Tag Archives: arkansas

Arkansas Legend Quest

Text:

“There’s this light, it’s in this town like thirty minutes north of us, it’s in the middle of nowhere on a field. The story is that there was a conductor on a train and this railroad goes along the side of this road, and apparently a conductor fell off and his head got cut off and he looks for his head every night, and that’s why you see a light on the railroad. If you drive out there you’ll see a light floating above the road, and apparently if it touches your car then your car will turn off. So all of our parents have stories about it, like how they’ve gone and seen the light. I don’t know if they’re actually true. But my friends went one time, I didn’t go cause it was during Covid, but they went and I was on facetime with them when it happened. And my friend N, they were on the road and she just started crying like sobbing, and she like never cries. Cause she swore that she saw it, and then they all started screaming because apparently it was coming towards the car, and that’s when they pulled out and left. I’ve been before and nothing happened.” 

Context:

GR is a 19-year-old college student from a small town in northern Arkansas. He was in high school when this story was told, and he’d been hearing the stories about the railroad since he was a little kid. His parents and adults in his town would tell him their experiences of seeing the light, and he doesn’t know if they were making it up to scare him or not. Research shows that this legend is a popular one that can be found online, called the Gurdon Lights in Gurdon Arkansas. He says that his town and a lot of northern Akansas have a lot of hauntings and ghost stories, supposedly because the granite rocks in the ground are a conductor for spirits according to legend. 

Analysis: 

This story is an example of legend questing, where a group of people go out to look for a legend and try to insert themselves into it. It’s also an example of a memorate, where someone’s existing experience fits into the pre established legend. Legend questing is especially popular amongst young people. There might be a multitude of reasons for that. Young people are still figuring themselves out, figuring out what the story of their life is going to be, so it can be compelling to insert themselves into a legendary story that already exists. Since they’re young, they’re supposedly further away from death, so seeking out ghosts and graphic stories about death can both be them putting to use the immortality they feel they have, and also interacting with the concept of death that is both scary and unfamiliar. In certain cultures and in older people, ghost stories are often comforting and warm, such as a visit from a family member. The ghost stories young people tell though, at least in America, are often graphic and tragic and scary, because that’s how they view death to be. They’re both interested in this concept that is so far away, and terrified of this concept that is actually so near, and this fear and interest manifests into young people seeking out ghosts. I also believe that young people seek out legend quests more often because children are raised on fairy tales and magical figures like the Easter Bunny, Tooth Fairy, Santa. They are raised being told that magic is, in some ways, real. As teenagers and young adults they’re expected to separate themselves from the childish idea that magic is real, but there’s a small part of everyone that still wishes that the mystical might be real. 

I also think that Arkansas might be a large hub for supernatural stories because it’s still quite a rural area, there aren’t as many large and prominent cities as there are in other states. While Christianity began spreading around cities, rural areas continued worshiping their own pagan gods. Christianity then decided to paint rural areas as places where the Devil lives, and declare the people who live there as Devil worshipers. This idea has made us see nature and the wild as areas prone to the influence of the devil, so these wide spans of nature secluded from everyone else are seen to be areas more likely to have hauntings and ghosts. Rural town populations in Arkansas have a largely Christian population now, so they might be more inclined to look at the isolated, wild areas near them (such as abandoned train tracks) as scary places of the Devil.

Family Haunted House

Text:

“Gee [grandma]’s house is lowkey haunted, it’s messed up. The man who Gee got the deed to their land from, we call him Old Man Hattfield. When my mom and my aunt were growing up they would come home from basketball games really late at night, and one night they came from the back door. They came around the corner and my mom swears that she saw a man at the top of the stairs, and then by the time that my aunt and Gee got over there the man was gone, they didn’t see him. Obviously my mom was freaking out, she was scared to death. So they all went upstairs, there was nobody up there, the windows weren’t open, there was no way anyone could’ve gotten there. They think it was Old Man Hattfield, my friends still refuse to go upstairs at Gee’s house because they think it’s haunted by Old Man Hattfield. . That’s one story. Gee has another story about this dress. So when they bought the land it was from debt, so I think with the deed to the land came other things like this pocket watch and this wedding dress. It’s this white wedding dress, and I don’t know who’s it was, but Gee had this dress up until maybe 10 years ago until she finally got rid of it. She’d wake up in the middle of the night and swear she saw a woman wearing this dress at the foot of her bed. So eventually she was like, “I’m tired of this, I’m gonna burn this dress.” So she sets it out in the burn pile. But then she’s going through their stuff at least five years later, and the dreams had not stopped. So she didn’t know what happened, she thought the dress had been burned. Then she found the dress inside the house in a drawer, and she’s like “what is this? How is this dress here?” And she asked Papa and he said “Yeah I saw you put it in the burn pile but I put it back in the house.” They burned it after that and the dreams stopped. 

