Category Archives: Protection

Devil’s Foot 

Age: 20

Folk Narrative: Legend 

Text: Devil’s foot 

“My mom told me that her grandpa would go to the clubs very late at night and early in the morning, which would worry his mother-in-law because he would be drunk and careless. On one particular night, he came back home very late and drunk, and when he was about to pass out, he saw a woman in the corner of his room dancing alone. He figured he couldn’t leave her dancing alone, so he got up to dance with her. After a while, he saw that one of her legs was a hoof and appeared to be the Devil’s foot. After this, he ran to his mother and told her he was sorry and would never go clubbing again and became sober after that”. 

Context: My informant first heard this story from her mother, who told it to her various times. The story runs in the family, and everyone believes it true. She also mentioned that on her father’s side of the family, there is a similar story with her uncle, who also saw the Devil after drinking. When I asked my informant how she interprets this story, she said she sees it as a warning or a way to tell kids not to become avid drinkers or act out. She grew up in a Catholic Mexican family with a strong traditional belief system. She thinks this story is a way that her older family members instill fear from a young age, so it will encourage obedience and prevent the kids from worrying their parents, as these other male family members worried their mothers. My informant mentioned that she believes if a person is out there causing worry and harm to their own family, then it is only a matter of time until they see little death or the Devil in front of them. 

Analysis: This folk narrative holds specific characteristics of a legend, such as being believed to be true in this world and having happened to someone in the family. The appearance of a woman with a Devil’s hoof is supernatural, but still presented as an actual warning event rather than a symbolic myth.  Legends often convey the values or anxieties of a culture. In this case, the story warns against excessive drinking, nightlife, disobedience to family values, and reckless behavior, using the Devil as a cautionary figure. He acts as a supernatural enforcer of morality, punishing those who stray too far from accepted behavior. The moral outcome of the story—the man sobering up and repenting—demonstrates how the legend operates as a behavioral warning, particularly for younger generations. This legend may be part of a tradition in Latinx and Catholic communities where the Devil often appears as a figure of temptation and punishment, reflecting religious influences on folk beliefs. The horror of seeing a Devil-woman after a night of recklessness becomes a powerful deterrent, using fear to teach moral lessons and protect family unity. This legend is familial or local and reflects the family values of that particular group. Perhaps these qualities are not a cause for concern for other families and cultures. The repetition of similar stories across both the mother’s and father’s sides of the family shows how this legend functions communally, passed down as a cautionary tale to enforce norms of obedience, sobriety, and familial responsibility. In this case, their upbringing and beliefs influence what they choose to warn against through their legends.

White Peacock Encounter & Mythology

Nationality: American
Age: 52
Occupation: Director of Student Engagement for the Office of Religious and Spiritual Life
Residence: Los Angeles, CA
Language: English

Text: “So, I was in Scotland for my fortieth… Forty-fifth birthday. Fortieth birthday. Forty-fifth birthday. Yes, I’m sorry, I was in Scotland for my 45th birthday, and I was on my way to find Iona Abbey, because Iona is the birthplace of Scottish Christianity and is kind of a pilgrimage site. But to get to Iona Abbey, you have to go across several little tiny islands to catch a ferry over to Iona abbey. So um.. and these little tiny islands have like a one lane road.

“So, my honey bun and I were driving on the last… across the last little island to catch the ferry. When we came around a bend in the road, out in the middle of nowhere, no like, country, and there was this beautiful white peacock with its feathers fully displayed, standing in the middle of the road, just looking at us. So I freaked out. I’m like, ‘oh my god you see that white peacock?!’ So the white peacock is just standing in the middle of the road looking at us, and we’re looking at the white peacock. And it didn’t move, and it just had its beautiful feathers displayed. And I knew that that white peacock was there for me, I just didn’t know what it meant. But I knew it was there for me. It did not move until we started to creep the car forward, and when we finally started to creep the car forward a little bit, it moseyed — you know, in Oklahoma terminology — it just moseyed off the road. Um… but it was gorgeous, and I’d never seen a white peacock in the wild, and I certainly had never come around a bend and had one waiting for me. But I felt like that peacock had been waiting for me. So I was mesmerized, and if we hadn’t been in a hurry to catch the ferry — because we were catching the last ferry over, and we were of course running late — I would have gotten out and, you know, tried to interact with this peacock. So it always haunted me that I never interacted with this white peacock, because I knew it was there for me.

