Category Archives: Kinesthetic

Body movements

CAMBODIAN GREETING // “CHOM-REAP-SUA”

Nationality: Cambodian
Age: 22
Occupation: Barista
Residence: California
Performance Date: 4-24-2018
Primary Language: English
Language: Cambodian

CAMBODIAN GREETING // “CHOM-REAP-SUA”

 

Main Piece:

 

Growing up I was taught that greeting elders in Cambodian was very important. This might’ve been the first Cambodian word I ever learned. It is often regarded disrespectful if a Cambodian American, specially a millennial who does not recognize the importance of greeting in Cambodian to Cambodian elders.

 

It was a gesture of both hands formed in a prayer-like form (clasped) and head slightly bent while saying the hello greeting. (head slightly bent/bowed to the front) I remember there were times when I wouldn’t be sure if I needed to do it but then I would know when my mom whispers in my ear to bow.

 

Background Information:

Why do they know this piece?

A required tradition of respect growing up.

 

Where/Who did they learn it from?

My parents. (theyre from Camodia, immigrants)

 

What does it mean for them?

As an adult it means that I still have the ability to show respect to Cambodian elders and teach my friends their first word of Cambodian / first greeting in Cambodian.

 

Context of Performance:

Sitting inside friend’s room talking.

 

Thoughts:

It is interesting to note that this is very similar to my Chinese-Indonesian folk-principle/custom of respecting your elders. This is more specific in that there’s a specific gesture and saying involved (where my mother only told me to respect my elders…etc.), but I feel that this is a very common principle and core of Asian cultures, or at least the East….as well as perhaps some/most of Western cultures?

 

 

ACUPUNCTURE

Nationality: Indonesian
Age: 80
Occupation: Grandmother
Residence: Indonesia
Performance Date: 4-20-2018
Language: Indonesian Primary / English Secondnary

ACUPUNCTURE

 

Main Piece: (rough translation from Indonesian)

 

When you are sick besides coining you can also do acupuncture.

 

Acupuncture is an ancient Chinese tradition and method of healing where you lay flat either on your back or your front side and an experienced and trained physician sticks needles gently into you acupuncture/acupressure points.

 

They believe that by doing this you can “clean up” or “open up” your chakra / meridian points / flow of energy throughout the body.

 

They believe that this is because all sickness in some way shape or form block or disrupt the flow of energy through the body through these acupuncture points.

 

I always use acupuncture when I am sick and it always makes me feel better very fast.

 

 

Background Information:

Why do they know this piece?

Because this is a good way/method of healing for the body.

 

Where/Who did they learn it from?

From a lot of places, books, doctors, family practitioners.

 

What does it mean for them?

A very powerful Chinese tool and tradition to cure the body of anything.

 

Context of Performance:

Talking to grandmother over the phone.

 

Thoughts:

I personally believe in acupuncture and a lot of my friends who had it before told me that it worked – but I never did it because I am very afraid of needles. This is a very well known Chinese tradition and way of healing.

COINING

Nationality: Indonesian
Age: 80
Occupation: Grandmother
Residence: Indonesia
Performance Date: 4-20-2018
Language: Indonesian Primary / English Secondnary

COINING

 

Main Piece:

 

This is a method of medicine for Indonesians/Chinese (for things such as colds, flus, fevers, etc.).

 

You do it by first rubbing “minyak putih” (literal translation: white oil) on to the affected area (usually the Chest or the Back area – could be over the triceps in some cases, etc…) – the area where “the bad wind” has entered the body, making it sick, and then you use a coin (but I use the hard peeled skin of red garlic, sometimes using the garlic piece too) and I use that to rub on the affected area down, down, down, in lines down the body to get rid of the bad wind.

 

The idea is that with each stroke down of the garlic/coin the garlic/coin takes some bad wind out of the body.

 

Usually this is done until there are red marks all over the affected/intended area. The redder the mark, sometimes blue or purple dots, the better or more effective the coining is working.

 

Background Information:

Why do they know this piece?

Because this is a very big part of medicine of our culture and it is a very good way to heal.

 

Where/Who did they learn it from?

I learned it from my mother.

 

What does it mean for them?

A very good way to heal your family when they are sick.

 

Context of Performance:

Talking to grandmother over the phone.

 

Thoughts:

Personally I do not like this method of medicine because it is painful/can be very painful. This would be done a lot to me when I was younger.

 

Once I went to school in the 2nd grade (I came here to the States from Indonesia when I was in 1st grade, still unaccustomed to the culture/rules of America) and my teacher saw how I had these giant red marks up to my neck. She called me during recess and asked me if everything was okay at home – she mistook it for child abuse.