Context:

GR is a 19-year-old college student from a small town in Arkansas. His grandma, Gee, has told him this story, and many members of the family believe that Gee’s house is haunted. 

Analysis: 

The figure of a ghost woman in a wedding dress is a pretty common one. She’s seen in La Llorona, a ghost women who walks around in a white dress, and there are many other versions of the “White Lady,” female ghosts in white dresses. The white dress is commonly associated with wedding dresses, and in this story the ghost is in a wedding dress. The wedding is a huge important ritual for a community, and it’s a large moment of shifting identity for women. They go from being part of one family to another, from being in the pre-reproduction phase of their life to being ready for reproduction. From a maiden to a wife, soon to be a mother. Weddings are a moment of liminality, where magic often happens. Ghosts are another figure of liminality, where they’re not quite alive and not quite dead. They’re not in this world, but they’re not in the next. The ghost bride can represent anxieties of when the marriage ritual goes wrong, just like how the ghost comes about from the death rituals going wrong. The wedding ritual is very important to a community, because it brings about new members of the community, but it’s also very anxiety inducing for the bride, because a lot can go wrong in this new identity and in the moment between the two identities. It’s also frightening for people to see these ghost brides because weddings are often supposed to be a large celebration of happiness, and people don’t like to acknowledge when they are not. However, oftentimes throughout different cultures weddings are not a moment of happiness for the bride. They could be just an economic situation, they could’ve been forced into the marriage, they could be a child, the marriage could tie them potentially forever to a bad person. There are a lot of negative things that can be associated with marriages, but people like to turn away from those. That’s why the ghost bride comes out, as a representation of all the anxieties that moment of liminality can bring. Studying a specific ghost bride figure can also tell you a lot about women’s place in that specific culture. 

The Ragman

Nationality: United States of America
Age: 49
Occupation: N/A
Residence: Kansas City, MO
Performance Date: 4/25/20
Primary Language: English

Main piece:

“So when I was growing up, I was raised by a single mother and my grandmother, my mom’s mom, stepped in to help raise me while my mom was working so I spent a lot of time with her in her house in her neighborhood and she was much older for a grandmother, she was born in 1911 and she didn’t have my mom until she was almost forty so she came from another generation and mostly spoke German at home where she grew up on a farm in Arkansas. I don’t know if this is where the story comes from, but I have no idea where it comes from. But she was a great grandmother and would never use violence or anything to keep us in line but if we were misbehaving, the most ominous threat was that if we didn’t get back in line and start doing what we were supposed to do, that the next time the Ragman came by, she would leave us out and tell him that he could take us away. So my sister and I were terrified that there was this- there also was this man that wondered occasionally in the neighborhood at twilight and I think he was probably, if not homeless then verging something on that, but it was back in the day when I don’t think i’d ever seen a homeless person in my small town. So he was always pushing some small cart and I think when she was first living in that home there was a man who came by to take pots and pans and whatever little knick knacks were broken so he was known as the Ragman and he’d take trash or whatever and take it away. So that’s really it, is that- I think in my sisters and I’s mind we associated it with this specific man but it was this nebulous threat really of this Ragman that was gonna come and- we we’re going to be taken out with the trash if we didn’t get back in line and we did not want to be taken away by the Ragman so we got back on the straight and narrow.”

Background:

My informant is originally from Joplin, Missouri and currently resides in Kansas City, Missouri. She’s lived all across the United States but lives there currently with her husband and three kids. Her mother lived in the Ozarks in southern Missouri for most of her life and so the entire family has ties to that specific area. Her grandmother, who told her the story of the Ragman, was born in Northern Arkansas but spoke primarily German in her household as both her parents had emigrated here.

Context:

This piece was brought to my attention through research into legends from Missouri which I used to approach my informant. She has told me about this phenomenon several times but this specific conversation occurred in the living room of her house in Kansas City when I asked her about using the story for the archives.

