Tag Archives: ghost

Family Ghost Friend

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles, CA
Language: English

Context

The informant is a USC student who has lived their entire life in a neighborhood near the USC main campus. Their family is of Mexican origin, and this story is about a ghost that has haunted their family throughout the generations. We conducted this interview in the basement of Taper Hall during our shared ANTH 333 discussion section, and so this story is what the informant could think of as a story to tell off the top of their head.

Text

Int.: Okay, I’m recording.

LH: Okay, so basically this story, I don’t know who came up with it, but it like ran amongst like my little cousins and I when I was growing up, I used to live very close to USC campus. And I remember one day, my mom would tell me just randomly like, “Oh, your little friend stopped by your blah blah blah.” And I was like, “What do you mean my little friend?”

LH: I was like, 11 when this happened. I was like, “What do you mean, my little friend?” And the story goes basically that like, in my family, we had an uncle who like died tragically in a fire when they were still in Mexico.

[Interviewer laughs in surprise]

LH: I know this escalates very quickly. He died very tragically as like a kid in a fire and blah blah blah, and everyone in my family thinks that my grandma is cursed. Like, we think that she like dead ass has like something on her, like, witchcraft. And so the story is that once like, my uncle died in the fire, he had been like haunting my grandma like ever since and like following her around.

LH: And so every time we would go to like, my grandma’s house, the vibes were so gross. It was so cold in there. It was–it felt like you were being watched all the time. And my mom would say that, like all the little kids in the family at the time, would have like the same constant imaginary friend whose name was Pablo.

LH: And she was like, yeah, like your little cousin saw your–or like Pablo the other day and I’d be like, “Who the fuck is Pablo?” Like, what are you talking about? Until one day my old–My other uncle he was like, “Yeah, you had this uncle who–” blah blah blah, this and that. And basically like, to this day we tell this story to like the little kids because like, my grandma’s house has always felt so, like, grody and like, weird, like, the vibes.

LH: The vibes have always been off and so to this day, every time we get, like, a new little cousin in our family, or like, someone else in the family would be like, “Yes, you know, my grandma’s haunted but she has like this little boy following her. But yeah, that’s like, pretty much the sum of it.

Int.: That’s crazy.

LH: Yeah.

Analysis

I love this story for how it reveals the family structure of the informant as one that is strong and large. From a folklore studies perspective, it reveals how folklore often spreads through family structures and reinforces cultural beliefs–such as the belief in ghosts–in the process. The ghost in this story arises from a family legend–that of the boy who died in a tragic fire. It also shows how children influence the folk beliefs in adults, not just the other way around. Because the family children all have similar or the same imaginary friend, it reinforces the belief in this ghost and continues this legend. In a way, it keeps the memory of the boy who died alive. The ghost becomes disembodied from the real boy in terms of actual facts, such as what the boy looked like, how he behaved, and more, but the shared idea of him continues to change as the imaginary friend persists throughout the family.

legends about the ghost building in Shenyang

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Nationality: China
Age: 21
Occupation: student

Context:

My informant learnt about the ghost story from his father, who is a native of the Shenyang city.

text:

“There is a ghost building in Shenyang, which the old generation knows where it is, but they tacitly agreed that they would not tell the younger generation its location. They hid it because they were afraid that if young people knew about it, kids would form explore teams and seek advanture in the ghost building. So that’s why I don’t know where it is but my father know where it is.

I don’t know what happened before abou this building, but it’s hounted, and very severe. One after another, people moved out of that building. They would connect, or call the police and say ‘哎！有鬼有鬼有鬼，’or ‘Oh there is ghost!’ And because everyone moved out of the building, it become quite a big deal to the real estate developer of this building. And it also had bad influence to the local security, people were scared. The government thinks this is not the way things should be, so they sent out a team of police officer to the ghost building one night, to see what’s the real deal there.

And because it was a very famous hounted house, the police also knew about it, and they were scared as well. The police, as they should, brought guns with them.And they also brought wine, to strengthen their courage. So their plan was to drink in the ghost building and see what will hanppens. After they drunk, they slept. But the next morning when they woke up, every single one of the police officer was dragged outside of the building. They were slept in bed, but they woke up outside. So there is something wrong with the building.”

