Category Archives: Folk Beliefs

Flying doll

Nationality: American
Age: 20
Occupation: college student
Language: English

Text:

“I was sitting in front of the couch on the floor and behind me I had my Jessie doll sitting with like some lion stuffed animal, I think, just like above– behind my head. And I was watching television, I didn’t move, I was just sitting there, I was content, and my doll flew across the room. To the other side of the couch. Like, as if it was thrown or something”

Context:

 “It would have been like first grade, or second? More like second grade, so around 8. And I was a latchkey kid, so it was one of those times I was left home alone. I had gotten used to being left home alone, but I couldn’t – I couldn’t stand the silence, I couldn’t stand the sounds because it was creepy and we would, like, I would always hear footsteps in the halls and stuff and it was just creepy. My parents said it was the cats underneath the trailer but you never know. Children are imaginative. 

Analysis:

This memorate of what the interviewee defines as a ghost encounter is interesting first because it happened while she was alone. Many encounters derive validity from multiple accounts of the same or similar events, but this person had strong belief in their encounter even without someone else there to witness it and without recollection of the same happening to other family members. They also did not tie this event to a greater expectation of their home being haunted in this way, although she did mention hearing footsteps. This implies that the movement of the doll was an isolated event, although the general haunting may have been consistent. As she describes being left home alone after school and being scared of the various noises, it seems that this space became a center of belief for the individual. Because of the increased eerieness of the trailer, especially as a child, her belief may have been augmented so she was more willing to correlate her memorate immediately with the existence of a ghost. This also speaks to the fear, not just as a child but as an adult, that one may not truly be alone when one expects to be. Mysterious actions only add to the fear that another person or being might be in the room and able to hide their presence, causing further mysteries to be interpreted more frequently as monstrous or magical. 

La Diablesse

AGE: 20

Date of performance: 04/03/2025

Language: English

Nationality: American

Occupation: Student 

Primary Language: English 

Title- La Diablesse 

Context- C shares a Trinidadian legend that he was told by his grandmother growing up—the legend of La Diablesse. C says that La Diablesse is a beautiful woman that has one cow hoof hiding underneath her dress. She aims to lure men, representing temptation and danger within Caribbean culture. 

Analysis- Legends are a sub-genre of the narrative genre of folklore, holding some element of truth that is not confirmed or denied. La Diablesse is a legend because she represents a part of the culture in Trinidad as they are very spiritually motivated. The legend of La Diablesse reminds me of Mexico’s La Llorona, both being legendary, beautiful women that seek attention while representing elements of their cultures. This is a telling sign of folklore—variations of similar genres amongst different regions and cultures.

The Pig on St Oswald’s Church

Nationality: British
Age: 22
Occupation: Social Media
Residence: Winwick, Warrington
Language: English

Text:

“In Winwick, Warrington, near my house, there is a church that has been here since the 12th century. The legend says that King Oswald died in Winick, and a small church was built there right after. People would come visit from all over, and one day it was decided that there would be a bigger church. The construction workers started building a foundation at the original site of the smaller church, but one night a pig was spotted running to the site of the new church while squealing what sounded like Winwick. The pig then took the stones from the new foundation, took them by his mouth, and ran to the site of St. Oswald’s death. In the morning all the villagers gathered around and were amazed and decided to take it as an omen. They decided to build the new church where the pig had laid out the stones. To remember the pig, they carved the pig into the stone. The church was rebuilt in the 14th century, but supposedly the stone was kept safe and put into the new structure to remember the legendary pig.”

Context: 

My informant lives in Winwick, Warrington. Their parents told her about the legend growing up, but it is also a legend that everyone knows living in Winwick. 

Analysis:

This is a legend, and it centers on the founding of a church in Winwick, Warrington, and the importance of a pig determining its location. This legend connects geography, spiritual history, and sacred architecture. The pig is an example of an omen. A non-human figure that delivers a message. The villagers see it as a sign, and in medieval Europe, these legends were helpful to reinforce the spiritual significance of holy sites. The pig squealing in Winwick is also how the town got its name. This legend plays an important role in the community’s identity and is a key part of Winwick’s cultural heritage. 

El Conejo en la Luna (The Rabbit on the Moon)

Nationality: Mexican
Age: 48
Occupation: Business
Residence: Los Angeles, CA
Language: Spanish/English

Text:

(transcribed from Spanish)

“My mom told me this tale when I was a kid. She told me that a long time ago, the Mexican god Quetzalcoatl explored the world. So he came down and turned himself into a mortal man. He was so amazed by how big and beautiful the Earth was that he got distracted and forgot to eat and hydrate himself. Quetzalcoatl started feeling faint and decided to rest on the road. Then a rabbit appeared to him and asked him if he was okay. Quetzalcoatl told him that he was very hungry. Right away, the rabbit offered to share his food with him, but Quetzalcoatl refused and told the rabbit that he didn’t eat plants. The rabbit thought for a moment and decided to offer himself to Quetzalcoatl and said, “I am an insignificant creature; you must recover and return to your travels. Please eat me.” Quetzalcoatl was moved by the rabbit’s noble gesture, so he returned to his godly form and held the rabbit high to the moon. He then placed him back on the ground and told him, “You will be remembered all around the world, and when everyone looks up to the moon, they will see the print of you on the moon.”

Context: 

The informant was my father. He is from Michoacan, Mexico, on a small ranch. He grew up off the grid, and his mother told him this tale. 

Analysis: 

This is a myth that is deeply rooted in Mesoamerican tradition. It centers on one of the most important deities in Aztec belief systems. The story reflects core mythological themes such as a godly figure interacting with the mortal world. The rabbit is an example of sacrificial heroism. The rabbit has become immortalized, not because of power or money but through compassion and generosity. This shows the cultural values of Indigenous Mexicans. The myth has also been shared across multiple generations, especially in East Asia, yet it might differ from the Mexican version. 

STEP ON A CRACK, BREAK YOUR MOTHER’S BACK

The informant was told in the third grade that if they stepped on a sidewalk crack, their mother’s back would break. This superstition lasted for years and is widespread, and is something that is often told amongst young elementary children. It is also believed that it can cause bad luck and misfortune.

Age: 24

Date: April 3rd 2025

Language: English

Nationality: White/Hispanic

Occupation: Student

Primary Language: English

Residence: California

Analysis: This story falls into the category of superstition and this story is often shared among young students in school. This superstition has racist origins, dating back to the 19th century. The original saying was “step on a crack and your mother will be black”, which then later evolved from being a harmful racist saying to being about bad luck.