Thoughts:

This piece seems to be a variant on the classic archetype of the boogeyman. The goal of the monster in this case is to scare children and teach them to stay in line. The parts I find most interesting about this iteration of the boogeyman-like creature are the name and the legend’s relationship to the grandmother of the informant. First, the term Ragman is usually tied to a street vagrant or another unsavory type individual. As such, this would make sense on why the informant and her young sister might be afraid of the Ragman as he seemed to be a dangerous man. Another common use of the name Ragman is when in association with the devil. This would further emphasize the role of the Ragman as an evil doer. The other major component of the Ragman story is the role of the informant’s grandmother. While it cannot be said for certain, her upbringing was heavily entrenched in German folklore and traditions which might result in the Ragman having ties back to German folklore. This shows the ability for folklore to transfer and adapt to new locations, with this example showing German folklore adopting to the cultural landscape of the Ozarks and Southern Missouri culture.

The Haunted Tilly Willy Bridge in Arkansas

Nationality: United States of America
Age: 47
Occupation: Freelance Editor
Residence: Fayetteville, AR
Performance Date: 4/25/20
Primary Language: English

Main Piece:

“Right outside of Fayetteville, there’s a famous bridge known as the Tilly Willy Bridge and it’s a very old bridge and it’s torn down now but it still has a lot of legends about it. Mostly, there’s this legend of a lady dressed entirely in white who fell off the bridge into the nearby creek and died so now her spirit haunts the area including a nearby field. It’s a common attraction for people to go to the bridge to try to see something scary.”

Background:

The informant for this piece is a woman in her late 40s who lives in Fayetteville, Arkansas. She was born in Joplin, Missouri but moved south to Fayetteville and has lived there for almost 18 years by now. Fayetteville is a college town as it is adjacent to the University of Arkansas. Due to the proximity of the town to the Ozark mountains, the Ozark culture influences the town alongside the culture of those going there for college. 

Context:

The piece was shared with me via a phone call with the informant. This exact topic was brought up in response to my general question looking for local folklore of the Fayetteville area. 

Thoughts:

I think this bridge is used in a similar manner to other pieces of ghost folklore. The bridge is used by the town to establish a communal identity coming from knowledge of the story. Fayetteville is also the convergence of several cultures, as it is the college town for University of Arkansas, making the Tilly Willy Bridge possibly the result of several different cultures converging on the town. The use of ghosts in this story is also useful because it shows a lack of interest in the past and the non-urbanized world. As mentioned before, the town is somewhat close to the Ozark Mountain Range, which is known for its isolated communities. As such, inventing a story about a haunted area of the wilderness would incentivize staying within the boundaries of civilization, which makes complete sense. Making the abandoned bridge haunted also shows the classic bit of American folklore wherein the past is haunted as a means of putting one’s perspective towards the future. The final bit of folkloric importance in this bridge is how bridges are common places of superstition and liminality, as seen in other cultures. In that regard, the Tilly Willy Bridge fits into this tradition.

The Crescent Hotel in Eureka Springs

Nationality: United States of America
Age: 47
Occupation: Freelance Editor
Residence: Fayetteville, AR
Performance Date: 4/25/20
Primary Language: English

Main piece:

“The Crescent Hotel is a famous building in Eureka Springs with a long history because now it’s a common ghost attraction and makes a lot of local haunting lists. The building which began as a hotel for elite visiting Eureka Springs later became a tuberculosis ward during the plague and there were rumors about doctors who experimented on their patients trying to find cures to diseases like cancer”

Background:

The informant for this piece is a woman in her late 40s who lives in Fayetteville, Arkansas. She was born in Joplin, Missouri but moved south to Fayetteville and has lived there for almost 18 years by now. Fayetteville is a college town as it is adjacent to the University of Arkansas. Due to the proximity of the town to the Ozark mountains, the Ozark culture influences the town alongside the culture of those going there for college. This specific building is located outside of Fayetteville in an area called Eureka Springs. The hotel is just one of many structures converted to a tuberculosis ward to fight off the diseases in the 1900s. Similarly, in the past there have been similar stories of abandoned and haunted hospitals. 

Context:

The piece was shared with me via a phone call with the informant. This exact topic was brought up in response to my general question looking for local folklore of the Fayetteville area. 

Thoughts:

I feel as though this piece is interesting as it represents an amalgam of other similar haunted buildings. The Crescent Hotel began as a hotel for the elite members of society, but the business went under. This keeps in the theme of haunted buildings having ties to old money, and I feel represents a distrust of those with extreme wealth. This also makes sense in context of the location, which while not poverty-stricken, by no means has a large population of extremely wealthy inhabitants. The hotel is also described as a tuberculosis ward, which while not entirely accurate does reflect a fear of doctors and disease. This is a common fear and is often featured in similar structures like haunted hospitals. In my opinion, what differentiates this building is how the history of the building as both a hotel for the elite and hospital combines these two separate but similar stories into one extremely haunted structure.