Category Archives: Myths

Sacred narratives

Maui Harnessing the Sun

Nationality: Cuban American
Age: 22
Occupation: Student (Fashion)
Residence: London, United Kingdom
Performance Date: April 30th, 2021
Primary Language: English
Language: Spanish

Informant Context:

James has lived in many locations internationally, including Cosa Rica, Mexico, and Nepal. His family is located in Hawaii, where he will often visit during his breaks from school. He is a student in London, United Kingdom, studying fashion. 

Transcript:

JAMES: Obviously I am not native Hawaiian, but having spent some time there—especially now that my family lives there—um, there’s obviously a pretty rich cultural… culture of storytelling, and obviously they had their own kind of mythology and stuff. And one that always stuck with me was that on oddly enough, in the hotel that we used to say at often when we would go to Maui, there was a huge massive like—oh gosh, it must have been, it was probably like 30 feet tall, 20 feet tall and like 40 feet wide—is a massive wood carving of Maui harnessing the sun. Which comes from… obviously, Hawaiian legend and myth—of how in the early days of creation, the sun raced—was obviously a personified person, and they would drive rapidly around the earth, basically, racing around the earth and… days were so short,  that people couldn’t do anything, they couldn’t get anything done. And so, they—the people, you know, cried out to Maui their demigod savior, and said, “Can you do something—[laughs]

INTERVIEWER: [joins] 

JAMES: —about this?”, as people tend to do of their deities and stories, and even in modern days, but that’s a lit—that’s a different issue [laughs]. Um… and yeah, so as far as I’ve been told the story, it’s—Maui climbed up to Haleakalā, which is the, uh… largest—larger of the two volcanoes on Maui, and cast out his fishing net—which is one of those ones that you like… yo—I don’t know like, the term for it, but you like, swing it out, and it like, spreads out. And he managed to catch the sun, and brought him down to earth, and was basically like “Hey!”… basically threatened him, which I feel like you shouldn’t do to like, the *sun*, but… he… basically threatened him—

INTERVIEWER: [laughs] You’re nice to the sun?

JAMES: [voice broken by laughter] You know? Like, you kind of… be polite, [or(?)], diplomatic, but—

INTERVIEWER: [laughs]

JAMES: Anyways, I guess you can do whatever you want if you’re a demigod. And uh, yeah. But he harnessed the sun, brought him down, and basically [showed him(?)] like, “Hey! You—we need like, more… we need longer periods of light. Because otherwise, the food isn’t gonna grow, and if… we can’t just keep working at night, because you know, electricity isn’t a thing. And so, please go slower.” And then he released him, and that is where they believe the day comes from. The… uh, as far as… in its longevity, um… and its consistency, I suppose, being where they are at—near the equator. Um… but yeah! That one always stuck with me, mostly because we would just see this massive woodcarving over, um… in the foyer of this restaurant. [unintelligible] is always… like, like right in the middle of the hotel. Um… but I always… I always loved the Hawaiian myths, I suppose. I think they’re very…  mythology in general, I mean, is just fascinating…

Informant Commentary:

James has a general interest in religious folklore, especially the folklore of those places he has personally visited. He expressed a positive view of folklore in Hawaii, citing institutional efforts of preservation and respect, such as laws surrounding burial grounds and other sacred land, as well as the consistent invocation of traditional Hawaiian symbolism around government buildings and tourist areas (e.g., the statue mentioned in the transcript). When countered on this idea, James acknowledged that many of these efforts are, in his words, “performative”. 

Analysis:

This story is best categorized as a myth, as it is a creation story and an explanation of a natural phenomenon: the length of the days. Based solely on the narrative of the story, the myth of Maui harnessing the sun seems to reference a fundamental trust in deities to intervene on behalf of man, even capturing one of the (if not the single most) powerful natural force.

The Screenwriter’s “Champion”

Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles, California
Performance Date: April 16th, 2021
Primary Language: English
Language: N/A

Main Piece:

“The only like, real, like screenwriting folklore I know is like the championing method which I don’t think— the more I think about it, the more I think this is fake, but freshman me believed it so hard. It was like— to explain for the folklore archive— it was like the way people get into screenwriting. Every screenwriting professor picks one application and has to fight for it. And so every student has their “champion” who is the one who fought for them to get into this program. And then before you graduate they have to tell you who they are.”

Background: 

My informant is one of my friends, a sophomore in the screenwriting major at USC. During her time at this school, she learned about the folk legend through our upperclassman in freshman year, who are also screenwriting majors. As stated in the performance, she seemed to believe it more in the past than she does now, but still spreads the story like the rest of our peer group does.

Context: 

This piece was brought up in conversation when my informant, another participant, and I were talking about our classes. This then led into a tangent about the kinds of screenwriting stories we’ve heard in the department, and how many different versions there are of the “champion legend” that supposedly led to students being selected for the program. 

