Category Archives: Festival

Pizzica-the original Tarantella

Nationality: Italian
Age: 57
Occupation: Teacher
Residence: Bologna
Performance Date: 04/13/2021
Primary Language: Italian

Main piece:

S.C: Pizzica is a dance which draws its origins from our country…from our Southern regions specifically, and it was said that, when women worked in fields, there was the possibility of being bitten by these spiders, these tarantulas, so yeah to alleviate and take the pain of the moment away, these women would start to frenetically dance. 

And it’s a dance which is still performed and it represents a big tradition of our country.

There is also a festival, a really famous festival, which is held in Melpignano every year in late August, called La Notte della Taranta, and it’s a festival which summons various people, who…gather to live all together this moment of joy and freedom…of liberation I would say. 

V.S: Have you ever learnt the steps?

S.C: I tried to learned it many times [laughs], but unfortunately I was never able to. It’s quite complicated, full of little jumps and a…a difficult rhythm to follow. 

Background:

My informant is a 57 years old woman, born in Bologna from Italian parents. However, while her mother was born in Bologna as well, her father came from Apulia, and, for this reason, she spent much of her summer vacations in that particular region, getting to know many of its traditions and folk-pieces. Despite her inability of permitting it, she has always had a sort of sentimental attachment with this practice. 

Context:

I myself knew this folk-dance , and we were in the informants’s house when she mentioned and explained it.   

Thoughts:

Pizzica is one of the various names given to what is most commonly known as Tarantella. The word Pizzica can be translated into the verb “bite”, while the Tarantella or Taranta are terms related to the tarantula, a family of spiders. Other hypothesis claim that the terminology could also derive from the city of Taranto, which is one of the main cities in Apulia, the region in Southern Italy where the dance and ritualist phenomenon is said to have been originated -to be then diffused in all the rest of the Italian South. 

Pizzica fundamentally is a ritual folk dance performed to liberate those who were bitten by spiders while working in fields and in the countryside. It is, indeed, said that the music on which the dancing takes place, which is principally made up of lamenting songs and tambourine’s rhythms, miraculously helped those affected with the bite to free their body from the venom of the animal, which, in the mean time, provoked spasms and agitated movements. As a matter of fact, the dance which is still nowadays performed, presents spasmodic and frantic steps and movements, which are made up of jumps and twirls. In this way, music gained curative and healing properties, and the dance was represented both the effects of the bite and the method through which expelling venom from the organism. 

One of the most interesting aspects is that, especially in historical sources, the majority of the involved parties were women of all ages, which somehow relates this ecstatic performance to the rituals and behaviors adopted by the Bacchantes in ancient Greece. This relation makes more sense if it is considered that Apulia was one of the Greek colonies in ancient Italy, and it wouldn’t be strange for this divinatory practices to having been diffused through …

In present times, pizzica still is one of the main folkloristic traditions of Apulia, which was also translated, since 1998, into an actual festival, which attracts every year hundredth of thousands of spectators and performers. Yes, performers. because, with the live show that professional dancers, musicians and singers provide, everyone in the audience is invited to directly participate, being urged to dance and sing at the rhythm of tambourines!

[Maria Grazia Chiuri, art director of Dior, has made pizzica one of the principal components of 2021 Dior Cruise shows, which took place in Lecce, one of the most important cities in Apulia]

–https://www.youtube.com/watch?v=QpVCzLQ56yM

–https://www.youtube.com/watch?v=T5pBRKED0Bc

Farsang & Busójárás

Nationality: Romanian, Hungarian
Age: 47
Residence: Oxford, Connecticut
Performance Date: 04/25/2021
Primary Language: Hungarian
Language: English; French; Romanian

Main Text: 

Farsang & Busójárás 

Background on Informant: 

My informant is originally from Romania, specifically the Transylvania region that is intermixed with Romanian and Hungarian roots. They came to the United States at 24 and have been here since. They are very knowledgable with the cultural context of Romania and Hungary, having grown up in Szekely tradition (a subgroup of Hungarian people living in Romania). They have graciously shared with me parts of their folklore and heritage. 

Context: 

They explain: 

“Growing up in the Szekely tradition, my culture was mixed between Hungarian and Romanian, but the Hungarian customs were what my parents practiced over Romanian. 

One of the best events we celebrated was ‘Farsang’ which is kind of like a Hungarian Halloween. It starts at the beginning of January, I think the day of the Vizkereszt (Epiphany) and it ends before Easter. 

The whole event is basically like a carnival with costumes (which looking back some of the costumes we had were so funny, my parents always tried to save money so they would send us out as little clowns). There was also a parade they would hold for the children, where we would gather and winners were chosen. I won one year which was fun and I got a small cake as a reward. Speaking of eating my favorite carnival treat was the farsangi fank which are basically little fried donuts covered in powered sugar. 

It definitely is very heavily influenced from Christian traditions, but it never felt religious. It was a very fun period where we were saying goodbye to winter and welcoming in the new spring weather. 

