Category Archives: Festival

Coloquio (colloquium)

According to my dad’s recollections, this type of gathering was one where people did stand up comedy upon a makeshift stage. People would also put on play productions with costumes and dance around in tomfoolery. A show of fireworks would also be part of these gatherings, but after one incident involving a cousin of my dad’s where a firework failed to take off and exploded causing his death, the gatherings were discontinued.

My dad said these gatherings stopped occurring sometimes in his teen years (1970’s) after the aforementioned incident. He recalled going to some and seeing the fun people had. It was a gathering for people to be silly and enjoy comedy. He sounded sad retelling what happened to his cousin and very nostalgic as he often refers to his teen years as “the good old times” as one does.

I tried to imagine what these would have looked like and to me, I picture them like a comedy show put on in a ranch with people laughing and drinking. I could imagine the sadness people felt after the unfortunate circumstances that ended this joyous tradition.

Tinikling

Context: My informant is a direct family member

My informant says that Tinikling is “like a dance in the Philippines, you do with bamboo sticks”. She describes it as a traditional dance where two people are supposed to hold very long bamboo sticks on the opposite ends and there are two dancers coordinating together in the middle. It can be a very difficult dance, and it is a lot like a game. But it is still a performance.

My informant recalls that a lot of Filipinos kids (mostly girls) might learn this in school, or even outside of school because of the game aspect. And she notes that this tradition along with many Filipino traditions may stem from Spanish culture due to colonization.

It can be difficult to do it correctly, and you could easily trip if you and your partner make a mistake. But a lot of Filipinos have fun with this traditional dance.

She does remember this dance from her early years in school where it is thought so that it can be performed in a yearly school performance or presentation. She also interprets this dance as a fun part of Filipino culture. Because it is not strict to just performance but because it can be done by anyone even without it being something that has to be presented in a certain way.

Analysis:

Tinikling is certainly a folk tradition and folk dance. The dance is also performed at festivals.

Tinikling seems to be a part of Filipino culture for a very long time. And although it is a part of the history of colonization that the Philippines has endured, the tradition has seemed to be fully embraced and seen as something endearing and fun. It has been removed from the possible pain that the colonization has caused. Because the dance is flexible in its form, it can be done “formally” and traditionally through performances and yearly performances done at schools but it is also done at the homes in the Philippines or even right by the streets.

As my informant mentions, this dance is taught at many Filipino schools, it is well-known by many. The folk dance seems to be carried by pride, fun and even nostalgia. If this dance was not taught to someone in the Philippines, someone who does know could gladly teach it.

Seattle Autumn Harvest Festival Social

This story is from a Chinese-American friend from Seattle whose mother works for Microsoft. She is a first generation Chinese-American, with both her parents immigrating from China before she was born. The story is about her experience watching her mother dance in the Chinese dance troupe at a big social for the Asian community of Seattle to celebrate the Autumn Harvest Festival.

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“Every few times a year, my whole family attends my mother’s dance performance to be her biggest fans. Her dance troupe dances for Chinese festivals, from New Year’s celebration to the Autumn Harvest Festival. When it becomes 8 pm, the light shines on her dance troupe, and she shines the brightest with the prettiest face and prettiest embroidered dress. The performance is an accumulation of all of her love and passion for Chinese dance. She is a busy working mom, who barely has enough time to sleep, but she insists on tirelessly improving dancing because it is her passion.

My family would feel inclined to say that her dance performances are the magnum opus of these events, but my personal and secret favorite part in volunteering in the events. My mother has danced in these festivals for pretty much all my life. I have attended every single one! These festivals would take place in large rented out churches to multiple entire buildings, but they were filled in and out with celebrations of Chinese culture. There were many stages that held skits (I was forced to be part of some before), Chinese puppetry, and many booths that teach Chinese art. When I was younger, I was the one of the children who would run to every corner of the event, collecting every free stuff, getting the sickest face painting, and watch every skit that related to things I enjoyed. My parents weren’t able to keep up with my enthusiasm, so I ran around with my fellow friends.

When I became older, I attended every festival as a volunteer, and brings me lots of happiness to bring the same joy I felt in the past to other children. I am proud to hold the title as the “cool face paint sister who can draw anything.” After being unable to take a break for hours as the lines keep building (i remember eating steamed dumplings covered in paint residue), many of the children and even adults get some sort of mark of my artistry on them. It made me even happier that they loved it after completion. After around like 7 hours of volunteering, I finally get to rest at 8pm though! And watch my beautiful mother dance.”