My thoughts: 

I heard a similar version of this story when I was visiting USC as a high school senior, and heard it from upperclassmen that have since graduated. Since that was a few years ago, I think it’s fair to say that there has to be some credibility in the legend considering how many times it’s been passed down the cohorts in the screenwriting major. I would consider this story to be a legend because it plays a role in the real world in the sense that the faculty do have to determine which applicants to accept into the school, but it’s uncertain if they actually “champion” a particular application or not. This could furthermore be considered a local legend, at least in the School of Cinematic Arts, and by learning it, new screenwriters are initiated into the peer group. That being said, the story could be also interpreted as a myth, because like a sacred creation story, this piece explains the origins of the USC screenwriting student and how they came to be. Overall what I like about this piece is the various retellings there are from the upperclassman. because them passing down the screenwriting lore to us is like being initiated into the group.

Mount Diablo

Nationality: African-American
Age: 22
Occupation: UI Engineering Intern
Residence: Los Angeles, cA
Performance Date: April 29, 2021
Primary Language: English

Mount Diablo is a mountain on the Diablo range in the San Francisco Bay Area of Northern California. This mountain has been the reported site of many ghost hauntings, paranormal phenomena, and cryptozoology.

C: This is more like, local history than folklore, but Mount Diablo was like the big mountain range in the area. And everyone was like, “Oh! Why’s it called that?” Um–

L: Cause Diablo!

C: Cause Diablo! It was like . . . The Native Americans called it something because of like, the plant life on it–or something– and “Ah, demons” says the Spanish. This mountain has demons and thus said “Mount Devil”.

Thoughts:
It’s a chicken and the egg scenario of what came first — the paranormal sightings on the mountain, or the name of the mountain itself. Undoubtedly, one influenced the other into existence. It would be almost criminal to not have spooky stories about a place called Mount Diablo.

For more stories about this Mountain Range, please visit: https://museumsrv.org/post-1421/#:~:text=One%20of%20the%20most%20famous,guise%20of%20an%20old%20hidalgo.

The Salt Witch

Nationality: American
Age: 22
Occupation: UI/UX Designer
Residence: Los Angles, CA
Performance Date: April 30, 2021
Primary Language: English
Language: Japanese, Latin

The informant grew up in Omaha, Nebraska. Here, he tells the story of an old chieftain from the American Indian Omaha Tribe who encounters a witch after his wife’s passing.

N: There’s the Salt Witch. There’s a chief– I don’t know if he’s of the Omaha Tribe or not, cause there are some stories of chiefs of the Omaha Tribe. But, there’s a chieftain who lost his wife and he basically, like, shut down because his wife was dead. I don’t remember how his wife died. She just passed away, or something?

Um, but he retreated into his hut and the other members of the tribe were like “We gotta vote a new chief in. This guy’s doing shit all”. So one day he just came out of his hut, like, full war dress on adn just fucking leaves. And he, like, comes back a week or something later with a shitload of scalps, like heads, and a buncha salt. 

And the story– like the scalps are like, “Okay. He can still kill white people. Still strong” like whatever. But like, the salt part is he told a story about one night he was trying to sleep and he heard a ruckus. So he went out and he saw a young woman, who was being held down by an old crone about to chop her head off. And the chieftain ran and buried his tomahawk into the old crone’s head. Saved the young woman, and the young woman looked up at him and had his wife’s face. But then, when he reached down to grab her, she, like, disappeared, leaving a buncha salt behind. And he sorta scooped it all up.

People Don’t Eat Shrimps in Yemen

Nationality: China
Age: 75
Occupation: Interpreter
Residence: Shenyang, Liaoning, China
Performance Date: 4/20/2021
Primary Language: Chinese



Backgrounds:

CC was born and grew up in Beijing. He earned a bachelor’s degree in Arabic, and then served as an interpreter for China’s medical assisstance team sent to Yemen. He stayed in Yemen for over 10 years, helping with the communication between the patients in Yemen and the medical workers from China. During his time in Yemen, he got to know many local Yemen people and was able to learn a lot about their culture from local people.

The informant shared this piece of folk practice during an interview via phone call.

The Main Piece:

CC asked: “Do you know that Arabic People (I personally think he’s mostly referring to people in Yemen) don’t eat shrimps? They say that shrimps are made of the dead skins and dirt from Alah’s feet, saying they’re dirty. When I was in Yemen, sometimes we go to the beach, we might see the beach full of shrimps, but nobody takes them or eat them. But we’re Chinese and we didn’t care, so we would collect a lot of the shrimps and we would eat them. But people know shrimps are delicious, so nowadays more and more young Muslims started eating shrimps, but the older ones I know, they don’t eat shrimps at all. “

Analysis:

I know there are some restrictions on what a Muslim can or cannot eat, but I didn’t know it would involve such common foods like shrimps. It is interesting that this habbit of not eating shrimps is linked to the creation of things: the people in Yemen give everything an origin in their creation myths, and shrimps, unfortunately, have a less popular one.