Category Archives: Gestures

Bucktoothed Buzzards – Ballad

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles
Language: English

Text/Context: “This is a girl scout song that we would always do at sleepaway camp, around the campfire, a bunch of sugar-high girls, the whole deal. At least in my unit, it was always reserved for the oldest troop. The eldest girls on their way out of the program are the ones teaching it to the younger girls, they have that privilege. And with girl scout songs, when you’re the one leading them you have to give 300% so that anyone else only has to give 50%. We usually do this starting at 3 or 4 but I’ll start at 2 for the sake of time.

Two buck toothed buzzards, sitting in a dead tree. Ohhh no. One has flown aaa-way. What aaa shame. Darn. 

One buck toothed buzzard, sitting in a dead tree. Ohhh no. One has flown aaa-way. What aaa shame. Darn.

No buck toothed buzzards, sitting in a dead tree. Ohhh look. One has reee-turned, let us reee-joice. Hallelujah!

One buck toothed buzzard, sitting in a dead tree. Ohhh look. One has reee-turned, lett us reee-joice. Hallelujah!”

Analysis: The girl scouts are one of the largest and most well known folk groups, and the scale is reflected in the variety of folklore they have to offer. My sister was a girl scout for a few years, so I thought I was familiar with most of their folklore, but I have never heard this song before. It has a similar structure to other silly folk songs, with the counting and all, but I think it separates itself from others like it in a few unique ways. When performing this song for me, my informant also performed a dance that she said is essential to the song. It was quite the interesting dance with lots of unusual motions, and those combined with the unique delivery and enunciation made it very interesting. I already understood that being a girl scout is an experience that sticks with people forever, but seeing this performance and hearing what my informant had to say about it really reinforced that fact. It goes to show how powerful folk groups really are, and how even something like a silly song can mean so much more.

Finger Point of doom. 

Nationality: African American

Primary Language: English

Other language(s): French

Age: 49

Occupation: Digital Marketing Consultant

Residence: Upstate, NY

Performance Date: 4/18/2025

Context: 

My informant, YD, is a family member of mine who lives in the Hudson Valley area of New York. YD has told me about gestures as they were growing up in quite diverse households, from gestures of Italian culture, Chinese culture, and Swiss culture, I had never truly known what each of these gestures they’d jokingly use with me actually meant to them. So one day I asked them this question, but instead of explaining the gestures they’d learned from their diverse cultural background, the ones in which I had known, they told me the story behind a different kind of gesture, one I had overlooked. 

Text: 

“I’d say the gesture that has the most meaning (good and bad) is the ‘finger point’. Typically growing up the ‘finger point’ was an unspoken instruction or nonverbal scolding. Similar to ‘the look’ that many black families instinctively understand, I had the ability to decipher what my mother was saying when she pointed to something or at me. You didn’t dawdle but moved into action, clearly understanding every ‘word’ and detailed action expected of you. I think it came from slavery’s time frame, from what my mother had told me, when communication needed to be coded. I see this as a badge of honor and super power within our family that has kept me safe and I will continue to teach that instinct within our culture.”

Analysis: 

The “finger point,” as described here, and from my research, isn’t just a scolding gesture or a tool for discipline, but is indeed, part of a coded system of communication that has deep roots in African American cultural survival. YD connects it to practices that may have originated during slavery, when verbal communication was restricted or dangerous, and truthfully so, in many African American folklore studies that explores the development of nonverbal codes as survival strategies, quiet gestures that spoke volumes in unsafe or oppressive environments was common and impressively passed down for generations. That concept alone blows my mind. It’s interesting how YD doesn’t just view the gesture as disciplinary, but as a legacy of resilience, intuition, and inter-generational wisdom. It’s especially meaningful that they frame it as something to be passed down, reinforcing the idea that folklore isn’t always just stories or songs, but also ways of seeing and navigating the world. YD’s account transforms what some might consider a small behavioral detail into a rich cultural artifact, filled with meaning, memory, and pride. I think that’s all so brilliant, and will probably never look at finger pointing the same way again, in a good way I mean. YD’s tale is a great reminder that folklore can live in the body, in silence, and in a single glance or gesture.

