Category Archives: Gestures

The Latino Whistle

Context: The folklore gathered is a particular whistle sound, that was a way of getting someone’s attention.

Link to Sample Audio: https://drive.google.com/drive/folders/1rt28E6djQPM7FFeQLKfzVydXNNYJx_bu?usp=drive_link

Explanation of Folklore: I interviewed J about a particular whistle sound he made, that was a sort of attention getting gesture. This is a gesture that was practiced a lot by J when I was growing up , and something he implemented in my upbringing. As a kid, J had a unique way of getting my attention. He would do this particular whistle sound that, whenever I heard, I immediately knew it was him trying to get my attention. This whistle, although simple, was so recognizable to me, and immediately caught my attention, almost like some sort of sonar or audio flare. My ears would perk up, and I didn’t even have to be looking at him to know who it was.

This was specifically useful whenever we were in crowded places, like getting picked up from school, in a supermarket, and in malls. What makes this particular whistle so nostalgic, is that I usually associate it with a “time to go” message or tone. Usually, whenever J let out this whistle, it was an indicator that he wanted to get my attention, and or it was time to go. Depending on the context (where we were or what we were doing) I usually would use my context clues. This whistle is ingrained in my memory, and as stated previously, is ingrained so vividly in my memory. When interviewing J, he knew exactly what I was talking about, and was excited that I remembered it as well.

Analysis: According to J, this was a custom he also experienced in his upbringing growing up in El Salvador. As a kid his father used a certain whistle sound to gather his attention. For him, it was almost second nature, and for as long as he could remember, the whistle was always a non verbal way of communicating a certain “let me get your attention” gesture. I asked J about the particular whistle he chose to use, and he stated that it was what came natural to him, what he found to be the first whistle he made. This stuck, and became his particular gesture, something unique to him, and his children.

tying to the diachronic nature folklore holds.

Personal Analysis: What fascinates me about this particular folk gesture is how it is not unique to El Salvador at all. It seems to be a Latino concept, and perhaps, even a world wide one.

I asked several Latino people if people in their lives also used a whistle to grab their attention, and the common consensus was an astounding yes. Many people in the Latino community have stated that there is a particular “Latino Whistle” that is ingrained in our community, and passed on by the older generations. It is also a folk gesture that is typically associated with a father figure, a dad call if you will.

I also discovered that within the Chicano community, the use of a whistle is a very common call of attention that signifies a “what’s up” gesture. Similar to the “Latino Whistle” I heard growing up, its main purpose is to grab your attention. Also, the whistle sound is not standardized. Many people I asked whistled the sounds they grew up hearing and they all differed. This is very important because although the basic principle remains the same, it is the execution that varies. This is commonly seen in Oicotypes, and the various regional differences of folklore that exist within a region.

This concept of passing on folk gestures can be seen in more traditional folk, stories like those the Grimm’s documented, folklore that are staples in certain communities. a Functional Analysis would lead me to believe that this “Latino Whistle” is done to trap the attention of somebody. There is an association between hearing this whistle, and immediately knowing you have to perk up and listen to whoever let it out. In terms of Transmission, it seems to be a form of folklore that is passed on from generation to generation, and similar to how folklore is passed on by groups of people, this “Latino Whistle seems to be a staple within the community.

Pacific Islander Hand Sign

Explanation of Folklore: This folklore is a hand gesture that was explained to me by T, and is used in his home country of Guam, along with Hawaii and throughout the Pacific Islands. The gesture is a greeting sign that is widespread, and in the common traditions of the Pacific Islanders, when done, everybody knows what it means, and it is a normal, everyday aspect of Island life.

Analysis: When I interviewed T, he told me about a particular hand gesture that is practiced in Guam. He mentioned that it is not exclusive to Guam, but is also polar in Hawaii, and most of the pacific islands. The hand gesture is made by sticking out one’s thumb and pinky finger, bringing in their middle three fingers to crate the gesture. (see image below). T told me that in Guam, this hand gesture is commonly used as a greeting, a nonverbal way to express “what’s up” to someone else. He told me that in Guam, everybody else uses it to greet each other, and is a very common greeting. T elaborated and mentioned that it is also very popular across the Pacific islands, specifically in Hawaii. In Hawaii, this is labeled the “Shaka” and has a strong association with the surf culture in the state. This “Shaka” as it is labeled is known very well by the many tourists that visit Guam, and the Pacific, and has made its way to the mainstream. T mentioned that in Guam, tourism is tremendously important, and makes up a large part of the economy. Gift and souvenir shops use this gesture in merchandise, and to make memorabilia surrounding it.

