Category Archives: Legends

Narratives about belief.

Contemporary Legend – Texas

Nationality: Caucasian American
Age: 41
Occupation: Storyteller
Residence: Westlake, Los Angeles, CA
Performance Date: April 17, 2011
Primary Language: English
Language: Conversational Spanish, Conversational German

The informant heard the following contemporary legend about the Garza Theater in Post, Texas when he “went down to see a show there and was talking with some people who [he] had worked with once before” at the cast party afterward:

The theatre is supposedly haunted by the ghost of Will McCrary, its founder, who died of AIDS. Supposedly he is sometimes seen there by those who didn’t know him when he was alive and is sometimes heard to whisper forgotten lines to desperate actors from the wings. The full story as the informant tells it is in the accompanying sound clip (2 parts): Garza Theater Part 1 Garza Theater Part 2

The informant “told [the legend] to three or four people right after [he] heard it,” all of them former theatre employees who “had gone on to other things.” He also likes to perform the legend when the conversation strays to ghost stories and “in a class situation once when [he] was discussing the tradition of theatres being haunted.”

The informant’s reaction to the legend is one of mixed disbelief and fascination: “I haven’t seen it, so I don’t know that I believe in ghosts at all, but I can’t prove there aren’t any, but I’ve never seen one, so I’m fairly nonplussed about it myself. If it were true, art of me would think it was sort of awesome that you could just hang out at a place that you cared about forever and ever and ever.” He also feels a little sorry for the ghost, if there is one: “Part of me also thinks that if there is something after you die, it would be sort of lame to be stuck in a theatre in a 2500-person town in the middle of Texas.” According to the informant, the legend of the haunting is now printed in the theatre’s programs for all of the patrons to read.

When the “high school students and volunteers” that the informant mentions told of their inexplicable experiences, those stories became memorates added to Will’s legend. The legend, if it is indeed now printed in the programs, has become folklorismus—the theatre uses it as a way to generate interest and make money.

Family Legend

Nationality: American
Age: 20
Occupation: Musician/Student
Residence: Vista, CA
Performance Date: 11 April 2011
Primary Language: English
Language: Japanese

“One of my ancestors through my mom’s side was a gunslinger with Jesse James.  At one point, he found Jesus either through a sidewalk preacher or the local minister’s beautiful daughter, depending on who’s doing the telling.  After that, he left the gang, changed his name, and became a preacher, and got married.  The only record we have of him is a black-and-white picture, two holsters holding six-shooters on his hips and a Bible in his hand.  Nobody knows what his name was before, because if he told anyone before he died, the law would come after him, or so the story goes.

He kept up practice with his guns, though, and once saved someone one of his old gang buddies kidnapped. I’ve never heard it told the same way twice; it might have been his wife, the schoolteacher, the mayor’s young son, the mayor, someone else entirely, or it might have never happened.  You know how family stories grow with the telling.”

This story has been passed down through Mary’s family since the late 19th century. She explained that although it is uncertain exactly where her ancestor settled either before or after his name change, it was probably somewhere in Texas or New Mexico (Jesse James and his gang were based largely out of Missouri, but they were active across much of the south and midwest, so this is entirely possible) and that she believes her family has roots several generations back in Texas and Oklahoma. Her grandfather on her mother’s side grew up in South Carolina, but moved around a lot when he was in the Marines. He met her grandmother for the first time while stationed in California and married her several years later when they were both doing religious work in Japan. Mary’s mother (their second child of four) settled in San Diego County where she grew up, and eventually her grandparents joined them.

This legend is really interesting to me for several reasons. First, it has probably survived and been passed down because it contains story elements that would be pleasing to almost any American audience, even if that audience was not connected with the story. The story of Jesse James has long been glamorized in Hollywood as something dramatic and exhilarating and it’s no secret that violent and transgressive behavior provides audiences with a naughty thrill. To have a connection to that story would be exciting. However, the story is also one of redemption, which is another story element that appeals to American audiences. People love a comeback story and a gunslinger who finds God and even saves a person who had been kidnapped by his old gang buddies fits the bill perfectly.

