Tag Archives: festival

Užgavėnės

Main Text

GD: “Užgavėnės is a Lithuanian holiday, um, that’s translated to ‘The Before Lent.’ So, it takes place, um, right before the Lenten season, the weekend right before that, and what it is culturally is, um. It’s a festival in which we scare away the winter pretty much, and welcome the spring. Um, it’s been compared to, like, Mardi Gras and you’ll see as I talk more about it you’ll be able to connect that a little bit more, but um. The entire festival is just Lithuanian people getting together, making really scary masks and decorating them and going really big with these costumes and these like huge masks that they’ll wear, um, to scare away the winter. There is a structure that we construct that is usually a representation of winter, like taking place in like the form of a man or something or like a stick figure, uh, just this really large totem that we burn ultimately to just say ‘To the end with winter, here comes spring.’ And in the same light there is a little staged playing of a man and another man dueling pretty much, and one guy represents winter with the other guy represents the spring, and always the spring will overcome that and win against the winter.”

Background

GD is a 19 year old Lithuanian-American second year student at USC studying Theatre and Classics. Her mother was born in Lithuania and moved to a Lithuanian community in New Jersey, where GD attended Lithuanian school and church. GD describes Užgavėnės as her favorite holiday growing up, attending it not only in America but also in Lithuania. She remembers waking up before dawn in order to peel potatoes in order to make pancakes specifically for the festival. GD believes Užgavėnės to be so important not only to her but also to her culture because it was one of the few pagan holidays that survived Christianization in Lithuania.

Context

GD describes Užgavėnės as one of the more important holidays in the Lithuanian calendar with it originally being celebrated on the last day of winter before Christianization. It has been hastily Christianized and is now celebrated on the weekend immediately preceding Lent, but the traditions and meaning of the festival remain. GD describes Užgavėnės as being full of food like bagels and pancakes, and performers playing music as people dance.

Interviewer Analysis

Many traditional folk festivals and celebrations have been slightly changed in order to fit into the rising wave of Christianity, even Christmas retains many aspects of its original pagan traditions. It is unfortunate however that many of the traditions were lost in these re-skinnings, so it is nice to see that Užgavėnės, according to GD, was able to keep so many of its traditions. Festivals celebrating the end of winter and the coming of a sweeter season are a very common phenomenon especially in northern countries that experience harsher winters like Lithuania.

Baba Marta

Main Text

CS: “So the next one I was thinking of was the tradition of Baba Marta, which is like the first day of spring for Bulgarians. It’s like the first of March and you hang up these white and red like crochet, or like knitted things, like yarn and they sometimes look like people, sometimes they’re just abstract shapes. I don’t really remember what the shape is. But people always wish each other ‘Chestita Baba Marta’ or like happy first day of spring and Baba Marta is like baba of spring. I guess somewhat similar to the Baba Yaga story, there’s this grandma who is the incarnation of spring and shes just like a joyous type I guess.”

Background

CS is a 21 year old Bulgarian American from California and is a third year student studying Computer Science: Games at USC. CS describes the Baba Marta holiday like Christmas, you do not remember your first one but it is an ever-present time in your life. CS loved Baba Marta as a holiday because he could look forward to seeing his family and having an excuse to eat. His father, aunt, and grandmother all celebrate it with him every year.

Context

Baba Marta is a spring time festival celebrated in Bulgaria on March 1st. Confusingly it is also the name of a physical embodiment of springtime that comes to people as a joyous old woman.

Interviewer Analysis

Festivals celebrating the end of winter and the coming of a sweeter season are a very common phenomenon especially in eastern European countries with Slavic influences, even though Bulgaria’s geographical placement further south in Europe means that its winters would not have been as harsh as say countries like Lithuania. Lithuania’s Užgavėnės festival however is a very similar celebration, in that it celebrates the end of winter and the beginning of a more fertile season.

Šokių Šventė, Traditional Dance Clothing

Main Text

GD: “Šokių Šventė is the International Lithuanian Folk Dance Festival that happens once every four years, and what it is, it’s a folk celebration. So everyone dresses up in their tautiniais drabuziais which is their traditional clothing and does their hair, does their makeup. So everything is made out of wool and linen, the women traditionally wore like long skirts with aprons, obviously not floor-length as you have to go work, shirts with poofy sleeves which often had red embroidery around the wrist and a vest that matches the skirt. There are a lot of patterns in Lithuanian culture, in terms of vest and the skirt, and they would mainly distinguish where you are from.”

Background

D is a 19 year old Lithuanian-American second year student at USC studying Theatre and Classics. Her mother was born in Lithuania and moved to a Lithuanian community in New Jersey, where GD attended Lithuanian school and church. She is excited to attend Šokių Šventė for the very first time as it is being hosted in Philadelphia this year.

Context

This traditional clothing was once everyday wear for people living in Lithuania, but has now been relegated to special wear for high profile cultural events like Šokių Šventė. It is also worn at weddings and other folk celebrations.