Towards the end of Farsang, there was this celebration called the Busójárás, which lasted for six days in the town of Mohács. Men would dress up in these scary masks and ‘take over the town’ and chase people. 

The origins go something like, during the Ottoman occupation, the people were forced to flee the town and hide, and then one night after taking the advice of an elder (a šokac man), they returned to the town in scary masks, and scared the Turks away because they resembled demons. This is why the masks are so scary looking, but today instead of scaring away invaders, they symbolically ‘scare’ away the winter. 

It definitely has a lot of folk culture involved from the masks, to music, dancing, and a lot of drinking. 

Then after all of it is over, the Easter season begins and it much more conservative than Farsang, but nonetheless it was a wonderful chlildhood experience we got to see every year because my parents would take us to Mohács whenever it was held. 

They still do it today which is great and now with technology it’s very fun to see how people are still practicing the traditions of these events and the cultural influence.” 

Analysis/Thoughts: 

Growing up my mom would tell me brief stories about Farsang and some childhood pictures but I never really knew that much about the festival. This interview was definitely enlightening and I learned so much. I think it’s incredible how they have their own ‘Halloween’ which honestly probably predates it so technically we celebrate an American ‘Farsang’. I loved hearing about my interviewers experience and wishing that I could have my own Farsang stories. 

I had definitely never heard of the Busójárás and after watching videos and learning about the Turkish history behind it, I found it so interesting and fun. I love how even after all that time this tradition is still practiced and continues on. I love how much these people have embraced their cultural identities and how folklore has played a major role in preserving their histories. I think the importance of these events are meant to showcase the Hungarian pride in reminiscing about their past and to reconnect with the traditions of their heritage. It was fascinating to learn about Farsang and the Busójárás and again the constant influence of religion in most of their practices. Overall, I thoroughly enjoyed learning about this piece of Hungarian history. 

Annotations: 

For visual reference: 

https://lh3.googleusercontent.com/-pdO9keCxgsw/TYTiRl00KwI/AAAAAAAAAWs/lM69tOk5nQQ/s1600/189471_742748499111_22004196_40028612_5871230_n.jpg

Chuseok: Korean Thanksgiving

Nationality: American; Korean
Age: 19
Occupation: Student
Residence: Fairfield, Connecticut
Performance Date: 04/25/2021
Primary Language: English
Language: Korean

Main Text: 

Chuseok: Korean Thanksgiving 

Background on Informant: 

Currently a student, my informant grew up in a Korean household and has shared with me the many traditions she grew up practicing and experienced throughout her life. 

Context: 

She explains:

“In Korea we have this ‘holiday’ called Chuseok, which translates to ‘Autumn eve’.  It is celebrated on August 15th as it usually is a full moon on the lunar calendar and goes on for three days. It is kind of like a harvest festival and can be said to be an equivalent to the American Thanksgiving. 

Because we live in the USA and not Korea, we don’t follow the tradition to a tee, as it would require us to go to our hometown to visit our ancestors. 

Instead we hang up pictures of our dead relatives and bow down to their pictures as a sign of respect and ask them for guidance or luck. 

After our version of this ‘ancestral worship’ we have a huge feast  which includes: Songpyeon (rice cake), Jeon (Korean pancake), Japchae (noodle dish), and many others. 

Sometimes we have relatives or family friends who give us gifts but this one is more of a modern custom that hasn’t been around for that long. 

I love celebrating it, I think it really helps implement my Korean identity, and it’s a really fun tradition.”

Analysis/Thoughts: 

Before this interview, I did not know much about the Chuseok celebration, but was indeed intrigued after hearing my informant tell me about her experiences. As a first generation American myself, I know firsthand the struggle of trying to retain your cultural identity, and how typical traditions have had to morph somewhat into the American ideals. I love how even though her family can’t be in Korea they have developed their own version on how to celebrate that I find beautiful and heart-warming. I like how they continue to practice this in order to preserve their heritage and customs and how it has played an important part in my informants’ life and her connection to her culture. Overall, I love this tradition and how even though it has a long past, it continues to be practiced and the honor that is given to ancestors as a means of wisdom and remembrance. 

FIRST RAIN – Festival

Nationality: American
Age: 21
Occupation: Student
Residence: San Jose
Performance Date: May 1, 2021
Primary Language: English

Transcript of recorded audio
“Oh my god, I almost forgot First Rain. Okay so, this isn’t like, a legend, so much as it is a holiday. But every um, okay, cuz there are really specific rules surrounding it. So I feel like it counts. So, when first rain happens, um, you’re suppose to strip naked, and run to Overs, where the pool is, and you’re suppose to jump in the pool. But there are very specific, like, conditions that depend on what is first rain. So like it has to rain at a specific time and it has to rain like on a weekday, like it can’t rain on the weekend, or like a Friday, it has to be like Monday through Thursday and it has to rain from like… oh gosh, it has to rain from like, I want to say its like 10 to like 3. Like it has to rain for like 4 hours, I think. And I don’t know why the rules are so specific. Uh, legend says that it’s because, I guess like one year like, there were like, a bunch of like false starts or like maybe First Rain kept on happening like too soon. Um, there were a couple… um, false starts my Freshman year. Uh like, people who were like, oh its first rain, but like it wasn’t. Cuz like the specific rules hadn’t been fulfilled. But Sophomore year, like it like went off without a hitch. And I-I like, looked outside my room and there’s just, naked people running. Um, I never participated because I have a shit immune system. And honestly, I don’t know who started it. But it is like, a legitimate, like holiday, that I don’t think anyone else like celebrates. I bet you it like ties back to the fact that like being in UCSC, like on that campus in the forest, you feel that much more connected to nature.”

