Tag Archives: creation myth

Myth of the Creation of Seasons in Maui

Nationality: Hawaiian
Age: 19
Occupation: Student
Residence: Maui
Performance Date: 4/22/19
Primary Language: English

Informant: The ancient Hawaiian myth of Maui straining the Sun is basically that Maui is an ancient chief and his mom was complaining that the days were not long enough because her kapa, which is like a cloth made out of bark, didn’t have enough time to dry in the Sun, so he took his sister’s hair and made a rope out of it and used it to lasso the Sun’s rays. When he caught the Sun with the rope that he made, the Sun was begging for her life and they came to an agreement that the days would be long in the summer and short in the winter, and so that’s the Hawaiian story of how seasons happened.

Context: The informant is a USC student who is from Maui, and has lived in Maui their whole life. They heard this story growing up on Maui, and they remember it because it is the myth of how their home was created. To the informant, this piece is reminiscent of home and the place in which they grew up; this is how they interpret it. This piece was performed in a traditional, face-to-face, storytelling interview, where the informant told me the story and I recorded it.

Analysis:

This narrative piece of folklore is a myth, and it is very indicative of the genre of myths as it is a creation story for a specific location, in this case Maui, taking place outside of this world (in the sky), as it involves the Sun. This myth is intended to tell the story of the creation of the seasons of the island of Maui, and it tells the story from beginning to end, involving the primary character of Maui, whose interaction with the Sun leads to the creation of the world as they know it in Maui. This conveys not just how this story is a traditional myth in that it displays the characteristics of traditional myths: that it is sacred truth, has no relation to our world, and is a creation story that sets up the weather seasons of everyday life, but to me, it also conveys how myths relate to the physical characteristics of the location they are placed in. The climate of Maui is tropical and therefore very sunny, so it only makes sense that the Sun is a central part of this myth about Maui. The physical characteristics of the location observed by the people of Maui translate into their myths, and this is very indicative of a characteristic of myths that I have noticed throughout this class: myths often reflect the world surrounding them in ways that may not have been previously thought of, such as climate, geography, physical surroundings, etc. I know that I did not realize how much this aspect contributed to myths until interviewing the informant and analyzing the story of Maui, and it conveys the way in which geographical locations affect myths. This myth gives a way for the Hawaiian people to pass on the story of the creation of seasons through generations, in a way that sounds familiar to them because of the characteristics that come from the geographical location they are in. This conveys how this myth can create a sense of identity among the Hawaiian people, through the commonalities they will recognize in this myth. Overall, the myth of Maui conveys both a traditional and nontraditional way of analyzing the myth.

Annotation: For another version of this myth, see Chapter XVI, Section 1 (Kalakaua, 63-65), “Hawaiian Mythology, Chapter XVI, Maui the Trickster.” Ulukau,

www.ulukau.org/elib/cgi-bin/library?e=d-0beckwit1-000Sec–11en-50-20-frameset-book–1-010escapewin&a=d&d=D0.18&toc=0.

Manaiakalani

Nationality: Hawaiian
Age: 21
Occupation: Student
Residence: Kaneohe, HI
Performance Date: 4/19/17
Primary Language: English
Language: Hawaiian

Informant: Uluwehi is a 21-year-old student from Hawaiʻi. She is from the island of Oʻahu.

Main Piece: “Okay so…Māui was the youngest of four brothers. And one day, he wanted to go fishing with his brothers. But they told him ‘no, no Māui, you’re the baby brother, you can’t come fish.’ So Māui went to his grandmother and asked her for help. She took her jawbone and made it into a magic fishhook, Manaiakalani.

So Māui was really smart and he hid himself on his brothers’ boat. When they got too far out to turn around, Māui jumped out. They were annoyed with him but let him stay because it was too late. But they were telling him off and didn’t think he would catch anything. He told them he would catch something really big, but they had to trust him and keep rowing until he caught it and not look back.

Māui baited his hook with feathers and threw it into the ocean. It caught something really big, and the brothers started rowing and rowing and Māui told them to kept rowing. And the boat was almost capsizing because the fish was so big. But the fish was actually the land that would become Hawaiʻi, and Māui was going to bring them all up and together.