When asked what he believes the origins of the symbol are, T mentioned he is not sure, but guesses it originated from the native Chamorro people of Guam. he believes that these indigenous inhabitants of Guam are the originators of the hand gesture, and it has made its way through generations and is still utilized to this day. Even in the present, the people of Guam continue to use it, and know what it means. It is a part of their nonverbal folkloric gestures.

Common Pacific Island hand gesture.

Personal Analysis: This is a regional folklore that even I knew of, and have seen many times in the mainstream. Previous to interviewing T, I was aware that there was a strong association between this symbol and surf culture. Growing up in California, surfers would call this “Shaka” and I was aware of its origin from the pacific islands. Elaborating on T’s theory, I do believe that this may be a remnant of the indigenous Chamorro people. Perhaps their native customs included hand gestures, that were kept alive and passed on throughout the generations. Guam is a country with a very diverse population. There is strong asian influence, especially Japan, the Philippines, and China. This intermix of people make its all the more fascinating that a gesture could survive all this time. The Oicotypes associated with this folk gesture are very interesting, and provide a unique perspective of regional variation. In Guam, this not called “Shaka” but more so an unspoken form of communication. It is interesting however to see the more common and well known variation to be the “Shaka” and more closely tied to the surf culture of the Pacific Islands.

Gesture: Bras d’honneur

Text:

This gesture is a taboo, so no recording will accompany it- only a description. To do it, you’re supposed to bring one arm up high across the chest with a clenched fist, before making a fist with your other hand and striking the inner elbow of the risen arm.

Context:

My informant mentioned that Italians tend to be known for the gestures they make when speaking. She mentions that this is one specific type of gesture that you would see your aunts and uncles do, but which you weren’t supposed to do yourself. It is meant to mean “screw you”. It’s supposed to resemble a person hanging up an umbrella, hence the name. A notable difference between this version of the gesture and the more popular one you might find by looking it up online is that this version involves hitting the elbow with your fist, whereas the more common version involves slapping your elbow. 

Analysis:

Hand gestures in Italian culture seem to be a way to stand out compared to whoever the person doing them is talking to. It also serves as a natural form of punctuation, adding greater emphasis to whatever a person says. As a result, a major gesture that basically says “screw you” could be a very effective tool in shutting someone down. Because of its severity, though, it appears far more taboo. The way that this version of the gesture involves a fist instead of a slap to the elbow could represent a greater severity- a “punch” rather than a slap, showing more force and far more aggression towards the person it is directed at.

Shaka Handsign

Shaka Hand Sign – closed fist, thumb and pink extended

This hand gesture is very common in Pacific Islander culture and has spread over time to surfers and many Californian individuals. Original to Pacific Islander culture, the Shaka hand sign was a signal of Ohana or family, and even the broader belief of Shaka which was like “good vibes.” There are multiple variations as to what people think of and use Shaka for, but for the informant who is Pacific Islander, they found it to be an extension of the good/loving vibes of Ohana and to live life with the disciplines of having good days and the beliefs of Ohana.

Knocking on the head of a virgin

Nationality: Dallas, TX
Age: 20
Occupation: Hospitality

Text:

Perform the physical action of knocking on the head of a virgin.wood, they would knock on the head of a virgin instead. This gesture can also be substituted with the phrase itself “knocking on the head of a virgin” as a form of proverbial speech.

Context:

In high school, the informant learned this saying from a friend who was Greek Orthodox and claimed it as a part of Greek Orthodox culture. Preliminary research has yet to provide any link between this superstition and Greek Orthodox culture, instead pointing towards this practice stemming from urban legend.

Interpretation:

Though the connection between wood as a material and virgin’s heads may seem far-fetched, the substitution of heads for wood is common in the practice of ‘knocking on wood.’ When someone knocks on their own head as a substitution for knocking on wood, they are not only participating in the superstition but also making a joke at their own expense, implying that their head is made of wood rather than brains and thus they are dumb. With this common conflation in mind, knocking on the heads of virgins as a substitute for knocking on wood presents both as a means of participating in the ‘knock on wood’ superstition while making a joke, this time at the expense of a group (virgins) rather than the self. The claim that this superstition comes from Greek Orthodox culture is so far unfounded and inexplicable.