 

Also there was a period when my father was very sick from pneumonia and this coining was all that my mother did to help him heal – and it was extremely insufficient – and he had ended up going to the ER for his pneumonia – it had gone very bad to the point where 75% of his lungs were filled with the liquid and the bacteria. I think this could have been preventable much earlier on if we took him to a legitimate doctor instead of trying to use this home remedy to heal him.

 

Although I have some dislikes about this I do admit that sometimes it does work and it helps me heal much faster than without it/traditional American/Western over the counter medicine.

 

 

Eye contact during toasts (A common drinking gesture)

Nationality: American
Age: 21
Occupation: Student
Residence: Flemington, New Jersey.
Performance Date: 4/22/18
Primary Language: English
Language: N/A

Michael Gordon, a Junior studying Pop Music at the University of Southern California, who hails from Flemington, New Jersey, provided four pieces of folklore for this collection.

The interview was run, within his studio, at Orchard Avenue, on the outskirts of the University of Southern California.

Folk Type: Folk-Speech.

Folk Performance: Eye contact during toasts (A common drinking gesture).

“Any drinking rituals out on the east coast?” – Stanley Kalu

STORY: Story-time, Mike again, if you do a cheers or a toast you gotta clink glasses and if you do, you need to make eye contact with each person that you’re about to toast with and when you take your drink you need to be making eye-contact with one of the other people and if you don’t it’s bad like and the cheers is forfeit.

Background Information: Michael enjoys this piece because the drinking culture on the east coast is particularly strong. He learned of it in high-school while drinking with his friends.   

Context of Performance: The context was illustrated in the story section.

Thoughts: There are theories that this practice stemmed from the frequent poisonings that would happen in European Court culture but i’m not sure how that applies to looking into people’s eyes. I wasn’t able to find any concrete reasons why this practice exists. So my current thought is frustration.

 

Clicking Sticks: A Folk Dance

Nationality: Indian American
Age: 18
Occupation: Student
Residence: Los Angeles
Performance Date: 3/27/18
Primary Language: English
Language: Telugu, Hindi, Spanish (kinda)

This is like a dance slash game -um- it’s from like Indian Hindu culture actually like it used to be Hindu, but it’s kind of becoming more of like an Indian thing now -um- and basically you have these sticks. Each person has like two sticks; They’re called Raas (pronounced “Ross”) R-A-A-S -um- and like you, you just go around like hitting your sticks with other people’s sticks and it’s like you, you just like dance around all night like hitting sticks with other sticks and like you’ll make like patterns with your friends and like different complex like dances.

 So like if I have these two sticks and you have yours we could be like 1, 2, 3, turn (gesturing to alternating sides with each count and then spinning around with sticks touching your partners) and then there’s like two lines and they go like opposite ways and like so like I’ll go like… so we both move to our, our left so like after we, I hit your stick three times and turn or whatever then I’ll go to like the person next to you and we’ll do the same thing and we’ll keep going. It’s kinda like a circuit kind of.

Yeah and it’s like it’s around the time so that this whole um dance party thing is called garba -um-… G-A-R-B-A. Um- so -um- yeah and it’s usually in like October November it’s like uhh fall harvest type of thing. Yeah. 

The Informant, one of my classmates, shared the dance of Raas after discussion section. The dance is commonly performed during the Navratri festival alongside a similar and simpler folk dance called Garba. The festival is celebrated to pay respect to the Mother Goddess of the Hindu religion, Shakti. The performance of the dance celebrates the nine incarnations of the goddess.

The Informant told me that she doesn’t remember a time where she didn’t take part in the festivities of Navratri, including the folk dances of Raas and Garba. They’re a part of her life. She doesn’t know who taught them to her or when she first danced. One of the Informant’s favorite parts of the dance is the color. She said it reminds her of Holi, the famous Indian “festival of colors” in which people smear each other with color. By the end, everyone is a vibrant hue. In Navratri, the people begin the festival wearing colorful and vibrant Garba garbs. The dance is rather simple. There are no official steps, but performers click sticks to keep rhythm.

Raas was a traditionally male dominated dance, but has become more inclusive over the years. The two things prominent in Raas are vigor and force, however, a one of passion instead of violence. Raas and Garba are both fast-paced energy-filled dances comprised of two circles, one rotating clockwise and the other counterclockwise.

I loved this account of some of the folk dances cherished in India, but I loved the backstory even more. The fact that these dances have been a part of her life so long that she can’t remember a time that they weren’t present is, in my belief, a true marker of a folk dance that is massively culturally important.  This act is a merging of three areas of folklore. The dance itself, the festival at which it’s performed, and the mythology it celebrates.

For more information on Raas, Garba, and the Navratri festival, see here.