Because the boat was rocking so much and they were really worried, one of the brothers looked back and saw all of the islands being dragged up from the ocean. And they’re all beautiful, but because the brother looked, the line broke. Manaiakalani went into the sky and became a constellation. And the islands stayed as separate islands. But Māui had made Hawaiʻi.”

Background Information about the Performance: This piece was told to the informant as a means of explaining the constellation Manaiakalani, which is composed of roughly the same stars as the Western constellation Scorpio. She was told it as a child by her family, and also learned it in school. It is important to her as it describes the creation of Hawaii, her home.

Context of Performance: This piece is told primarily to children as a means of understanding the constellations, but also fits into the larger story of Māui.

Thoughts: It is noteworthy that this piece explains a constellation, much like the Western constellations are explained in stories. Since both the Hawaiians and the Ancient Greeks sail avidly, these constellation-based stories could have been created to help sailors remember directions when navigating.

Japanese Creation Myth (As Told by a Scot)

Nationality: Scottish-American
Age: 21
Occupation: Student
Residence: Milton, MA
Performance Date: 3/25/17
Primary Language: English

Context: Gathered from one of my roommates once he found out about my collection project.

Background: My roommate had heard this story from somewhere he couldn’t remember, and thought it would be interesting to see how it reflects the “real” Japanese myth.

Dialogue: I would  love to refresh myself on, like, exactly the history and, like, what the names are and stuff, too, but… I think basically, the gist of it was, there are these gods, or like deities at least, in heaven, in like the spiritual realm, um, and two of them one day, I think by order of, like, the elder gods or whatever, um…. There were two of them who were ordered to go down, or maybe just decided, to go down to Earth, the kingdom of Earth, and basically, like, start humanity, like they would do a little pole dance and then everything was born. More on that in a second! So they go, they go down to Earth…. um, it’s like a male god and a female god… They go down to Earth, they’re like descending this crazy cool pole or whatever, and they like do this dance around the pole, um, and like all of life was born, and then they realized, “Wait a minute… Everything’s shitty! None of this… is good.” And, uh… Wait a minute, I’m trying to remember… The order of the speaking is important here, but I don’t remember the order of the story structure, so… Yeah. I’m about to get it though, I’m about to get it. Anyway, point is, they finish their dance, they gave life to everything, and the girl was like… “Great! We’re done!” And the guy was like, “WOAH, that’s weird, that you talked first, hold on! Let’s start EVERYTHING over.” So they go back up to heaven, and they do the dance again, and the guy says, “Hey, that’s great, we made life!” and then the woman was like, “Yeah, right!” and he’s like, “Okay, awesome, everything’s good.” So that’s Japan’s explanation eternally for, uh— Not explanation for misogyny but just a justification, I guess.

Analysis: Two parts of this stood out to me. The first was what my roommate mentioned, the fact that his version of this myth would most certainly be different from the “real” or “official” one, and how interesting it would be to compare the two versions. There were a good amount of pieces of the myth that my roommate left out, including the name of the deities (Izanami and Izanagi) and how the land of Japan came to be specifically, rather than simply “they gave life to everything.” He also added the element of a “pole dance” to the myth, which isn’t present in any other version I’ve looked through.

The other part of this narrative that stuck out to me was the fact that my roommate saw the myth as a justification of misogyny, rather than simply as a pre-science explanation for how Japan and the world came to be. This is what stood out to me as the main difference between hearing the myth told by someone of Japanese cultural heritage and someone (like my roommate) who is not.

Annotation: I looked up more “official” versions of the creation myth, and found that there was a progression from one version to another to the one that my roommate eventually recounted to me. The most similar version to the one above can be found here. The version being credited as taken directly from “Kojiki, the Japanese ‘Record of Ancient Things'” can be found here.

