Tag Archives: Okinawa

Blue Ghosts in Okinawa, Japan

Nationality: American
Age: college age freshman
Occupation: student
Residence: Los Angeles
Primary Language: English

AM: So, it was- like the first month or two when i moved to Japan and I was hanging outside at like…2am like at night in a park. Um, the military base we was staying on was built like near like Japanese Shrines and whatnot and they said that you know the shrines are haunted and there’s a lotta “superstitions” with those. So while we’re out hanging, there was like oh look- you can see a bluf- blue figure on a hill like on top of the shrine and when I looked over you- I saw like a bluish like glow from the hills where the shrine was and they said that this island is one of the most haunted places and that there’s a lot of spirits around.

VG: Woah. What island was it?

AM: Okinawa.

VG: Woah-

AM: And that is- it is very common to see those there… so we was like “yeah, let’s get the hell out of here.”

 

Background:

Location of Story – Okinawa, Japan

Location of Performance – Dormitory room, Los Angeles, CA, night

 

Context: This performance took place in a group setting – about 2-3 people – in a college dormitory room. This performance was prompted by the call for stories about beliefs, ghosts, or superstitions as examples of folklore. This story came after a few others. The one prior was specifically about a high school grade being cursed.

 

Analysis: One point of interest in this performance is the effectiveness of the subtlety of the description of the “spirits.” The only physical description the audience receives about these supernatural beings is that they humanoid in figure and blue. The color is particularly notable because, at least in my experience, I have always viewed the ghosts in ghost stories as being neutral toned or white. Therefore, this description was able to create a whole new image for me and draw me deeper into this performance. It also reinforces the foreignness AM might feel since he had just moved to Japan: not only is the location different but also all of the local lore. One might even go so far as to say that this story was presented with a negative conation despite having no description of graphic hauntings or threats. 

Kamigami-sama Eisa Dance

Nationality: China
Age: 21
Occupation: Student
Residence: Los Angeles, California
Performance Date: March 13, 2014
Primary Language: English
Language: Japanese, Mandarin

Eisa is a traditional Okinawan folk dance, and it uses small handheld drums called paranku. People used to dance eisa during traditional festivals, but now it is just performed for cultural entertainment. It is closely related to taiko.

Our taiko group dances eisa to a song called “Kamigami-sama”. It’s from the soundtrack of Hayao Miyazaki’s movie Spirited Away, and it incorporates many elements of traditional Japanese music. The song’s title means “The Gods”, and it’s actually a silly song about all sorts of gods needing to take all sorts of baths. But people who don’t understand Japanese can’t really tell.

This song has been in our repertoire for quite a number of years now, and we basically just have older members teach the new members every year. Sometimes we might change a bit of the movements or formation, depending on the Artistic Director or on the dancers’ opinions, so each performance is a little different.

Kamigami-sama

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The informant is the Executive Director of her taiko group, so she is knowledgeable about the group’s repertoire and the stories behind most songs.

It is interesting that this piece is never performed the exact same way more than once, since the performances are never written / made “sacred”. With this more fluid nature, performances of “Kamigami-sama” could potentially take big changes as the years accumulate.

Seijun Suzuki Eisa Dance

Nationality: China
Age: 21
Occupation: Student
Residence: Los Angeles, California
Performance Date: March 13, 2014
Primary Language: English
Language: Japanese, Mandarin

Eisa is a traditional Okinawan folk dance, and it uses small handheld drums called paranku. People used to dance eisa during traditional festivals, but now it is just performed for cultural entertainment. It is closely related to taiko.

An old member of our taiko group is now with L.A. Shisa, a local eisa group, and she recently came back to teach us this song. She danced to it and had us follow step by step, and eventually we performed “Seijun Suzuki” in our annual Spring Concert for the first time.

The funny thing about this song is that it is based on a hip-hop song by Blue Scholars that is named after a famous Japanese movie director called Seijun Suzuki. Another alumni of our taiko group remixed the song “Seijun Suzuki” to combine local Angeleno culture and taiko’s Japanese roots.

Seijun Suzuki Eisa

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The informant is the Executive Director of her taiko group, so she is knowledgeable about the group’s repertoire and the stories behind most songs.

Not only is this contemporary eisa piece similar to the pop-culture mashups that are the craze on YouTube, the way the informant’s taiko group learned Seijin Suzuki was also very performative too, since the L.A. Shisa member had taught them through performance.