Category Archives: Kinesthetic

Body movements

Sangeet Dancing

Nationality: Indian
Age: 18
Occupation: Student
Residence: Dubai, United Arab Emirates
Performance Date: 3/23/18
Primary Language: Hindi (urdu)
Language: English

Collection: Indian wedding dances – bride’s side

The interview began with a broad opening question about Indian weddings. The informant went on to describe the two-day event. The first day is called Sangeet which takes place in a venue where a reception might take place. However, this portion of the event is before the official ceremony. On this first day, there are many different dance performances and skits from both sides of the family. Most of the performances are from the bride’s side to “show the groom what he is getting himself into…what kind of family that he is getting into.” There are dances for the sibling, aunts, children, friends, and more.

Context: Dances are performed by different sides of the family on different days of the wedding.

Interpretation: Folk dancing takes on many meanings, purposes, and forms. In India, the bride’s family dances to symbolize the joining of two families. The Sangeet dancing is almost an introduction to her side of the family.

Indian Dancing Ritual

Nationality: Indian
Age: 18
Occupation: Student
Residence: Dubai, United Arab Emirates
Performance Date: 3/23/18
Primary Language: Hindi (urdu)
Language: English

Collection:  Indian wedding dances – groom’s side

During a discussion about Indian weddings, the informant mentioned that the groom is not allowed to see the bride before the ceremony. On the day of the ceremony, the groom and his family travel to the bride in an extravagant dancing parade which symbolizes him claiming her as his wife.

Context/Interpretation: Folk dancing is performed for various reasons, and in this case, the dance portrays a traditional action. Further, dancing at wedding is a pretty universal concept, however this dancing demonstration signifies a deeper meaning which the the initiation into marriage. This dance is rite of passage ritual.

 

SAE Fraternity Memorial Celebration

Nationality: USA
Age: 24, 24, 23, 23, 17, 53
Occupation: Student, Student, Student, Student, Sister, Father
Residence: Nashville TN, Fredericksburg TX, Austin TX,
Performance Date: 4/15/18
Primary Language: English

At the University of the South (informally known as Sewanee) in rural Tennessee, I witnessed and participated in a large informal celebration held in memory of my late brother, with the university his alma mater. The celebration was preceded by a more formal memorial charity golf tournament held earlier in the day. The party detailed below followed not long after at the university’s chapter of Sigma Alpha Epsilon (SAE for short, also my late brother’s fraternity). The fraternity also arranged the golf tournament itself and arranged for a recreational social gathering to follow. The entirety of my late brother’s former fraternity members (known as a pledge class) were present, along with former classmates.

 

Earlier in the evening, a small concert led by popular local musicians was held on the porch, along with barbequed food consisting of brisket, sausage, and potato salad (among others).

 

Following the departure of the band and caterers, the approach of the crowd in the building shifted as higher levels of activity (and intoxication) became acceptable now that the night had progressed, and daylight had passed completely into night.

 

A crowd of around 50 to 75 remaining partygoers congregated completely into a large corner room of the building, an area adjacent to the kitchen where food is typically served for similar events. For such functions, there is a large rectangular table centered in the room bearing the yellow and purple colors of the house along with their coat of arms and titular house letters.

 

With large speakers taking the place of the band and copious amounts of beer taking place of the caterers, the entire crowd then gathered around the center table to the tune of a pre-arranged musical playlist of Harry’s favorite songs, occasionally breaking up any potential melancholy brought about by the playlist with popular dancing songs in order to keep energy levels consistent.

 

In tandem with the music starting, people in pairs or trios came to take turns dancing on the tabletop for a few minutes at a time, usually remaining for the duration of two to three songs before excusing themselves from the center of attention and being helped down, to be quickly followed by another pair or trio hopping up.

 

The entire party lasted until the hours between 12am and 1am, when large activities are legally required to shut down. Given that the gathering in the table-centered area began around 9:30 to 10:00 pm, this particular activity therefore extended for roughly 2 to 2.5 hours in total.