Creation Myth of the Shiva Linga

Nationality: Indian
Age: 20
Occupation: Student
Performance Date: 4/14/17
Primary Language: English
Language: Marathi, Hindi

Informant KM is a sophomore studying Chemical Engineering at the University of California, Santa Barbara. She is of Indian descent and moved to America at a very young age; however, she is very proud of her Indian heritage and considers herself to be very knowledgeable in regards to Indian mythology and religion. She is also fluent in two Indian languages, Hindi and Marathi. This piece of folklore is her recitation of a Hindu creation myth to me (AK). This myth is somewhat taboo, and for obvious reasons is not really brought up much in Indian society due to its graphic depictions of sex.

KM: Shivji used to walk around naked, but he had this problem where he couldn’t finish. He was having a lot of sex, but he could never finish. Priests were getting annoyed cause their wives kept leaving them to have sex with Shivji. But this was a recurring thing and this became so bad that the ground was breaking apart. But the world was going haywire because Shiv would just not finish. So finally, he found Parvathi, and the two of them had sex and he finally finished. So the world became a better place and this was memorialized in the form of the Shiva Linga. So the Shiva Linga became a thing that goes through the Yoni, which means vagina. And that’s how the Shiva Linga was created and became such a big moorthi which is worshiped.

AK: Good story haha, so why do you like this story?

KM: I think it’s interesting because it makes Hinduism look realer and more sexual in a sense. And uhh.. it’s taboo not everyone talks about it.

AK: So people don’t talk about this freely?

KM: No one talks about this freely. People don’t teach their children this story. People know the linga is a penis but don’t know why. Everyone worships penises but since it’s taboo no one wants to say anything about it.

AK: So then why was this story even written?

KM: I mean it’s real. I can’t say why it was written. The real question is why was this monument of a penis created. So I searched it up and I found this story on my own. In fact, people even pour milk on it as if to show him finishing.

AK: Why is this important then?

KM: I think it’s a big part of Indian history. With the Kama Sutra and all, it’s a remnant of how liberated India used to be in contrast to how it is now.

Initially, I was shocked to have heard this story. I have seen the shiva linga monument before, but I never really knew the story behind it. In retrospect, it is easy to see its relation to a phallus, but I am shocked that this came out of Hinduism. Through this piece, I learned that at one time, India was a very sexually liberated society; however, over time, it became more and more conservative. As KM mentioned, this creation myth is very taboo and not really passed on by parents.

Birth of Ganesh

Nationality: Indian
Age: 20
Performance Date: 4/14/17
Primary Language: English
Language: Marathi, Hindi

Informant KM is a sophomore studying Chemical Engineering at the University of California, Santa Barbara. She is of Indian descent and moved to America at a very young age; however, she is very proud of her Indian heritage and considers herself to be very knowledgeable in regards to Indian mythology and religion. She is also fluent in two Indian languages, Hindi and Marathi. This piece of folklore is her recitation of a very common Indian folktale to me (AK).

KM: Shivji and Parvati are married. Shivji is the God of destruction and one of the top 3 gods of Hinduism. Parvati is a big goddess and she’s an embodiment of the Indian God Devi. Parvati is showering and she wanted to be protected while she was in the shower, so she used the dirt of her skin to make Ganesh. And Gan, these men, are like little minion kind of looking things that stand outside the door, so Ganesh was standing outside the door. Then Shivji came, and it’s not really sure why and Shivji got really pissed and out of anger he cut Ganesh’s head off. Parvati got pissed, and she threatened to — like tear the world apart if Shiv doesn’t fix the situation. So Shivji went and decided to cut the head off the first thing he saw which was an elephant, and he placed it on the Gan’s head.

For reference (Ganesh):

Ganesh

AK: Woah… that’s a crazy story, anything else you wanted to add?

KM: Yeah, actually what’s controversial about this story is that the idea of her taking the dirt off her skin was the product of adulteration, or it wasn’t Shiv’s child which was why he was so pissed.

AK: Cool, similar questions again, where did you hear this story from?

KM: I heard this from multiple people, my grandma, mom, dad, and I’ve read about it.

AK: What does it mean to you?

KM: I like this story because it shows people as flawed, even Gods.

I personally enjoyed this story because I was very well acquainted with the God Ganesh, but I never knew his creation myth. For this reason, I thoroughly enjoyed this piece because I learned something very relevant to my own life. Obviously, I could have just researched his creation on my own, but it was very nice to hear the story verbally.