Background
The informant providing this story goes to UCSC. They likely heard it from their classmates (or if not that, from seeing a bunch of naked people jump into the pool in the rain. From their perspective they don’t seem to participate in the tradition, however, they also seem very positive towards it as well. There’s a clear point of pride in the way they talk.

Context
This story was given as a set of voice memos. Most of them are more related to legends and magical sights on campus. But this story (which was the last one provided) is about a holiday they have. The nature of the performance, which inherently creates two separate out groups (the ones who jump in early and the ones who don’t jump at all) is something I find interesting. This is also one of the many times that the speaker has contextualized her story through the nearby forest. It seems to act as a centerpiece for a lot of these stories, even the ones where very little relation is bared to the actual woods.

Thoughts
What’s weird about this festival is how obvious it is. Knowing the campus and its culture, this is exactly the kind of thing I would expect from them, to the point where it almost feels stereotypical. I feel like thats the point. In a way, this tradition seems to take the most mockable elements of the hippie movement (a movement which the school was closely associated with) and embraces it wholeheartedly. Another interesting element is the practice of open nudity in relation to autumn (when we might expect the first rain to actually happen). One might imagine that in a more traditional society, this would be more of a springtime celebration. But in a way, this tradition almost seems to mock that, by introducing a lively, outdoors celebration that forces people to jump into cold water. It almost comes across as a dare to thwart the seasonal change.

Sufism: Qalander and the Tradition of Jhuley Lal

Nationality: Pakastani
Age: 64
Occupation: Federal Government
Residence: N/A
Performance Date: 2 May 2021
Primary Language: English

Context: Some research showed that other sources spell Qalander and Jhuley Lal differently than informant JL, a former federal senator from Pakistan, did. This may be because of translation to the romanized alphabet, but the different spellings are Qalandar and Jhulelal. Regardless, Qalander is a Sufi, likely referring to Lal Shahbaz Qalandar, who lived in the 12th century and was buried in Sindh, which JL notes is his former country. Below, JL relays his knowledge of Qalander and his annual tradition of dancing. 

Main Piece: Transcript:

JL: One of the Sufis, his past name is “Qalander”, who is a very popular sufi. He also has an annual event, and his event is also marked by dancing… Even though he is a Muslim Sufi, most of his followers are Hindus because they believe that this Sufi is a reincarnation of a Hindu god… called Jhuley Lal. The word Jhuley means in the local language “the rocking” like dancing… and Lal actually is the red color. He used to wear red dresses always and he always used to dance going around in circles. And that is why people go in his tradition, and they all dance and most of them also wear red clothes. So you have a Muslim Sufi who is a reincarnation of a Hindu god. And there were people in millions even coming from across the border who are Hindus, and of course you also have Muslims. It is also in my former country, it is in the province of Sindh… His shrine is in a city, where you have the annual event where people will go and dance…

JL: So what happens is when the region was locked by terrorists for a time, who were hardcore islamists, they wanted to put a stop to this dancing, as you can understand you have man and woman rocking together at the shrine. Maybe 10 to 15 years back, the terrorists had actually planted a bomb in the shrine… and the bomb exploded and about 150 people died. And they thought that by doing that they would put a stop to all these followers coming to the shrine… And the tradition was that every morning at 4am they would ring the bell. And right after that explosion which probably took place at night, on the dot at 4am the caretaker of the shrine rang the bell and people came back to the courtyards and started dancing and nobody was afraid, so the tradition continued. 

—

I continued to ask JL about the strength of the belief in Sufism (for more, see Sufism: Festivals). He told me that, for the Sufist’s belief, so long as you were dancing and following the tradition of the Sufi, nothing bad would happen to you. The tradition of Jhuley Lal was so strong that not even a murderous bombing would stop the followers from dressing in red and dancing in the courtyard. 

Thoughts: Sufism is a firm belief system whose followers believe in devoutly in the hope that it will bring them good fortune. Even through death and tragedy, their devotion to Sufism did not waver, and I think that makes Sufism and its festivals powerful traditions. There’s certainly something to be said here about Sufis as role models for a population. The community of Sufists believe in these Sufis because of their positive qualities, and they practice traditions like dancing in red dresses so that they can imitate those positive qualities and find good fortune.