Analysis:

This is a classic example of a haunted house legend. The legend is passed down through oral tradition and is a part of the local culture. The fact that the older generation knows about the ghost building but does not disclose its location to the younger generation adds an element of mystery and intrigue to the story. This legend of the hounted house is a legend that contextual the influence of space angd time into our belief. The time of this legend appeared just after the open up of China, when there were lots of superstitious belife as well as ideas that call for science and anti-superstitious.

The emphasis on the severity of the haunting and the repeated instances of people moving out of the building due to ghostly encounters build the suspense and contribute to the eerie atmosphere of the legend. And because legends might be true, the use of the phrase “哎！有鬼有鬼有鬼”(Oh there is a ghost!) adds authenticity to the legend, as this phrase is commonly used in Chinese ghost stories and adds an element of cultural familiarity to the tale.

This legend offers insight into the beliefs and superstitions of the people of Shenyang city, as well as their attitudes towards the supernatural. The fact that people were so afraid of the haunted building that they moved out and reported ghostly encounters to the police suggests that belief in ghosts and spirits was widespread in the community. It also highlights the impact that supernatural beliefs could have on everyday life, such as the impact on the real estate market and local security. It also implied that the supersitous belief of ghost does not limit to the ordinary people, but as well as the people in the government, who supposedly based on communist doctrine, reject any superstious belief and firmly believe in science. The contridiction between dogmatic belief of the state and the actual practice of the people is particularly interesting in this context.

Ghost story in Chinese village in Sheng yang

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Nationality: China
Age: 21
Occupation: student

Text:

“The entrance of the village had a big millstone that the entire community shared. Every night, there would be a small, white thingy that people thought was a small white ghost, running around the millstone over and over again. And you can’t get close to it. I mean, if you get close to it, it would jump on you and start to tickle you. It would tickle you until you laughed to an extent that you couldn’t breathe anymore and died. My grandma said she saw it once, but she was not tickled by it. And after the Cultural Revolution, this little thing was gone forever.”

Context:

This legend was passed down from the informant’s grandma. The legend took place long before the Cultural Revolution in China. Our informant thinks it was the “Elimination of the Old Four” movement by the Chinese government at the time that had eliminated the ghost. The “Old Four” include old ideology, old culture, old tradition, and old customs. It was a time when many historical treasures were destroyed. The informant thinks that the villagers believed that the ghost belonged to the Old Four, so it was gone after the movement.

interpretation:

This is a great example of explaining personal experience or rationalizing it with existing legends. It’s a kind of belief enhanced by the informant’s grandma’s own sightings. Similar experiences around the village might have occurred, and added up to the formation of the ghost legend. Obviously, it’s an unwanted ghost. My interpretation of the tickling is that the ghost is small, probably a childlike figure. It’s not rational for a child to kill grown people, and laughing is often associated with children.

The “elimination of the old four” movement, or “除四旧” (pinyin: chú sì jiù), was a movement in China during the cultural revolution that caused a lot of historical antiques and culture to be destroyed. The “old four” refers to old ideas, old culture, old customs, and old habits. The movement firmly grasped the idea that old and superstitious ideas, or anything counter-scientific, went against the principle of communism. This movement’s dogma provided the villagers of Shenyang with a spiritual tool to wash away what they feared in their collective past. The small ghost by the millstone might have been a troublesome existence in the lives of the villagers. In the context of the elimination of the old four, it was eliminated and washed away like all the other things deemed bad and counter to the Communist Party.


					

		
		
	


	

				

			
						

				Mula Sin Cabeza, Brazilian Headless Horse
			

								

			

				
		

				

			

Text:





M: umm , oh another one is the, ah, mula sin cabeza. This is actual like folklore that umm basically is the…  mula sin cabeza its a type of horse without their head, that’s the name





Me: ok





m :  umm





Me: is it mula sin cabeza?





M: yeah, aaand what happened is it’s a creature that is created or born or whatever, when a woman sleeps with a priest. Which your no supposed to cause like a priest is like 





 Cannot have sex and bla bla bla. But, if you do, the woman becomes that horse 





O: what!?





M: yes..





O: that is so anti-woman.





I laugh





M: well, whatever, it’s, it is what it is





Me: maybe society is anti-woman





M: yeah





O: oh m goodness society





M laughs





M: and then so she would 





[I laugh because o realizes that I’m recording and leaves]





M: she would like walk around at night, cause you know the mystic anything will transform at night





[O leaves closing door]





M: and so, and the way she is, imagine like a horse without a head, and on the place the head was supposed to be its just flames





Me: yo, thats metal





M: right, it’s literally that! It like a horse without its head and in its place fire. What else we have…





Me: wait wait, what does the horse do?