It is also interesting that she notes in her telling that there are certain elements that she has never heard the same way twice. This is often true of oral tradition- stories tend to grow and change as they are passed along and the particular elements they contain at the time of the telling are often more indicative of an element about the teller or the environment than they are of the story itself.

Most interesting, however, are the minute similarities between the story of her ancestor and the story of her grandfather. She explained that when he was in the military and stationed in Japan, he had a “literal come-to-Jesus moment” with the Chaplain, went to Bible school, and devoted much of his life to religious work- building churches and community centers with Mary’s grandmother. It is possible that he simply followed in his ancestor’s footsteps, whether that occurred to him at the time or not, and it is also possible that, as oral tradition is wont to do, over time the story of his ancestor acquired elements of his own story, so that the man became less an outlaw and more a little like his descendant, a good man with an exciting life.

The Selkie

This is a version of the Scottish selkie legend that Christabel remembers her father telling her when she was small.

” The story is that the selkie is a kind of creature that lives in the sea and looks like a seal, and at the full moon it can shed its seal-skin and turn into a human. This one selkie-girl came up onto the shore one full moon and turned into a human, and a fisherman sitting on the shore saw her and fell in love with her. They talked, and the selkie loved him too, but she put her skin back on and went back to the sea. She came back at the next full moon, and the one after that, and they both fell completely in love, but she always put her skin back on at the end of the night and went back to the sea. Then one night, the fisherman distracted her and stole the seal-skin away so she couldn’t go back to the sea and had to stay with him, and hid it in his chimney. The selkie stayed with him, and had two children, and almost forgot the sea, but every full moon she would go back down to the shore and look out to sea. Then, after a very long time, she found the seal-skin hidden in the chimney, and she was so angry with the fisherman that she cut two pieces out of the skin and wrapped her children up in them, and put her skin back on and took them back to the sea, where they lived as selkies for the rest of their days. ”

There are several theories as to the origin of the selkie story- mostly notably the idea the ancient Scots encountered nomads who were clad in seal skins and began to formulate legends about seal-people (similar to the way that centaur legends formed when Native-American cultures like the Aztecs encountered conquistadors on horseback). The Selkie is a kind of liminal being, existing in-between the sea and the land.

What is fascinating about this particular incarnation of the legend for me is that it features a woman forced to choose between her nature and her love and when the choice is taken away, she reverts to her nature and brings her children with her. It seems a little like Medea with a happier ending.

Annotation: The film The Secret of Roan Inish directed by John Sayles features a selkie story very similar to the one above.

Occupational Folktale- Origin of the term “MOS”

Nationality: American
Age: 27
Occupation: Student
Residence: Los Angeles, CA
Performance Date: April 27, 2011
Primary Language: English
Language: Mandarin

The informant is a 27-year old grad student. He was born in Los Angeles, California, grew up in Seattle, Washington, was educated at UC Berkeley and now studying film production in Los Angeles. He’s worked as a freelance writer and filmmaker around Los Angeles and is a teaching assistant at the School of Cinematic Arts. He shall be referred to as NW.

In this story, NW explains how the use of the term “M.O.S.” came to be used on film sets, a phrase used to refer to when directors shoot without sound:

And the story goes, I know this one’s hypocryphal, but the story goes is that some German director, like all the early great directors were German, and he’d come out to Hollywood and was trying to say “we’re gonna take this one without sound, W.O.S in that case, but since his accent came through, it sounded like “Mith-out-sound” and it just stuck so it’s M.O.S., but really means, I know it was a nerdy thing to do but I went through a lot of stuff to find out, it actually means, it either means “motor only sound,” or “motor only sync” and it’s just like a technical reference to the fact that they’re only running the camera because really early sound stuff used to run on its own separate motor, so I think that’s what it actually means, but that’s the story, “mith out sound.”

NW explained further that he feels there is no contemporary reason for the use of the phrase “M.O.S.” on film sets because of modern film technology. He believes that the use of the term is mostly in being able to draw a distinction between new filmmakers and more experienced ones. This use of jargon can easily go over the head of a new hire, so it becomes a learning experience.