Context

“This event began to recently be sponsored by Microsoft because all of the performances are usually done by people who work for Microsoft or their kids, and sometimes people who are friends with those Microsoft families cuz in Seattle pretty much all Asian families work for Microsoft or are friends with someone who does. So it’s become a thing where all of the Asian population of Seattle shows up.”

Interpretation

In my friend’s beautiful story, I noticed that there’s a strong family and community element to this event. All ages and occupations, from working mothers to families to little kids, are involved and there seems to be an event for every group (eg. face painting for the kids.) Because it’s a family event, there’s also a strong emphasis on passing down Asian/Chinese culture to the next generation so that the kids who grow up in the United States are still connected with their heritage. Furthermore, I thought it was really interesting that Microsoft itself recognized and supported the Asian community in its workforce, something that was completely optional for them to do. Perhaps Microsoft thought that supporting this community was important to unify company culture and present an image of itself as culturally aware and tolerant.

Yunnan/Sichuan Torch Festival

This is a story from when my informant, who is Chinese-American, went back to the rural town in Yunnan, China that her father’s family hails from when she was around 10 years old.

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“So in Yunnan, China (and Sichuan, which I’ve learned from outside research) there’s this festival that happens at the end of summer called the torch festival, with a lot of stuff like people dancing around bonfires, lighting paper lanterns, lighting torches, etc. When I was younger and in China during that time, I participated in the festival at the rural town that my grandparents live in called Xiangyun. One of the activities I remember most about it is people gathering in a circle around the fire and jumping over it. I accidentally ran towards it as the same time as another person and burned a hole in my shoe haha.”

Context

“When I asked my parents about it, they said it was to ward off insects as the harvest season started. When I did more research on it, I found out it was based around a specific legend of how a hero warded off a swarm of locusts with fire (I believe this story comes from the Yi people, but double check me on that). As far as I know, I think the custom is endemic to that specific area of Yunnan, cause I couldn’t find it in the resources on the torch festival online. Although I was only looking at sources in English, so that might’ve affected it.”

Interpretation

This festival shares a lot of similarities with many holidays that occur at the end of summer and usher in autumn and winter. It focuses on the presence of light and warmth (lighting torches and lanterns) to ward off the increased darkness of the following days and emphasizes creating a bountiful harvest by warding off harmful insects. The ritual of people jumping over a fire is interesting because it seems like people want to take the risk of being burned to heighten their spirits and get ready for the gloominess of winter.

Mawssim (season) Fantasia Festival

Text:

“One of my best childhood memories was the Mawssim (season) Fantasia Festival. I used to go with my dad to the country side of Larache in the spring to attend one of the most fascinating cultural festival where men would ride Arabian horses very fast at the same speed and shout in synchrony old traditional riffles in the air at the same time and in the same line while professional females dancers performed cultural dances and sing at the same time in two straight lines dancing in front of each others back and forth. After the show finished, they would bring and serve a festive meals in each tent where guests sat around tables on the floor on top of colorful hand made carpets and beautiful pillows.”

Analysis:

This festival has two lines of, I assume, male individuals and two lines of female individuals. The spring time represents rebirth, fertility, and new beginnings. The dances with the race represent this concept, along with a subtle hint of courtship. In addition, this event brings numerous crowds of people from different places. Viewing dance and this festive horse display could facilitate connections with others that otherwise wouldn’t have much in common. After some research, the Fantasia festival represents the connection between masculinity, horses and warfare. It has Amazigh origins of men fighting on the backs of horses. The Amazigh are the indigenous people of Morocco, and they are more largely nomads of North Africa (Algeria, Tunisia etc). My grandpa (Amal’s father) was very proud of his Amazigh heritage, and being a part of the Mesmouda tribe – one of the largest and last tribes in Morocco. They do not have a nation-state but they still do have a sense of collective identity that is more fluid. My family had to convert their last names from Mesmoudi to Abdelkhalek because the government was scared of them overthrowing the Arab ruled government again that is largely Islamic (they do not have a set religion). On numerous occasions they demanded him to say that he is an Arab but he refused. He then said to my mom that even if the King has a sword to your throat and tells you to say that you are someone you are not (Arab), never succumb and be proud of who you are (Amazigh). My mom told me a variation of this without the Arab-Amazigh connotation where it is more like “even if the King has a sword to your throat, always stand up for what is right and what you believe in”. Even though I haven’t participated in any Moroccan festivals, the Amazigh warrior mentality has been passed down to me.