Category Archives: Myths

Sacred narratives

Chick Constellation

Nationality: Thai
Age: 61
Occupation: Restaurant Owner
Residence: New York
Primary Language: Thai (laotian)
Language: English

Context:

The following informant is a 61-year-old Thai immigrant who heard the following story growing up as a kid in the Issan region of Thailand. This interview was carried out in a mix of Thai and English. In this I will be denoted as C and the informant will be denoted as U

U: If you look up at your sky there are seven stars together, I don’t know what they are called in English. They’re very small and there are seven of them they are easy to see in the sky. This is a history of where these stars come from. In the past there was, there was a small cottage with an old man and an old lady living together. The grandmother would cook and the grandfather would bring rice to the military and also to a mother hen and her six chicks. Every day the mother hen takes her six chicks to the forest to walk around and find stuff to eat. Once it is in the evening they return back to the cottage with the old couple. Now the grandmother and the grandfather are eating together and there is a rumor that there will be a monk coming to the village they are living in. So, they decide they should kill the mother hen and so they can provide an offering to the monk. They’re doing this because they want to receive good karma. The mother hen is sleeping with her six chicks and hears this, and when she hears this she says, “Oh my children it is time for your mother to die. It is time to repay my debt to the grandfather and the grandmother who raised me by giving me rice from when I was a chick to now.”

Once the six chicks hear this they all start crying and stay with their mother hen crying. The mother hen then says, “You six children need to take care of each other. The younger siblings should listen to their older siblings. Even after I’m dead don’t play too far away from the cottage in case you can get lost.”

The mother hen and the chicks hug each other all night crying. When the morning comes there is a strange feeling, so the mother hen doesn’t walk her chicks to the forest from the cottage like usual. Instead she stay with her chicks all day waiting to die at the cottage. Right before the mother hen is going to die to pay back her debt to the old couple she feels like she doesn’t want to leave her children and stays at the cottage hugging her children. Sometimes she thinks about escaping with her chicks but is worried it will be difficult for them to live outside the cottage. So, she accepts her death so her children can get raised by the old couple. The old couple come out of the cottage at this point and easily grab the mother hen. Normally when you capture a chicken, they don’t want to be caught. You have to help each other by running after the chicken like you’ve seen in movies. You understand?

C: Right.

U: But in this case, in this case, the mother hen let the grandfather grab her because she was willing to die to repay her debt for being raised. Tear are flowing uncontrollably from the chicks and the mother hen. They won’t stop and the chicks all run after their mother but there is no way to stop the grandfather from killing her. The mother hen then starts getting her feathers plucked out by the grandmother. She’s plucking the feathers off around her neck and the mother hen is screaming from the pain of having her feathers plucked. They have to pluck the chicken before they can kill it. You understand?

C: I thought they killed the chicken first then plucked it?

U: No, they don’t kill the chicken first, they have to pluck it before killing it. This is how they do it in Thailand. Once half of the chicken’s neck has been plucked the old man grabs a knife to cut to the throat of the mother hen. The mother hen squeezes her eyes shut and the chicks are bawling. Once the knife cut her throat blood runs out slowly and the grandmother bring a bowl to collect the blood. Once all the blood flows out of the hen’s body all the strength has left her body. Even though she is in pain everywhere she doesn’t have any strength left. She shudders twice and dies. And the chicks have been watching the whole time and they start crying and saying “Our mother is dead. How are we going to be able to live? Now that our mother is dead were going to be mourning her and calling for her.”

At this point the water is boiling so they can blanch the chicken, they blanch the chicken first before removing the rest of the feathers. The mother can no longer show the pain of getting plucked and her children want to die for their mother after seeing all the pain she’s been in and seeing her killed like this. So, the chicks start saying, “We’re going to die for you mother. No matter where you go we will follow you. No matter what you are reborn as we will be reborn as your children. So, we can be mother and child forever.”

At this point the grandmother has removed all the feathers and is going to bring the chicken to the grill to burn off down. This is a technique to remove the down to clean up the chicken before cooking. In the fire they have for the grill the mother hen the six chicks come to a decision to jump into the flames to die with their mother. Because of the determination of the mother and her chicks, the mother and her six chicks became the Chick Constellation. There is the mother and her six chicks in the sky.

Analysis: I did some research the the stars that this legend refers to is the Pleiades. It is a vert gruesome tale, but also I think it emphasizes how repaying ones debts is very important in Thai culture.

Prince Toad and Fireworks

Nationality: Thai
Age: 61
Occupation: Restaurant Owner
Residence: New York
Primary Language: Thai (laotian)
Language: English

Context:

The following informant is a 61-year-old Thai immigrant who heard the following story growing up as a kid in the Issan region of Thailand.The informant is performing the piece from memory to me, her son. This interview was carried out in a mix of Thai and English. In this I will be denoted as C and the informant will be denoted as U

“Prince Toad and Fireworks”

U: This story is also from where I’m from in Issan. Do you know what toads are? They’re kind of like frogs that have bumps on them. In this one country in Issan there is, uh, a queen in the country who gave birth to a prince who’s skin was yellow like turmeric. And had skins just like a toad. Because of this everyone called him Prince Toad. Once the prince grew up he wanted to have a beautiful wife. So he asked for a blessing from an Indra. A similarity would be Jesus with the Greeks or something. What do they have in Greek myth?