M: just haunt the city





Me: the whole city.





M: yeah cause, like it would like walk around us when it was.. And don’t have a head. And it was like a punishment for like sleeping with the priest. Cause you’re not supposed to sleep with the priest





Me: that’s your take on it? You’re not supposed to sleep with a priest





M: yeah basically. In conclusion, do not sleep with priests





I laugh





M: so fleabag would not have survived Brazilian culture





ME: you’re right





Context:





The informant, M, is a 19-year-old USC international student from Brazil. She delivered this piece in the workroom of a campus center before class alongside other pieces in order to share some personal and Brazilian folklore. She learned about this legend growing up in Brazil.





O is a mutual friend of the informant and me, they briefly walked into the workroom and commented on the legend, before realizing I was recording and leaving.





Analysis:





As M said “You’re not supposed to sleep with the priest.” this legend clearly indicates the cultural value of not sleeping with priests. 





To me (as partially stated in the text) transforming the woman who slept with the priest rather than the priest indicates blame on women for the sex rather than priests/men. This would indicate a larger cultural understanding that having sex with a priest is wrong, not a priest having sex. This could relate to western christian notions of purity culture that blame women for the loss of virginity and other sexual acts.





The specifics of M’s speech also indicate that mystic transformations are thought to more commonly happen at night, 

					

		
		
	


	

				

			
						

				Loira do Banheiro, The Brazilian Bloody Mary
			

								

			

				
		

				

			

Text:





Me: ok, we’re recording





M: Oh okay great. Let’s start with the Brazilian version of Bloody Mary. So we call her the blonde woman. It’s a legend, like of course, as every child would when I was in school and I was like elementary school, of course, the children were like ‘oh yeah! Its a legend, but it actually happened here in this school. Umm it’s basically a story that she was a girl she was blond she’s in school bullied. And she went to the bathroom to cry, and then she slipped, hit her head, and died





Me: oh my god





M: and there’s a specific stall that it happened in. In my school it was the bigger one for accessibility. after that I never went to that bathroom again by the way. Cause I was, I was like ‘i don’t believe in it’ but still like ‘Yeah I’m gonna use the other one.’ umm, and to summon her you had to like throw like a one piece of hair. And then..





Me: your hair?





M: yes





Me: Okay





M: on the toilet and then like flush three times, go to the mirror and say like. Uhh loira do banheiro, loira do banheiro, loira do banheiro. Which, loira do banheiro is blond from the bathroom. And then she would appear and kill you.





Me: obvi





M: yes. And then I remember I had a friend who like, my friends would go to the bathroom to try it, but that’s like– it would only work in the girls’ bathroom and there were two boys. So I don’t know how they were doing it!? Cause I never went with them cause I was like I’m not doing that. But yeah. Dunno what they were doin’, but yeah whatever we were kids so it’s umm





Me: what’s your take on what that means? Like what’s the meaning, what’s the story?





M: ummm I don’t know. I think it’s, probably for either just– it’s just a scary story the children told each other or maybe to make them behave when like between going to the bathroom and going back to class. But yeah, I think that it’s just a scary story that kids created.





Me: alright





Context:





The informant, M, is a 19-year-old USC international student from Brazil. She delivered this piece in the workroom of a campus center before class alongside other pieces in order to share some personal and Brazilian folklore. She learned about this legend growing up in Brazil.





The informant suggests that the legend is either “just a scary story the children told each other” or something adults said to make kids behave in bathrooms.





Analysis:





M says that this is a Brazilian version of Bloody Mary. Indeed the two figures share much: They each appear in girls’ bathrooms. they both are summoned by some action and three repetitions of their name. both kill their summoner. And both fall into that space of legend where people will say they don’t believe, but then avoid the thing/action/place anyway.





Because of this association with Bloody Mary, this legend may also be related to the fear of menstruation (as other scholars have drawn the connection with Bloody Mary).  This seems believable because both stories are set in bathrooms and are most popular among young girls, but I hesitate because of the Loira do Banheiro lack of blood references. Instead, there is the focus on hair: you put a piece of hair in the toilet to summon her, and her name-worthy trait is her blond hair. 





There is also the moral included that you should not bully someone because they might die and haunt a bathroom killing children.