Interviewer Analysis

JThe phenomenon of once widespread folk dances being raised up as a symbol of a culture and then relegated only to manufactured displays of “Folk Culture” is a very common occurrence. Dance trends change, especially in our modern and more global times. Taking a cultural snapshot of dance and placing it into a category of folk importance may ensure that the dance lives on, but not that it will continue being the preferred style by the people. This has happened not only with the dances performed at Šokių Šventė, but also the clothing worn to the festival.

August 15th festival

–Informant Info–

Nationality: American

Age: 53

Occupation: Senior VP for a development company

Residence: Pheonix, Ariozna

Date of Performance/Collection: 2022

Primary Language: English

Other Language(s): N/A

(Notes-The informant will be referred to as MW and the interviewer as K)

Background info: MW is a father of 2 who grew up and now resides in Pheonix, Arizona. He lived in Belgium for a period of years, which is where he saw and participated in this festival.

K: So, what’s the festival called and why is it performed? Just give me like background info

MW: I can never remember the official name of the festival, but a lot of people just call it the August 15th festival uh because the major date of it is on the 15th but it goes from the 14th to the 16th. It’s performed for normal festival reasons, celebration and such but mainly for Tchantes and other uh folk heroes, I guess.

K: Ok cool uh…ok go ahead and just describe the festival. Like what is performed and eaten and who is celebrated and stuff like that

MW: Ok so like I said the festival is for folk heroes, especially Tchantes and characters like that. There’s actually a huge flea market the weekend before I forgot to mention, its giant and lasts the whole weekend. Anyways the uh festival the first day is just drinking a lot of Peket (an alcoholic drink in Belgium) and celebrating everyone coming together before this huge concert really late in the night. Kids are there as well, normally having super watered-down peket *laughter*. The big day is the uh 15th where it starts with a big sermon and mass, and then in the middle of the day these huge uh…they’re called the Giants of Outremeuse are paraded down the street so everyone can see all the folk heroes, and then throughout the entire day there’s uh a bunch of concerts and smaller parades. The festival ends on the uh 16th in the evening with the burial of Matî l’Ohê, which is another folk hero I think *laughter*, I was too drunk to really remember! Anyways, these uh mourners follow that and throw celery onto the crowd to represent his bone.

Interpretation:
I really enjoyed hearing about this festival! I was told about Tchantes earlier in the day when interviewing the informant, so being able to hear about the effects of Tchantes in daily/yearly culture was really interesting. I also thought it was interesting how much of a role alcohol played in the festival, as even children have a very watered-down version of peket. It seems that you drink until you can’t drink anymore, and then go to concerts and watch the parades and participate while everyone is drunk and having fun. It seems like a safe, fun occasion rather than a drunken frenzy.

Oga no Namahage Festival

–Informant Info–

Nationality: Japanese

Age: 19

Occupation: Student

Residence: Los Angeles, California

Date of Performance/Collection: 2022

Primary Language: English

Other Language(s): Japanese

(Notes-The informant will be referred to as NN, the interviewer as K, and the mother as M)

Background info: NN is a 17-year-old student at a High school in Los Angeles, California. They moved here from Japan when they were 13 and remembered participating in this festival. I was told this story at their home over tea, with their mother occasionally interjecting to add detail. She will be referred to as M.

K: Ok, so uh, what’s the name of the festival, how do you know about it, and what’s the context of the performance? Like under what circumstances is it uh performed?

NN: The festival is titled Oga No Namahage, and it is a new years festival. I know about it because I grew up in the region where it was performed.

K: And what region is that?

NN: Oga city, in Akita prefecture. But it’s performed nearly uhm everywhere in Akita Prefecture.

K: Cool! So you said you just wanted to talk about one aspect, correct?

NN: Yes, the namahage visit.

K: Ok, whenever you’re ready

NN: Thank you! Its very simple. Young men, normally around your age (20) dress up as namahage, which are like…

M: Ogres or demons

NN: Yes! Those. They have…big red faces and dress up in these straw uhm…costumes that are cool because if you move slowly, then you are silent, but once they want to scare someone, they make so much noise! *Raises arm and makes whooshing sounds to emphasize how loud they are*

K: So its a scary thing?

NN: Oh yes. They dress up as namahage and sneak up on lazy children, ones who are sleeping or not paying attention at the fire and scare them so bad *laughter*. They will get you every year, they are that good at sneaking

Interpretation:
I really loved hearing about this festival! It’s a relatively small festival and doesn’t have a whole lot of tourism surrounding it, so it stayed pretty faithful to how it’s always been done, down to stories around large fire pits. NN has also mentioned to me later on that at least at her town’s festival, technology wasn’t allowed because it spoiled the fun. I think it’s interesting how deeply ingrained Japanese folklore is with their culture, like with the namahage. This is a scary event, but also fun, so it reinforces the idea that namahage, which can seem almost comical looking from an older point of view, is scary and is meant to be feared. It allows Japanese folklore to exist in a more pure form.