C: Zeus.

U: So he prays to the Indra who is like the Zeus of Thailand. And Indra creates a castle and a beautiful wife. The Indra also removes Price Toad’s skin turning him into a handsome young man.

C: Why? Why did the Indra do this?

U: The Indra did it because he prayed.

C: And the Indra just gave it to him?

U: Its because Prince Toad prays, “Because of all the good karma and goodwill that I’ve accumulated over my life and my many lives before this, please Indra help me have a beautiful wife.”

And the Indra granted his wishes by giving him a castle and beautiful wife. The King hears this and is happy with the Prince and lets him become the new king. The new king has a good sense of how to rule and takes care of his kingdom very well until small countries come asking to become colonies of the new king’s country. Beside Indra there are also Mara. Which are another god, bad boy gods that live in the earth. The Mara sees that the Prince Toad is so great and people just give offerings to him and there are no offerings for the Maya. Now the Maya is angry and orders a water dragon, which is like a big snake, which is the god of water and responsible for rain. The Maya orders the water dragon to not send rain to Price Toad’s country. This makes it so there is no rain. Now the people in his country get worried because there is no rain and go talk to Prince Toad who is now the king. Prince Toad sets up an army made up of animals, it has ants, bees, termites, and scorpions, all the animals and takes his army to fight the Mara. He orders his ants to take the Mara’s weapons before the fight and the termites to chew though all of the Mara’s wooden weapons. So when they go fight the Mara has no weapons. When the Mara tries to use special spells instead to fight them it gets drowned out by the frogs, the cicadas, the chickens, and the snake. Making it impossible for the Mara to chant a spell.

The Mara tries to fight by making snakes manifest to kill the frogs and the other small animals. Prince Toad then transforms the rainbows in eagles and orders them to catch and eat the snakes that the Mara is making. And the bees and the scorpions bite the Mara until he gives. The Prince negotiates with the Mara to make sure that it rains every year and that the Mara cannot order the water dragon to not make it rain. And any year if the Mara pretends that he forgot the Prince Toad will tell the people in the village to shoot fireworks into the sky to remind the Mara to not forget to make it rain. That is why every year they light fireworks in Issan to make sure that it will rain.

Analysis: I find it interesting how the themes of karma and reincarnation also play a role in the story. I also think it is interesting how the informant compares Greek mythology and Thai mythology.

Annotation: Another version of the story can be found here:
https://en.wikipedia.org/wiki/Rocket_Festival#The_Myth_of_the_Toad_King

Filipino Folklore: The Maligno

Nationality: Filipino American
Age: 29
Residence: California
Performance Date: 5/1/2019
Primary Language: English

Context:

The informant is a Filipino American woman in her late twenties. I asked her if she knew any stories or folklore from either friends or possibly any folklore from her family and her culture. She mentioned her mother knew many stories about spirits and creatures in the Philippines. The main piece is told in her own words:

The Main Piece:

So, my cousin’s friend decided to set up an apartment for drafting for their upcoming architecture firm. Her friend apparently had a sixth sense, looked out the window, saw a tree in the neighbor’s yard, and suddenly left and didn’t want to return. Apparently, she said there was a tree full of Maligno. My mom said it was a bad area.

Background:

The informant knows this piece from her family and folklore from her own culture. She is Filipino and her mother shared these stories with her and her siblings. She states, “My mom told us about this story while we were in the Philippines. We were visiting some of the old houses where my mom and relatives grew up, which were supposedly haunted. One of the houses had some crazy scratches on the wood floors and little footprint markings. The she started talking about folklore and how they could have been made.” She says it’s interesting because the stories explain what happens when certain areas create bad feelings or if someone has a certain ailment, certain creatures in the Philippines are responsible for them.

Notes:

Namaligno is a term used by Filipinos for someone being affected by something magical or supernatural. Maligno are spirits that haunt places or people. They can also disguise themselves as regular people. If the Maligno takes a liking to a certain individual, it can cause harm to them. For example, in the Philippines, when someone comes down with a sickness or ailment, it is because the Maligno is attached to that individual. Filipinos believe that certain diseases can be caused by the intervention of a magical or supernatural entity. This is usually due to a disease, sickness or ailment that cannot be explained or has no apparent cause. An example of this is Sudden Unexpected Nocturnal Death Syndrome, a common occurrence in the Philippines. Due to the lack of explanation as to how people die from this, Filipinos will connect the cause to Malignos. It is an interesting concept because we, as humans, always need and explanation for things. The unknown is an unsatisfactory answer for why certain things happen, so to cope with the unexplained, we search for reasons why. This would explain how in many different cultures, there are creatures or spirits that are to blame for unexplained phenomena.