Ants in your pants!

AGE

17

Date_of_performance

2/23/25

Language

English

Nationality

American

Occupation

Student

Primary Language

Spanish

Residence

San Jose, CA

Folk Speech: minoi minoi minoi minoi pei o se loi a siva siva ua gaoioi 

Translation: move move move move like an ant, move like you got ants in your pants

Context + Text: The individual is my roommate’s sister. The informant has a large Samoan family, where this saying stems from. She recalls hearing this saying most frequently whenever she was feeling a little down, or just afraid of dancing with her family. “The time I vividly first remember hearing this was at my brother’s 15th birthday, when the whole family was out dancing on the dance floor, and I was hiding in the corner with my other cousins. We then heard our parents and relatives yelling this saying to us, while laughing, as they were egging us on to come dance with them”. It was a very endearing moment, she said, as her and her cousins felt inclined to join the dance floor. 

Analysis: The above saying is actually stemmed from a Samoan pop group called Five Stars, dedicated to making family music. The change to turn some of the lyrics into a saying was successful in creating a cultural connection between Samoan families. For the informant herself, her family has moved over into the US, so it has become a little hard to keep the Samoan culture with such a small community. This little saying to just cheer up children and encourage them to dance is effective in keeping the culture alive. She believes that it is fun to hear this saying, and this is important as she has started listening to more Samoan music, hoping to hear more fun little sayings she wants to carry on. 
We can find a similar and funny version of this in the children’s cartoon, Phineas and Ferb, with the song “Squirrels in my Pants”. This song is performed by one of the main characters as she dances in creative and entertaining ways. 

Fox Window Hand Sign

Age: 20


Date of performance: 2/22/25


Nationality: Chinese


Occupation: Student


Primary Language: Chinese & English


Residence: United States

Context:

The interviewee believes that the hand sign provides a window for the user to see someone close that’s deceased. They originally heard it from other kids while growing up. Despite this knowledge, and influence as a kid growing up, they have never tried the hand sign as a result of superstition. This superstition stems from the fact that they believe that if it’s done incorrectly, the dead will haunt them instead. According to them, they believe that its origins stem from Japan. Furthermore, this concept is also seen in general throughout Asian Literature

Analysis:

I found this concept to be interesting as I feel like I’ve heard of this hand sign before in media. Despite having a faint memory of previous references, I’ve never encountered one with a concept such as this one and its connection to a dead loved one. I feel like I’ve naturally heard of ones with similar ideas that are all connected to some vision of the dead. Much like my interviewee’s interpretation, I’ve heard of one that serves as a lens to the world of the dead in general, with the consequences serving from staring at the ghosts or certain animals.

Traditional, Familial Greeting

Language: English

Age: 20 

Date of performance: 02/11/2025

Language: English

Nationality: American

Occupation: Student 

Primary Language: English

Context– A is a sophomore studying Human Biology on a pre-medical track. When asked if there are any traditions within his family, he told me that his mom’s side in Mexico typically greets all loved ones with smothers of kisses on the cheek. A says that it started in their family generations ago, and is now happening through his grandparents. However, he tells me that “it isn’t a generational thing, more of a grandparental thing. I don’t think it will be carried on by descendants”. He doesn’t see himself or his sister carrying on the tradition.

Analysis– Within folklore, tradition is a contemporary & observable form of action that represents a past. A’s familial tradition of kissing on the cheek as a greeting for loved ones represents a tradition his grandparents have implemented within the family because it is ongoing and represents their past as it reflects what their parents used to do to them and their family members. Personally, I see similar actions within my family as my stepmom’s family greets in a similar style, however, they do light air kisses on the cheek instead of smothering us in kisses. This can be seen as an oicotype because both my family and A’s family share the characteristic of being Hispanic and a similar way of greeting is tradition for both families, just in a slightly different way.