Category Archives: Kinesthetic

Body movements

Kicking the lamppost on gameday

Age: 21
Occupation: Student
Residence: Los Angeles, CA / Denver, CO
Performance Date: 4/18/16
Primary Language: English

DK is a junior at the University of Southern California, and is originally from Denver, CO.

DK had some more USC folklore to share with me:

“Football season is a huge production at USC, and probably the most obvious time when the whole school gets together…on gamedays, everyone usually tailgates on campus, setting up tents and hanging out together hours before the game even starts. Once kickoff is approaching, everyone sort of migrates away from campus to cross Exposition and head to the Coliseum…if you go with everyone else through the south entrance of campus, there are these huge light posts at the exit, and for some reason everyone has to kick the base before they keep heading to the Coliseum. Honestly, I have no idea why people do it, and no one I talk to seems to know either. But there’s always backup once you get there, because everyone’s standing around this lamppost waiting to kick it.”

I asked DK what her best guess was as to the origin of the ritual:

“Maybe we’re kicking at our opponents? I don’t know how threatening that is.”

My analysis:

Sports rituals are very common for college and professional teams, and are probably even more prevalent during home games. The entire process of gathering together on campus to tailgate, then migrating together to head to the game, and stopping to perform this ritual without even knowing the meaning demonstrates the strength of USC pride and how it indoctrinates us best on days like gamedays. When school spirit is running high we’re more willing to participate in the most random of activities, because all of it is bringing us together.

Club Leavey

Age: 21
Occupation: Student
Residence: Los Angeles, CA / Denver, CO
Performance Date: 4/18/16
Primary Language: English

DK is a junior at the University of Southern California, originally from Denver, CO.

Dora works on campus at Leavey Library, and shared one story she’s heard with me:

“I’ve heard this urban legend about a Leavey rave? Sometimes on Facebook or Yik Yak I’ll see something about ‘Club Leavey,’ and I guess they have people get together in a basement study room at like, 2:00 in the morning and have a dance party. If it exists, it’s definitely not organized, probably so it wouldn’t get shut down, but I don’t know if I’ve ever met someone who’s ever gone…you can bring it up with other students and they’ll all have heard of ‘Club Leavey,’ but no one has ever actually seen it in action…I think. Unless it’s like Fight Club, and they can’t talk about it.”

I asked her if the Leavey staff has ever been made aware or observed this taking place:

“None of the supervisors I’ve brought it up with were aware. Either it really is just a urban legend among students, or the Club Leavey kids are very sneaky.”

My analysis:

Communities like universities all have their own traditions and folklore, and this one is classic USC: a secret dance party in the basement of the least-popular library on campus. In fact, lately I’ve heard of “Club Leavey” more as simply an ironic nickname for the library, trying to downplay the miserable time they’re anticipating there. This is a classic urban legend in that the story is passed around with conviction – everyone is aware and everyone believes in the event – but no one can say they’ve participated or seen it themselves. Colleges around the world have similar stories only their community can relate to, uniting current students and alumni, and often the same stories are transformed and passed down for generations. Maybe the “Club Leavey” legend isn’t as new as we’d think.

Deadly Chopsticks

Nationality: Japanese-American
Age: 53
Occupation: Higher-education administrator
Residence: Pasadena, CA
Performance Date: 4/17/16
Primary Language: English
Language: Japanese

KM is a third-generation Japanese-American from Los Angeles, CA. She now lives in Pasadena, CA with her husband and 18-year-old son.

KM gave me some insight on chopstick etiquette that was passed down from her Japanese parents:

“So in Japan, when you’re eating rice with chopsticks, or really anything which chopsticks, you NEVER rest them by sticking them straight up in your food. It looks like the number 4 spelled out, and in Japanese culture 4 is a very unlucky number – it means death. If you go to Japan you’ll never find anything grouped or sold in 4s, it’s just superstition, like how in America people are scared of the number 13. Also, you never point your chopsticks at people, like if you’re talking at the dinner table. It’s rude, and a little threatening.”

My analysis:

Many cultures have different traditions surrounding food and table etiquette, and this folk belief offers insight into utensil practices many American might not be familiar with. While Asian cuisine is not absent here, it’s often transformed over time by the influence of other places, or even other Asian cultures (like common Japanese-Korean fusion). People from all over use chopsticks, but it’s important to be aware of protocol observed by those whose heritage is more authoritative.

Apparently, chopsticks stuck straight-up in rice also imitate incense sticks on the altar at a funeral, another symbol of death or bad luck. Oftentimes people avoid mixing their foodways with death imagery, compounded by the prevalence of rice in Japanese meals.

I also think it’s interesting that the subject is Japanese-American, and three generations removed at that. Seeing which customs are continued when a family emigrates shows both their cultural and individual values, or superstitions that for some reason or another “stick” in places where they’re not observed.

Jumping the Broom

Nationality: American
Age: 43
Occupation: Pharmaceutical Representative
Residence: Chicago, Illinois
Performance Date: 3/15/2016
Primary Language: English

Background: M.M. is a 43-year-old woman who was born and raised in Chicago to an African American family. She works as a pharmaceutical representative, educating and helping physicians and their staff to know more about the proper use, schedule benefits, costs, and uses of medications. M.M. is married, and loves playing with her 2 kids and also enjoys her busy schedule.