 

 

For another version/story of Maligno, check out: http://phspirits.com/maligno/

Pele, Kamupua and the Pali highway

Nationality: Indonesian American
Age: 28
Performance Date: 5/1/2019
Primary Language: English

Context:

The informant is a 28-year-old woman, of Indonesian and Caucasian ethnicity. Her hometown is Honolulu, Hawaii. While in school in Hawaii, she learned about Hawaiian Folklore. This story was told to her by her instructor.

Main Piece:

There are many stories of the Hawaiian Goddess of lava and volcanoes. The most common are of sightings of an old woman walking along the Pali highway. These are spread throughout our communities and in school so it’s difficult to tell you where I heard it first. Everyone says not to bring pork over the Pali because if you do your car will stop till you get rid of it. I learned later in my senior portfolio research in high school, that it was because Pele and Kamupua’a (the pig god) were lovers but they fought constantly. Kamupua’a stayed on one side of the island and Pele on the other. The Pali highway connects these two sides so if you try to bring pork from his side to her’s she’ll stop you.

Notes:

I am not familiar with Hawaiian Folklore, however after doing a little research, Pele which is pronounced peh-leh, is described as the goddess of lava, of fire, lightning, wind, dance and volcanoes. There are many different stories as to how Pele came to be. Most stories include her sister, Namakaokahai either attacking her, or killing her. In one instance, Pele was said to have seduced Namakaokahai’s husband and was sent away by her father. The story of Kamupua and Pele is well known among locals in Hawaii and the stories come from actual happenings of people accidentally taking pork in their vehicles across the Pali highway. This is due to Kamupua calling the Windward side of the Island, home and the leeward side belonging to Pele. Because of their radical relationship, bringing pork across the freeway is bad luck and the vehicle carrying the pork will stop until the pork is removed.

 

 

For more info about Pele and legends about the Pali highway check out these sites:

 

https://www.robertshawaii.com/blog/legend-behind-hawaiis-goddess-fire/

http://www.hawaiinewsnow.com/story/7322206/pork-and-pali-are-recipes-for-disaster/

http://www.hawaiinewsnow.com/story/33478838/spooky-stories-pork-over-the-pali/

The Girl in the Pink Dress

Nationality: Indonesian American
Age: 28
Residence: California
Performance Date: 5/1/2019
Primary Language: English

Context:

While talking with my friend (who will be called D), about general folklore. We began talking about Disney stories and ghost stories came up. D then told me about a familiar story to cast members who work in California Adventure. D is in her early 20’s and works at the Disneyland Resort, specifically within the Hollywood backlot attractions and previously worked the attractions in Bug’s Land until construction began for Marvel Land. Her story take’s place in the Animation building which was next door to Bug’s land until recently.

Main Piece:

Back in the 1970’s when DCA was still the parking lot for Disneyland, there was an accident where a tram ran over a little girl in a pink dress. She haunted Bugs Land but since it’s been demolished for Marvel Land she has moved to the Hollywood area. I heard this story from multiple CM’s who have experienced her presence where she is seen as a shadow walking through the theater alone or calling from the Flik’s phone or Heimlich phone from the now demolished Bug’s Land. I had a personal experience with her as well. It was a Saturday when half of the books in the Beast’s Library broke and they were frozen. We kept capacity down and waited for Maintenance to fix it but they had to call someone from WDI so we waited till the next day. On Sunday morning they tried to reset it and all the books had a blue screen. We blocked off the room and now we had to stand guard to make sure guests didn’t go down there while maintenance and WDI were working. I was with another cast member A, at the time and we were watching a family of four (mom, dad and two little girls with brown hair and shorts) when suddenly A turns and asks me if I saw someone go down to the beast’s library. I said no but I said I would check. When I went down there it was dead silent with blue screens all around in the dark. I came back and told her I didn’t see anyone and asked her to describe what she saw. She said she saw a little blonde girl in a pink dress run down there. I told her there were only these four guests and I was watching them the whole time and neither girls had a dress and they had brown hair. We got scared but nothing else happened.

Background:

There is a lot of terminology used in this piece as the experience happened between coworkers at the Disneyland Resort. DCA is an abbreviation for Disney California Adventure. CM is for Cast Member which is what employees are called at the resort. WDI is an abbreviation for Walt Disney Imagineering which is the company that handles the mechanics of the attractions within the resort. The locations mentioned are Flik’s Flyers, Heimlich’s ChooChoo and Tough to be a Bug theatre which is said to be the haunted attraction within that land. Within the Animation building is the Sorcerer’s Workshop where the Beast’s Library is. The library consists of mechanical books much like computer screens, that guests can interact with.

Notes:

As a cast member who works within the Animation building, I am not a stranger to the stories told by fellow cast members about the little girl with the pink dress. She has been known to jump around the attractions within the area that she was said to have passed away. There was a story recently told to me about a cast member receiving a phone call in the Animation building main office from an attraction in bugs land. This was after everything was demolished in the area. There is nothing left but a flat land of dirt. The description of the little girl never changes and cast members aren’t the only ones who have seen her. Guests have described seeing the little girl as well. These sightings and stories coming from different people and different locations adds to the credibility of the ghost existing.