“So fast-forward to when I’m 50, and I’m reading a book by Meggan Watterson, who’s a Harvard-trained divinity scholar, and it’s called The Sutras of Unspeakable Joy, and I think it was sutra number 14… I think it was 14. She has a line in it that says, ‘I am nothing more than the albino peacock of my own incandescent soul.’ Well, the moment I read that line… You know those moments in life where your whole body goes aflame, you’re like, “Wah!! What does this mean?” It took me down lots of rabbit holes where I was trying to understand the symbology around white peacocks in particular, not just peacocks but white peacocks. Well, there’s a lot of different things. One is that if you see one, it portends that you are on the right path, and because I was sort of on my pilgrimage at that age, I was like ‘yes, this is — I’m on the right path.’ I was sort of starting my path towards my spiritual sovereignty, so for me it was about spiritual sovereignty, and just knowing that I’m on the right path. But there’s a whole mythology around white peacocks that’s connected to Kuan Yin. And I’m gonna totally butcher this, but I want you to look it up. If I could go back to my journaling, I have it written down. But Kuan yin at some point, a goddess, was incarnate. By choice, because she wanted to be here to help the humans. And for some reason she had to go back to wherever that is. And she, like…. um… See, I’m not gonna say this very well, but the mythology is that the eyes on the peacock? She’s the one who created the eyes on the peacock. And the eyes on the peacock are supposed to be looking out for humanity while she is not here. While she is, you know, on the side of the gods and goddesses — the eyes of the white peacock are supposed to do that work for her.

“I just thought that was really cool because part of my growing up years, you know, I did my doctoral research about abusive Christianity, and I framed that through a panoptic gaze, and a punitive gaze, and it was so lovely to have a different framing of a gaze… And these eyes on the peacock feathers were a loving gaze, and a watchful gaze, but in protective way, and not like a “Let me see what all you’re doing wrong,” you know that kind of a gaze. So that’s partially why it was so striking to me. But look up the mythology around white peacocks, its pretty cool. And so now white peacocks are one of my… Totem animals, spirit animals? I don’t know what you would call it, but yes, there’s the story.”

Context: Informant RS is a highly educated individual from the Oklahoma with multiple PhDs. A key part of her life was recognizing and healing from the abusiveness of the religious tradition that raised her. After graduating college, she spent many years exploring different spiritual traditions that valued divine femininity, intuition, animism, and environmentalism. RS currently identifies as Pagan and feels a spiritual connection to Scotland, especially upon learning that she has ancestral connections there. She is also a Carl Jung enthusiast and values his theories of archetypes and synchronicity. Kuan Yin is the Buddhist goddess of compassion.

Analysis: RS’s experience with and reaction to the white peacock is reminiscent of various (and often overlapping) traditions including witchcraft, Wicca, Native American spirituality and Paganism that ascribe magical or spiritual powers to non-human beings. Thus, she interpreted the peacock sighting as a sign of guidance, protection, and compassion during a formative point in her spiritual journey. Her knowledge of Kuan Yin’s mythology in Chinese culture reflects her education and spiritual exploration, and she was able to translate her experience in terms of spiritual and religious folklore she had studied.

The Jinn

Nationality: American
Age: 18
Occupation: University Student
Residence: Los Angeles, California

Age: 18
Date of Performance: 4/01/2025
Language: English
Nationality: American
Occupation: University Student
Primary Language: English
Residence: Los Angeles, California

Text:
“Jinns—there are evil ones, good ones, Muslim ones—they’re basically spirits. They can possess you. There are certain things you’re not supposed to do, like stare in the mirror too long, stay in the bathroom too long, or listen to music in there, especially if you’re naked. That attracts Jinns. If a Jinn falls in love with you, they can possess you, stop you from getting married, and even have children with you.”