 

Main piece:

M.M.: So you have jumping the broom. So this was um a tradition that was practiced during slavery and it was the – it was when marriages were not performed legitimately and it symbolized a union between slaves.  Now the reason why they jumped the broom – the symbolism of the broom was kind of two fold – you talk about the spray – which is all the stuff you sweep up that part – the straw –  which was the spray which was the house and the handle was holding the union together. So it’s really simple.  The thing about it though is that there were many years where jumping the broom was not practiced by African Americans because of the association with slavery and in recent years it has become much more popular and a lot of African Americans are- jumping the broom again – there was a movie called jumping the broom.

 

Q: How did you learn about this tradition?

 

M.M.: You know, I always have known about it but I didn’t know the actual symbolism – you know why –  you always know about it – why was it was a broom – and I think it was popularized again at the time where Alex Haley wrote Roots and the movie came out so that everyone knew about jumping the broom but you still didn’t know well what did the broom symbolize – you just knew slaves did it so it’s something you grow up and everyone knows “jumping the broom” but you don’t know why you use a broom – so it’s like passed on passed on passed on. Everyone doesn’t do it because probably their probably generations before me – I know my parents didn’t do it and they didn’t jump the broom and they were married.  I know there were generations that did NOT jump the broom at all and then now, I’d say in the last 15-20 years it’s more popularized again. But it’s not the negative association – its more just like ceremonial and it’s more like something to have at your wedding, which is legal, and then you jump the broom which is just symbolic of the union between you now.

 

Q: And then how do you jump? Do you jump with your husband?

 

M.M.: You you jump together. You hold hands and you jump together.

 

Q: What happens if someone trips?

 

M.M.: They don’t trip.  I don’t know anyone that’s ever tripped. I jumped the broom in the sand – barefoot so.  It’s a small broom.  Some people make their own.  So you can make your own or you can order um – whatever so it’s a small broom.

 

Q: Are there special brooms for jumping the broom?

 

M.M.: Yes, it’s a special broom – it’s a special broom. You don’t go to the store and get a broom at Target or Walmart – no it’s small – it’s small.

 

Q: What did you do with the broom after the wedding?

 

M.M.: It’s in the same box with my wedding dress.  It becomes part of your, your collecting – you know, whatever you’re collecting

 

Performance Context: Jumping the broom would be performed primarily by African Americans at the end of a wedding ceremony.

 

My Thoughts: Jumping the broom symbolizes a liminal state. A wedding is a life transformation from being single to being connected with someone, and is known to be one of the most important events in a lifetime in many cultures. During a wedding, the bride and groom are together in a liminal period of change, not single and not yet married. Jumping the broom symbolizes the passage out of that liminal period and into married life.

The Slovak May Tree

Nationality: Slovakian, American
Age: 65
Occupation: Nanny
Residence: Willowbrook, Illinois
Performance Date: 3/16/2016
Primary Language: Slovak
Language: English, Russian

Background: A.J. is a 65-year-old woman who was born and raised in Poprad, Slovakia. She relocated to the United States from Slovakia 20 years ago, while her son was attending University of Illinois at Urbana-Champaign. A.J. holds a degree in child development and since coming to the United States has worked as a nanny. She is married to her lifelong sweetheart and has one son and three grandchildren. She often talks about her home and family in Slovakia – about the beautiful mountains and the culture. Although she is now a US citizen, she incorporates many Slovak traditions into everyday life, and enjoys telling stories about her family and her family traditions.

 

Main piece:

A.J.: On first May, boys went to the wood, cut, made tree nicely decorate and they built in front of house their girlfriend and then they were singing very nice song like we built May or very nice song.  They were walking during the whole village – they were walking through the whole village with the tree – every boy what her girlfriend built this tree in the front of house they his girlfriend – yeah.  And they have like cart like with horses that was pulling this cart.  This tree was on the cart and they pulling this cart across the village and they build in the front of girlfriend house and they were singing.

 

Q: How did they decorate the tree?

 

A.J.: Decorate with nice colorful ribbon.

 

Q: Did you only do it for girls you were dating or was it somebody you like and you want to date?

 

A.J.: Yeah –  exactly – was when somebody like this girl it was building this tree for her.  If she like him they would start dating.  If not, they would just forget about this tree.

 

Q: And this was in the villages – not in big towns?

 

A.J.: No in big town NO – only in village. In big town we have big houses like apartments you cannot build that.  That was not tradition for towns more for villages.

 

Performance Context: The ritual of creating a May Tree would occur on May 1st in the small villages of Slovakia.

 

My Thoughts: The idea of “May Day” or the celebration of the spring season is common in many cultures. In the United States and Great Britain, for example, many people partake in making a maypole, in which ribbons are braided around a tall, wooden pole to create a pattern. Creating the maypole is usually done by children, which may symbolize the freshness and youth of spring.