle school after speaking about their friendship as children.

Informant Analysis: While in elementary school around the age of 10, she remembers that girls would sing this song with the corresponding hand gestures to each other during recess. She said that it is “weird” to look back on that hand game since it seems to represent the sexual activity of women through stereotypes and body position. She recited the meaning as, “if you are a good girl, you keep your legs closed. If you are a Catholic girl, you really keep your legs closed by crossing them. If you are a bad girl, you sit with your legs apart, which for some reason means you will get d**k quicker? I mean, that is essentially what it says, but it says it politely.”

At the young age of when they preformed the hand game, she said that it was not necessarily considered to be sexual in nature, but more of a fun sign language you could teach other girls. She recalls that she never had seen a boy make the hand gesture and song while in elementary school, as it seemed to be like a secret code/handshake between girls. The informant was uncertain as to who taught her the game, but guessed that it was a friend. She also could not remember if this hand game was ever shared with adults, but believed it was probably not. Even though at the time they did not view the hand game as sexual, they did understand that if adults saw it, they would be punished, and they  “did not want to get in trouble.”

Collector Analysis: Being a participant in this folk gesture/song/game, there were a few key aspects that I had not noticed until interviewing the informant. It is easy to assume that this hand game is a way to teach young girls to suppress their sexuality with, what could be considered, the goal of having fewer teen pregnancies. This would imply that adults with knowledge of the effects of teen pregnancy would have to be the root of this piece. Another viewpoint is that the hand game is a way young girls teach each other about the image one presents to the world and it’s importance in not becoming promiscuous (perhaps an antecedent form of slut-shaming). However, I do not believe these interpretations to be the most nuanced if we take into account that the actual piece never mentions girls sitting with their legs open as being “bad” as the informant said.

We can also note that the hand game was played only between young girls. The explicit nature of the content may have something to do with why this piece is gender segregated. It could be that there may be a level of shame that perhaps young boys do not encounter as harshly with regard to their own sexual activity. However, there must be more to the gender segregated sharing of this piece since the young girls did not fully understand the meaning of the hand game at the time. Therefore, I argue that the gender segregated sharing could not only be the sexual shame that often occurs for women as they hit puberty. What the informant referred to as a secret code or handshake seems more probable a source to create the gender segregation. The hand game gives young girls, upon the sudden awareness of gender in elementary school, a way to form a group or friendship around gender commonality. Thus, the performance of the hand game would be an expression of being in the group by having intimate knowledge of their particular gestures.

Lastly, the game itself explicitly refers to girls while never mentioning the male gender except through a crude phallic symbol. To this extent, it is very much a childish thought to represent men only as their sexual organ while also only referring to it as “this” (perhaps taboo word). The game’s proliferation among girls occur by virtue of the excitement in referring to a taboo subject or word among children.

Two Ropes on a Deserted Island

Nationality: American
Age: 22
Occupation: Student
Residence: Los Angeles
Primary Language: English

Context: This riddle was told to an audience of one in a fraternity dining hall.

Background: The informant learned this riddle during a long car ride, when he was trying to pass the time.

Q: You’re stranded on a deserted island with nothing but two ropes, and a lighter. There is an unlimited amount of gas in the lighter. The ropes vary in thickness and material throughout the entire rope. The only thing you know for certain about the ropes is that they each take exactly one hour to burn. How do you measure 45 minutes?
A: Light the first rope from both ends at the same time, and light one end of the second rope. When the first rope has burned up completely, 30 minutes have passed, and there are still 30 minutes of burning time left on the second rope. If you light the other end of the second rope, it will burn for 15 more minutes, 45 minutes total.

This riddle requires abstract thinking, and has a very elegant solution.