Context:
The informant is Muslim and grew up with strong cultural and religious beliefs around the Jinn. These stories were often told in the household to reinforce behavioral norms and maintain spiritual awareness. The mention of Jinns falling in love adds a layer of romantic and paranormal tension to the legend.

Analysis:
The Jinn is a foundational concept in Islamic theology and Middle Eastern folklore, often acting as both a spiritual metaphor and a literal belief system. This legend highlights behaviors that might be seen as immodest or spiritually vulnerable, reinforcing modesty and spiritual caution. The romantic element—Jinns falling in love and disrupting relationships—adds a psychological dimension, providing an otherworldly explanation for earthly struggles in love or marriage.

Theatrical Folklore: The Macbeth Curse – “The Scottish Play”

In theatre folklore, it is considered bad luck to say the name “Macbeth” inside a theater unless one is performing the play. Instead, actors and crew refer to it as “The Scottish Play” to avoid invoking misfortune. The belief is that uttering the name in a theater will bring accidents, technical failures, or even personal injury.

If someone accidentally says “Macbeth,” there are traditional rituals to reverse the curse, which often include:

  • Stepping outside the theater, spinning around three times, and spitting over one’s shoulder.
  • Reciting a line from another Shakespeare play, often from Hamlet or A Midsummer Night’s Dream.
  • Knocking on wood or performing other symbolic actions to cleanse the bad luck.

Many theater professionals follow this superstition, even if they do not fully believe in it, simply out of tradition and respect for the craft. 

I first heard about this superstition from M, the music director at my church, who has a strong background in both music and theater. He brought it up during our conversation. M explained that many actors and stage crews take the “Macbeth” curse seriously and will quickly perform a ritual if someone accidentally says the name inside a theater. He also mentioned that he has witnessed productions where, after someone said “Macbeth,” things started going wrong—props went missing, technical difficulties occurred, or performers forgot lines.

M sees the superstition as part of the camaraderie of the theater world, where traditions help create a sense of shared identity and respect for past performers. Even though he personally doesn’t believe in the curse, he follows the tradition out of habit and to avoid making fellow performers uneasy. The superstition surrounding Macbeth is an example of folklore that persists within professional communities, shaping behavior and reinforcing tradition. This belief connects modern theater practitioners to centuries-old customs, creating a sense of continuity in the performing arts.

There are several theories about the origin of the “Macbeth curse”:

  • One suggests that Shakespeare included real witches’ spells in the play, angering supernatural forces.
  • Another theory is that the play’s themes of violence, betrayal, and ambition create a chaotic energy, leading to an increase in accidents on stage.
  • Historically, Macbeth was often performed when a theater was struggling financially, leading to an association between the play and bad luck.

Psychologically, the curse may also function as a self-fulfilling prophecy—actors who believe in it may become anxious, increasing the likelihood of mistakes, which then reinforce belief in the superstition. This pattern reflects a broader human tendency to attribute misfortune to external forces rather than coincidence or human error. Beyond superstition, the tradition of avoiding “Macbeth” shows how rituals and beliefs create a shared cultural identity within a professional community. Even in a modern, rational world, folklore continues to thrive, especially in artistic settings, offering performers a sense of connection to those who came before them. Whether taken seriously or treated as a humorous ritual, the belief in “The Scottish Play” remains an enduring part of theater culture.

Date_of_performance: 2/24/25
Language: English
Nationality: American
Occupation: Teacher
Primary Language: English
Residence: San Francisco, CA

“Many will fall at your side but you will not be touched”

Nationality: American
Age: 47
Residence: Glendale, Arizona
Language: English

Text: “Many will fall at your side but you will not be touched”

Context: “When talking to someone, it is an encouragement. It is a protection, like enemies will fall but you will not be struck down. They will say negative things about you but you will be protected. Like people who pretend to be your friends but will want negative things to happen to you.” 

Analysis: This proverb is a blessing and a reference to angels in order to wish protection on someone who is struggling with personal relationships. It is also a show of support for a person’s journey and wishes them luck, that no harm will come their way. A possible interpretation of this could be in reference to fallen angels, as other people will reap their own consequences and the individual does not have a responsibility to fall down with them. This double meaning strengthens the intended protection and transforms the saying into prayer.