Category Archives: Legends

Narratives about belief.

Text: In the quaint British village near Durham, the ‘Wald Inns’ hotel harbors a chilling tale from the 1980s. A girl’s tragic end in room 212 spawned a series of inexplicable fatalities, sealing the room’s fate and the hotel’s closure within a mere month. Whispers abound that her spirit lingers, eternally confined to that very room.

Context: While sharing eerie stories one evening, my friend from a serene British village recounted the haunting history of ‘Wald Inns.’ The hotel, once bustling, became the stage for a harrowing narrative in the ’80s when a young girl’s life ended in despair in room 212. This event marked the beginning of a terrifying pattern: subsequent guests of the room never emerged alive. The sequence of mysterious deaths led to the hotel’s swift shutdown. Today, the abandoned ‘Wald Inns’ stands as a spectral reminder, with locals firmly believing the girl’s spirit remains, eternally wandering within the walls of room 212.

Analysis: The haunting history of the ‘Wald Inns’ hotel in room 212, where a young girl’s tragic demise led to a series of unexplained fatalities, transcends mere ghostly folklore. This narrative, deeply ingrained in the local community’s consciousness, reflects a collective engagement with themes of loss, the afterlife, and the quest for understanding beyond the tangible. As Domino Renee Perez highlights, folklore figures like the girl’s spirit in room 212 wield power through their actions, often leaving a lasting impact on cultural memory and communal identity (Perez 155). The tale of the ‘Wald Inns’ serves not just as a chilling story but as a cultural expression that probes the boundaries between life and death, invoking questions about justice, remembrance, and the unseen forces that linger in our midst. It embodies a communal narrative that navigates the complexities of human existence and the mysteries that defy explanation, serving as a poignant reminder of the past’s enduring presence in the collective psyche.

Text: In Dalit Tradition, you are supposed to place the mandir (temple) in the southwest direction of the house.

Context: When my friend’s brother was crafting his home, he wove in the ancient wisdom of Vaastu Shastra, a revered Indian ethos aligning architecture with cosmic energies for harmony. In a mindful move, he placed the sacred mandir facing the southwest, as advised, ensuring a home cradled in positive vibrations and prosperity, a testament to Indian traditions. He was talking about how his family believes in Vaastu as they consider the placements of each parts of the house as “important parts in deciding the house’s energy.”

Analysis:

The placement of the mandir (temple) in the southwest direction of a house, adhering to Vaastu Shastra principles, reflects a deep-rooted cultural and spiritual ethos within Indian tradition. This architectural practice transcends mere structural design, embodying a holistic approach to living that aligns with cosmic energies for harmony and prosperity. Such practices resonate with Ülo Valk’s observation that folkloric entities and practices are “shaped by the perspectives…of storytellers” (Valk 31), suggesting that these architectural choices are infused with cultural narratives and wisdom passed down through generations.

This mindful integration of the mandir within a home’s architecture speaks to the historical and cultural significance of sacred spaces in Indian tradition. It echoes Domino Renee Perez’s insight that folklore and cultural practices wield power by making “often incomprehensible and at times contemptible choices” (Perez 155), highlighting a deep-seated reverence for tradition and unseen cosmic forces. The adherence to Vaastu Shastra in modern living represents a dialogue between tradition and modernity, anchoring individuals within a continuum of time-honored practices and offering a sense of continuity amidst contemporary life. In essence, aligning a home according to Vaastu Shastra principles, particularly in the placement of sacred spaces, is a manifestation of the enduring influence of spiritual traditions in shaping personal and communal environments. It illustrates a worldview that regards the home as a microcosm of the universe, where directions and spatial arrangements are imbued with deeper meanings, thus integrating the sacred into everyday life and maintaining a vibrant connection with cultural heritage.