I feel that there’s also some cross-cultural resentment present in this story. German Expressionism is a highly lauded facet of film aesthetics by some, but seen as incredibly pretentious by others (such as those working in manual labor positions in Hollywood). There was a great divide between Hollywood film crews and this hypothetical German director, a divide they would try to reconcile. Thus, this story features a slight humbling of the image of a German director: Though he is hailed as an auteur, he is slightly mocked for his accent. As NW explained, there is an actual technical origin for the phrase (possibly), but the prevalence of the other story suggests its humorous appeal as well as an address of cultural divides within the film industry.

Native American super natural power

Nationality: American
Age: 20
Occupation: Student
Residence: Pittsburgh, PA
Performance Date: April 19, 2011
Primary Language: English
Language: some spanish

Tyson   “It was during spring break, during high school I think and we used to go to Arizona to visit our friends there, except the spring breaks don’t line up. So, we don’t do that anymore. But last summer we did go and uh, usually we go to Tucson, but this time we went up to this place called Show Low. It’s more northern in Arizona and it’s in the mountains so it’s cooler, there’s like pine trees and stuff. And um, are friend, our two friends who live there, one of them is the is the, one of them was getting really old and um, er, she has problems with Parkinson’s disease and um, so um, like the two friends, the one who was still healthy brought in a helper, who is this native American woman, who has like, three kids and like, was really fun to talk to and she was pretty young too. Um, it was really interesting talking to her. One thing she told us was that like, apparently like, she, what she said was that the people of the white mountains, which is like what it’s called I think, have like, a higher proclivity toward having mystical powers or like mystical insight into like, spirits and stuff or something. And she was saying how like, she was walking in like the mountains of something, when she was a little girl and she like, saw some vision or something.  I don’t know, it was pretty interesting to hear her talk about it. And how like, uh, I don’t know, there’s history in the mountains or something.”

AO(interviewer)  “Do you know, like, what kind of vision she had?”

Tyson    “I’m trying to remember what she said. She talked about it for awhile. It was about, like. It mighta had to do with, it might have had to have done with like, a death in the family or something. But I’m not entirely sure, maybe a grandparent or some cousin or something was dying and she like, said that she knew it. I don’t quite remember. She said it was really scary.”

AO   “So like, they go up to the mountains, and they like can sense things from there or just by living in the mountains they can…”

Tyson   “Well it’s like, she said it’s, the mountain people as opposed to the people from the plains. Cause there’s like the different Indian tribes that are from the plains down below where its desert but then she said like, the people in the mountains are different.”

AO  “I see, is she from the mountains?”

Tyson   “Yep she’s from the mountains. I think it’s near an Indian reservation. Whether it is or not, there’s a lot of indigenous, there’s a lot of Native Americans in this area. It’s interesting because there’s like different, people who are descended from different tribes. Like I think there was some Navaho, maybe. That might be wrong, I don’t remember but, I get the names confused. There was two different ones, and she was telling us how like, they fight within themselves. It’s almost like gangs.”

I was able to discover through some research that the Tyson was talking about the White Mountain Apaches of Arizona.  Despite being a subtribe of the western Apache and having influences from the Navajo, there is a much greater emphasis on the individual and autonomy in White Mountain Apache culture.  This is in contrast to other neighboring Native American cultures.  Because of this, the super natural powers the Apache possess are often neutral in nature, and can be used on the individual nature.  By neutral, I mean the power is not used to see or act upon forces of good or evil.  This is evident in the narrative Tyson descibed; the woman claims she experienced a visionary moment in youth in which she forsaw a relatives death.  While this is not a particulary happy vision to have, it is a personal one, as opposed to some large scale disaster. 

Additionally, this difference between the culture of the White Mountain Apache and their neighbors might help instill the fighting that Tyson said the Apache woman told him about.  Every culture has their own way of life, set of values.  It is important to the White Mountain Apache that they have visions of this type, while other Native American tribes nearby do not. They are able to set themeselves apart and keep their identities alive.