 

Although this congregation of friends and family came about in remembrance of tragic circumstances (ie someone’s untimely death), the resulting proximity of so many at once where they may have otherwise not been brought together in such a way prompts not only a celebration of the life of he who passed, but also a celebration of the many lives that have continued on.

 

Such a situation goes to show how happiness in large groups is capable of wholly overwhelming any notions of sadness, and that such celebrations in the wake of tragedies can be considered appropriate when such an effect is properly achieved and initially intended.

Ancestral Visits

Nationality: Indian
Age: 21
Occupation: Student
Residence: Chanhassen, Minnesota
Performance Date: 4/6/2018
Primary Language: English

Informant Info: The informant is a 21-year-old male who was born and raised in Chanhassen, Minnesota. His parents both moved to America from India when they were in their twenties. He is currently a student at USC studying Electrical Engineering.

 

Interview Transcript:

Interviewer: Do your parents, being first generation immigrants, have any traditions or rituals that they’ve passed down to you?

 

Interviewee: Every time we go to India, we take the train down to my mother’s ancestral village, like where her parents and grandparents grew up. It’s really old and small… only like 20 or 30 people live there I think…so it’s really tiny. And everyone is old, I think the average age is like 80ish, not to be rude.  But it is really, really important to my mom, so we go every time.

 

Analysis:

This story represents the significance of ancestral history. Despite leaving India and coming to America, his mother’s ancestral home is still very important her. It is where she grew up with her parents, spent her childhood, and was taught all of the values and traditions that she still carries with her today. For her, she goes to pay her respects to her ancestors and her hometown, and by doing so, the informant is also learning about its importance.

Happily Ever After – Server’s Edition

Nationality: American
Age: 26
Occupation: Status Coordinator at Walt Disney World
Residence: Orlando, Florida
Performance Date: 3/12/2018
Primary Language: English

Informant Info:   The informant is a 26-year-old female who was born in raised in Hickory, North Carolina. For the past 3 years, she has lived in Orlando, Florida and has worked for Walt Disney World as a Status Coordinator.

 

Interview Transcript:

Interviewer: You’ve worked for Disney for the past 3 years, almost 4 now. Have you ever encountered any traditions within locations that are outside of the realm of general work operations?

 

Interviewee: Well, I think I have one for you. When I was at Be Our Guest, there was a giant mosaic at the entrance of the restaurant. Every morning when opening, we would follow general opening procedures and then have the normal pre-shift meeting that all locations have… not that you would know since you were always closing at Satu’li (laugther)! Anyways, the mosaic, in case you don’t know, is one of the scenes of the Happily Ever After between Belle and the Beast. After pre-shift, we all had to walk outside to greet guests and drop the rope. But before doing so or starting any shift, every server would walk up to the mosaic and touch it. To them, it was like a good luck charm. In order to have a good shift, they needed to touch it and by doing so they would get lucky and have their own happily ever after by getting good tables and tips. Otherwise, without touching, they would likely have a bad shift. It sounds stupid, but it’s something I always witnessed them doing!

Analysis:

It seems almost natural that workers (or cast members, as they are called) are deriving their own superstitions off popular folklore. The mosaic that she is referring to in the story reflects the ending scene in Disney’s version of The Beauty and the Beast. It is a depiction of the ballroom scene of Belle and the Beast dancing, and the red rose blossoming in the background. This scene in the movie symbolizes the happy ending for the two, as the Belle and the (now) Prince can spend the rest of their lives together after the curse has been lifted. The superstition among the Disney servers just reflects variation on this by, as Kim points out, serving as a lucky charm for their own happily ever after… by the method of good tips!

BeautyBeast

 

Citations: Trousdale, Gary and Kirk Wise, directors. Beauty and the Beast. Walt Disney, 1991.

Photo from Google Images