Text: If you pass a sharp object such as a knife or scissor without placing it on a flat surface, it means a bad omen

Context: “Anytime I go back home to India and I’m passing cutlery or like silverware to my friends, specifically a knife or a sharp object, they always tell me to place it on a flat surface or like a surface before they take it, just because if I pass it to them directly, there’s a myth that I’m gonna have a fight with them or they’ll walk out of my life or something bad and negative will happen to them.” This is what my friend told me when I interviewed him. He’s Indian and his friends back home believe in this, but although he doesn’t believe in this, he’s forced to follow this tale. On the positive side, he said that his friends’ beliefs about this make him question if there is “another force in the universe.”

Analysis: This folklore tale delves into deep cultural and interpersonal dynamics. This practice, while seemingly rooted in superstition, underscores a broader cultural wisdom emphasizing caution and respect in human interactions. It resonates with Ülo Valk’s insight that folkloric entities are “shaped by the perspectives…of storytellers” (Valk 31), suggesting that such tales reflect communal values and the social fabric of a culture. Similarly, Domino Renee Perez’s observation that folklore figures like La Llorona “wield power by making often incomprehensible choices” (Perez 155) highlights how folklore governs individual actions, even beyond personal belief. This tale, therefore, is more than a superstition; it’s a ritualistic expression of mindfulness and a nod to the collective wisdom that guides social conduct. It connects individuals to their cultural heritage, fostering a sense of continuity and respect for the unseen forces that shape human relationships. Moreover, this tale interestingly highlights the permeation and resilience of cultural beliefs through social networks and friendships, even among individuals who may not personally subscribe to these beliefs. My friend’s adherence to this practice, despite his skepticism, underscores the compelling nature of cultural norms and the respect for the beliefs of others within one’s community.

Greek American Ghost Memorate

Text: The informant lived in a small apartment in the Bronx. Due to the neighborhood’s known risks, his mother would meticulously lock the door, a practice the informant deemed necessary yet somewhat excessive. Over 33 years, the informant remembers the door never being left unlocked or open without explicit reason. He recalls even if he was moving back from college, his mother would lock the door in between each trip. However, the day his father passed away the informant discovered the door wide open twice, despite no signs of a break-in or any items being disturbed or stolen. The informant also explains there is an old Greek tradition that he heard about from friends that when someone dies, a male family member has to stand outside of the house for a while to prevent the soul from returning to the house.

Context: The Informant experienced this in 2001. He believes that his dad did come back into the house. He viewed it as a good thing though, somewhat contradictory to the original belief that you had to stop it from happening. Instead he took comfort in it. The informant is Christian and believes the spirit stayed around for a bit just to impart good byes to his family. 

Analysis: I think this piece reflects the strong religious belief in the afterlife among the greek population, Christianity is one of the defining parts of their culture, though this story isn’t really christian though it still reflects the belief in an afterlife. I attribute the story, in part, to the Mysticism inherent in the religious beliefs of Greek Orthodoxy. I think you can also gleam the traditional gender roles from this story as well, with the aurdmian of the house required to be male, Greece being a very traditional society, this doesn’t surprise me

Greek Legend about Alexander the Great’s Horse


Text: The informant recalls being told the story of bucephalus, a great stallion that no one could tame or ride that belonged to the king of Macedonia, Phillip. Alexander the great, his son,  made a bet with his father that if he could ride the animal it would be his. The King agreed. Alexander approached Bucephalus differently from the great generals who had tried to tame him with force. Instead of beating, yelling, or chasing, he spoke softly to the horse, praising its beauty. Realizing the horse was afraid of its own shadow, he cleverly redirected Bucephalus’s head towards the sun. This removed the shadow from view, calming the horse. Alexander was able to mount and ride Bucephalus successfully. 

Context: The informant explains he was told two things about the story. First, when someone is acting ferociously, it may not have anything to do with you, it is often because they are afraid of something. Second, that by being patient and observing you can figure out what is wrong, and by being nice you can diffuse the situation. He was told this story when he was a young boy growing up in the 70’s in New york in a Greek immigrant family. 

Analysis: I think this story serves two purposes. Firstly, it is meant to instill good values and socialize a young boy about how to handle heated situations. The second reason is to retain cultural identity. The informant is from a family of immigrants, very proud of their culture. By telling stories of Greeces most influential figures they retain their identity while instilling important values.